Arthur Malet Movies

A privileged, free-spirited young girl tries to adapt to life in a strict boarding school in this charming, critically acclaimed children's fantasy. Adapting a novel by Frances Hodgson Burnett, also the author of The Secret Garden, the film shifts the story's setting to World War I. 10 year-old Sara Crewe (Liesel Matthews) has been left in a respected New York City boarding school while her British father heads overseas to fight. Filled with wild stories and a playful attitude, the unconventional Sara becomes popular amongst her classmates but quickly comes into conflict with the harsh headmistress, Miss Minchin (Eleanor Bron), who attempts to quash the child's individuality. The young girl's situation takes a serious turn for the worse when she unexpectedly receives word of her father's death, and, suddenly impoverished, is forced into life as a servant. Treated as a lesser class of person by her former companions, Sara instead befriends her fellow servants and turns to the power of imagination in order to maintain hope for the future. In addition to changing the story's setting, screenwriters Richard LaGravenese and Elizabeth Chandler add a layer of Indian mythology to the tale, allowing director Alfonso Cuaron the chance to punctuate the riches-to-rags fable with a series of lush, imaginative fantasy sequences. Though A Little Princess had difficulty attracting audiences during its initial run, its visual splendor and touching storytelling were praised by many critics, several of whom proclaimed the film one of the best family-oriented productions of its time. ~ Judd Blaise, Rovi

When a private detective takes on a missing person assignment trying to find an Italian aristocrat's uncle, she discovers a conspiracy of murder and drugs. ~ Tana Hobart, Rovi

The most fascinating thing about Beastmaster 2 is how well the cartoonish sword-and-sorcery characters blend in to contemporary Los Angeles -- it may as well be documentary. Marc Singer plays Dar, a muscle-headed barbarian whose main claim to fame is his ability to communicate with a wide array of animal friends. Dar is informed that his evil brother Arklon (Wings Hauser) has nefarious designs on the universe. Arklon has teamed up with Lyranna (Sarah Douglas), a sexy witch who cracks wise in Valley Girl vernacular, a parlance picked up during her travels through the portal of time to a netherworld called L.A. Arklon has to find a quick way to decimate the universe, so Arklon and Lyranna travel through the portal to steal a neutron detonator from a military base close to Los Angeles. Dar and Southern California teen Jackie Trent (Kari Wuhrer) -- who had gotten stuck in the portal and ended up in Togaland -- pursue Arklon and Lyranna as they make their way through the time hole. Once in La-La land, Dra and his companion find themselves pursued by the LAPD, which considerably slows up their race to catch Arklon. ~ Paul Brenner, Rovi

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould's square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis's goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city's criminal activities in the process. Caprice also gains proprietary rights to Manlis's girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy's next move to is unite the rest of the city's crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice's criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy's long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they've been keeping an eye on. The various bad guys, heavily made up to resemble Gould's cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe. ~ Mark Deming, Rovi

A self-centered womanizer makes a wager that he will be able to propose to three women in a three month time and have each one accept in this romantic Philadelphia-set comedy. His three victims are an icy concert pianist, an innocent blonde receptionist for the Philadelphia Eagles, and a rich, horny hausfrau. The fellow plans to prove his success by videotaping each proposal. Sure enough he succeeds, but things quickly sour when the ladies find out that he's duped them. They then team up to get revenge and teach him a thing or two about real love. ~ Sandra Brennan, Rovi

Walt Disney Pictures produced this ambitious, animated tale of sorcery and swordfighting. Taran (voice of Grant Bardsley), is an assistant to Dallben (voice of Freddie Jones), a pigkeeper in the mythical land of Prydain. Taran longs to be a knight, and he's given his chance to live out his dream when he is sent out in search of a magical black cauldron which can either be a powerful instrument of good or a bottomless fount of evil, depending entirely upon who should find it. However, Taran is not the only one in search of this talisman -- the Horned King (voice of John Hurt) wants the cauldron to shore up his sinister powers and raise an army of the dead, and with the help of the all-seeing pig Hen-Wren, the wicked one may make his hideous plans a reality. The Black Cauldron had the distinction of being the first animated feature from Disney to receive a PG rating from the MPAA, due to some frightening scenes of black magic. ~ Mark Deming, Rovi

In the third and final film in the Oh, God! franchise, Bobby Shelton (Ted Wass) is a struggling musician who can't get a break, which bothers him all the more now that his wife, Wendy (Roxanne Hart), is about to have a baby. Desperate and depressed, Bobby announces that he'd sell his soul to get ahead. Suddenly, Harry O. Tophat (George Burns), Satan's earthly representative, appears and offers Bobby a deal -- seven years of unprecentented fame and fortune in exchange for his soul. Bobby cynically accepts and discovers that the devil is true to his word, but he finds that the trappings of fame and wealth are empty pleasures, and he loses Wendy along the way. When Bobby declares that he's made a horrible mistake, God (Burns), who has been watching over Bobby, offers to help get his soul back as the devil offers Bobby's place in eternity as the prize in a poker game. ~ Mark Deming, Rovi

