Christopher Malcolm Movies

During a drug binge, Edina (Jennifer Saunders) commiserates with Patsy (Joanna Lumley) about her lack of fame. Soon, though, notoriety comes knocking in the form of Saffy's debut as a playwright: "Self-Raising Flower," an autobiographical drama about the girl's troubled relationship with her mother. Eddy argues savagely with Saffy (Julia Sawalha), who recalls, in flashback, her neglected childhood. Back at rehearsals, Saffy's lead actress seems to have a bit of a crush on her writer/director. Meanwhile, members of the family begin arriving, including Bo (Mo Gaffney) and Marshall (Christopher Ryan), who have converted to Judaism in order to become kabbalah-studying Hollywood insiders. Eddy tries to launch a PR campaign against Saffy's play, but the offensive fails to get off the ground because opening night is nigh. Soon, the budding auteur is off to the theater with Gran (June Whitfield), Bubble (Jane Horrocks), Sarah (Naoko Mori), Bo, Marshall, and Justin (Christopher Malcolm). Edina and Patsy, of course, can't stay away, but they're shocked at the accuracy of Saffy's portrayal of their lives. Originally broadcast on BBC 1 on September 28, 2001, Absolutely Fabulous: Small Opening marked series four, episode five of this popular Britcom. The scenes -- and even the costumes -- in "Self-Raising Flower" are all lifted more or less directly from earlier episodes of "AbFab." Gaffney, Malcolm, and Ryan all make their Absolutely Fabulous series four bows with this episode. ~ Brian J. Dillard, All Movie Guide

Life continues apace for Edina (Jennifer Saunders), Patsy (Joanna Lumley), and Saffron (Julia Sawalha). Eddy has adopted a dolphin as both house pet and PR client; Pats has moved out of Odd Bins to make room for a new liquor aisle; and Saffy has finally found a boyfriend -- the wealthy, condescending Paolo Carlo (Tom Hollander). Mother (June Whitfield), meanwhile, has taken up with a cadre of in-your-face, elderly "snowbirds," while Bubble (Jane Horrocks) is out of the picture, busy with her new job at French Vogue. Pats and Eddy decide to vacation in Val d'sere, which, as with their earlier vacations in Absolutely Fabulous: France and Absolutely Fabulous: Morocco, turns out to be less welcoming than they'd hoped. While Pats takes up with a hunky ski instructor, Eddy has a near-death experience out on the slopes in which God appears to her in the form of Marianne Faithfull. Convinced she has been spared for some larger purpose, Eddy returns home to find that her mother's new friends have taken up residence in their camper van in the front drive. A more pressing concern arrives in the form of Saffy's engagement to Paolo; a meeting between the Monsoon clan and the mega-rich Carlo family goes poorly at first, but when Patsy realizes that Paolo's mother, Kalishia (Carmen Du Sautoy), is actually a former B-movie bimbo, the fearful society matron finds herself de-fanged. Soon life is a blur of wedding preparations, from fittings at Christian Lacroix's designer boutique to involuntary depilatory sessions forced on the hapless bride-to-be. The action climaxes at the ceremony itself, where the guests include a who's who of previous "AbFab" guest stars. Absolutely Fabulous: The Last Shout was originally broadcast as a two-part TV movie on BBC 1 in 1996, a year after the end of the third "AbFab" series. It would be the last installment until series four began in 2001. Former Shakespear's Sister member Marcella Detroit appears as God's angelic sidekick; the singer also contributed several songs to the soundtrack, including a new rendition of the show's unmistakable theme music, "This Wheel's on Fire." Nickey Clarke, Suzy Menkes, Bruce Oldfield, Christopher Biggins, and Lacroix appear as themselves. ~ Brian J. Dillard, All Movie Guide

After Patsy (Joanna Lumley) manages to incinerate the Monsoons' kitchen, she and Edina (Jennifer Saunders) take to hanging out in the living room. The only problem is that Saffy (Julia Sawalha) has a rare, though clandestine, date planned for that very room. As Eddy and her monstrous friend torture Saffy by staying put, Gran (June Whitfield) accidentally locks the three women in the living room on her way to the chemist's, leaving Saffy inconsolable and Pats and Eddy bored. Talk turns to sex as Edina tortures Saffy with questions, resorting to a Cosmopolitan sex quiz to elicit information from the girl. Saffy and Patsy fight bitterly, the gaunt fashion plate jealous of the privileges her young rival has enjoyed. In flashbacks, we see the births of all three characters -- including an over-the-top sequence in which Patsy's pretentious mother compares her daughter to a tumor and gives birth to the accompaniment of bad Beat poetry. Eventually, Gran returns home, freeing the trio from the displeasure of each other's forcible company. Originally broadcast on BBC 1 on March 10, 1994, Absolutely Fabulous: Birth marked series two, episode six of this popular Brit-com. Eleanor Bron, originally seen in Absolutely Fabulous: Magazine during series one, reprises her role as Patsy's mom. ~ Brian J. Dillard, All Movie Guide