A drought in the savannas of Kenya provides the basis for this dramatic African adventure that centers on a family living on a desiccated plantation. Their lives are further endangered by a pride of starving lions. Just before the people are devoured, they are saved by a courageous guide. ~ Sandra Brennan, Rovi

A group of religious leaders is up in arms over a WKRP program starring self-styled preacher Little Ed Pembrook (Michael Keenan). In additon to making a farce of all things spiritual, Little Ed insists upon promoting such questionable religious icons as "Baptist shower curtains." But inasmuch as the 300-pound preacher used to be a professional wrestler, no one at the station has the guts to question his ethics--dumping the problem into the trembling hands of Andy (Gary Sandy) and Carlson (Gordon Jump). This is the final episode of WKRP in Cincinnati's first season. ~ Hal Erickson, Rovi

Opting for light entertainment after the critical satire of Shampoo (1975), producer-director-writer-star Warren Beatty remade the 1941 comic fantasy Here Comes Mr. Jordan. Dimly amiable L.A. Rams quarterback Joe Pendleton (Beatty) is prematurely called to Heaven by an over-eager escort (Buck Henry, who co-directed) after a traffic accident. When archangel Mr. Jordan (James Mason) discovers the error, he offers to return Joe to his body, only to find that it has been cremated. On the verge of playing in the Super Bowl, Joe demands a fit body rather than the old about-to-be-murdered industrialist Farnsworth he has been offered, but he reconsiders when he sees environmentalist Betty Logan (Julie Christie) in Farnsworth's house. Assuming Farnsworth's body while keeping his sweet self, Joe hires his beloved coach Max Corkle (Jack Warden) to get him in shape (after convincing Max who he really is), sets Farnsworth's business on an eco-friendly path, and romances Betty. Farnsworth's homicidal wife (Dyan Cannon) and secretary (Charles Grodin), however, are still determined to succeed in their plan to kill him. When Mr. Jordan finally finds the Super Bowl body Joe wanted, Joe has to trade his old self for the new life -- but will he remember his love for Betty? Heaven Can Wait offered contemporary yet old-fashioned escapism and tapped into the late-1970s vogue for nostalgic fun, becoming one of 1978's most popular summer movies after Grease. Updating the original while following its blueprint, Beatty and co-writer Elaine May switched Joe's sport and turned Joe into a man of his '70s moment, adoring Betty for her convictions and favoring "green" policies over corporate greed. Gently breathing life into a classic form, Heaven Can Wait found romantic innocence in a jaded time, and it went on to receive nine Oscar nominations, including Best Picture. ~ Lucia Bozzola, Rovi

Lending his burlesque touch to 1970s genre revision, Mel Brooks followed his hit "western" Blazing Saddles with this parody of 1930s Universal horror movies. Determined to live down his family's reputation, Dr. Frederick Frankenstein (co-screenwriter Gene Wilder) insists on pronouncing his name "Fronckensteen" and denies interest in replicating his grandfather's experiments. But when he is lured by Frau Blucher (Cloris Leachman) to discover the tantalizingly titled journal "How I Did It" in his grandfather's castle, he cannot resist. With the help of voluptuous Inga (Teri Garr), wall-eyed assistant Igor (Marty Feldman), and a purloined brain, Frankenstein creates his monster (Peter Boyle). Igor, however, stole the wrong brain, and the monster tears off into the countryside, encountering a little girl and a blind hermit (Gene Hackman). Frankenstein finds the monster and trains him to do a little "Puttin' On the Ritz" soft-shoe, but the monster escapes again, this time seducing Frankenstein's uptight fiancée Elizabeth (Madeline Kahn) with his, ahem, sweet mystery. His love life and experiment in shambles, Frankenstein finally finds a way to create the being he had planned. Shooting in gleaming black-and-white, with sets and props from the 1930s and appropriate fright music by John Morris, Brooks' cheeky attitude towards the Hollywood past attracted a large audience, turning it into one of the most popular 1974 releases after (what else?) Blazing Saddles. ~ Lucia Bozzola, Rovi

When Cliff Robertson was toasted by Ralph Edwards on the TV series This is Your Life in 1972, Robertson was standing on the set of Ace Eli and Roger of the Skies. This production was announced as an "upcoming release"-though as it turned out, the film lay on the shef for several years thereafter. Robertson plays a barnstorming stunt flyer of the Roaring Twenties. Accompanying him from job to job is his 11-year-old son, Eric Shea. Despite having a child in tow, Robertson has no trouble scoring with the local lovelies wherever they go. 20th Century-Fox had so little faith in Ace Eli and Roger of the Skies that the company changed many of the names in the production credits: producer "Boris Wilson" was really Robert Fryer, director "Bill Sampson" was actually John Erdman and screenwriter "Chips Rosen" was known to friends and family as Claudia Salte. Only poor Cliff Robertson was denied the opportunity to cloak himself in an alias. ~ Hal Erickson, Rovi