After struggling unsuccessfully to fit into a variety of unflattering outfits, Edina (Jennifer Saunders) tries to cook up yet another quick weight-loss plan, much to the annoyance of Saffy (Julia Sawalha), who points out that her mother eats, drinks, and smokes incessantly and takes no exercise, therefore guaranteeing a continued weight problem. The issue takes on a degree of urgency when Bubble (Jane Horrocks) reveals that Penny Casper-Morse (Alexandra Bastedo) -- a rail-thin old nemesis of Eddy's from the old days -- will arrive in a few days to talk about a possible business deal. Patsy (Joanna Lumley) advises emergency liposuction (with a bit of collagen injection for good measure), but a nightmare in which her body is vacuumed away to a wisp convinces Eddy that exercise is the real answer. However, after a workout session with Patsy's new beau, the fit and fabulous Georgy (Anthony Asbury), Eddy is ready to go under the knife -- especially when she learns that Penny will be arriving early. Originally broadcast on BBC 1 on November 19, 1992, Absolutely Fabulous: Fat marked series one, episode two of this popular Brit-com. June Whitfield makes her first non-flashback appearance as Mother/Gran, while Christopher Malcolm provides his first of many guest spots as Justin -- Edina's gay ex-husband and Saffy's father. ~ Brian J. Dillard, All Movie Guide

In this satirical British sitcom, which became a cult hit on American cable, a grotesquely self-centered fashion victim chain-smokes, swills champagne, abuses drugs, munches caviar, terrorizes her daughter, and tries in vain to mingle with the beautiful people -- all in the company of her sleek, slutty, boozed-up best friend. Edina Monsoon (Jennifer Saunders) and Patsy Stone (Joanna Lumley) (aka Pats and Eddy) are '60s survivors and fashion-world wannabes; Pats works for magazines, while Eddy owns a PR firm whose biggest client is '60s has-been Lulu, of "To Sir With Love" fame. These women live in a cloud of self-delusion about the supposed glamour of their London lifestyle, forever attempting to claw their way past the velvet rope. Pats inhabits the attic of a liquor-store franchise, while Eddy lives in a well-to-do flat thanks to the double alimony from her two ex-husbands, a gay antiques dealer and a recovering alcoholic. When she's not being horrible to her dowdy, unflappable teenaged daughter, Saffron (Julia Sawalha), and her oblivious, tongue-in-cheek mother (June Whitfield), Eddy stages fashion shows, jets off to photo shoots, pays charlatans to put her in touch with her inner child, and tries every weight-loss cure known to man -- except curbing her decadent lifestyle. Thanks to its shrill satire, over-the-top costumes, outrageous excess, and all-around camp appeal, Absolutely Fabulous became a pop-culture phenomenon that spawned two Sesame Street characters, a slew of slang expressions ("Sweetie darling, I'm chanting as we speak"), and even a Pet Shop Boys charity single. The actual theme song, sung by Julie Driscoll and Adrian Edmondson, is a cover of "This Wheel's on Fire," a '60s obscurity written by Bob Dylan and the Band's Rick Danko.

"AbFab," as it's known, began its life as a sketch called "Modern Mother and Daughter" on the BBC comedy show French & Saunders. Although frequent Saunders collaborator Dawn French played the daughter part in the original sketch, she bowed out in favor of half-Jordanian, half-British actress Sawalha, a Press Gang vet who was closer to the character's age. Patsy -- played like a coked-up Dynasty caricature by former Bond girl and New Avengers star Lumley -- wasn't a part of the original sketch but quickly became a favorite of drag queens everywhere. In addition to cameos from celebrities such as Helena Bonham Carter and Naomi Campbell, AbFab includes frequent appearances by Little Voice star Jane Horrocks (as Eddy's airhead assistant, Bubble) and Nil by Mouth star Kathy Burke (as straight-talking magazine editor Magda). Although one BBC development executive's reaction to the pilot was, "I don't think women being drunk is funny," a beeb secretary handed out tapes in secret to her friends, and soon the buzz about the show became deafening. The first series premiered on BBC1 on November 12, 1992, but didn't make its American bow until July 1994, when Comedy Central began airing perpetual reruns of the show. Three six-episode series were broadcast in the U.K. in 1992, 1994, and 1995, followed by a two-part TV movie, Absolutely Fabulous: The Last Shout, in November 1996. In 2000, as Saunders was working on a new program called Mirrorball that reunited much of the AbFab cast, she decided to switch gears and revisit her best-known characters in a fourth AbFab series, which began airing on August 31, 2001. Co-funded by Comedy Central, the new series began its U.S. run a few months later, on November 12, 2001. Although Roseanne purchased the rights to develop an American version of the show in 1994, the first international adaptation of the program to see the light of day was the 2001 French film Absolument Fabuleux. ~ Brian J. Dillard, All Movie Guide

A restaurant worker (Lanah Pellay) is fired from a posh London eatery, so the man returns with a band of terrorists, who have their own ideas about how to run a restaurant, and they begin feeding new customers with old customers. Motorhead provides the music. ~ John Bush, All Movie Guide

With the ultimate throw-down, "There can be only one," Highlander captured the imaginations of fantasy fans seeking a well-executed swordplay epic, becoming a cult classic in the process. Connor MacLeod (Christopher Lambert) is one of a waning few survivors of a clan of immortals. The breed have been dueling each other for centuries in the quest to be the last one remaining, and hence achieve a supreme enlightenment that would be dangerous in the wrong hands. The immortals can only die by decapitation, so they hunt each other through time and across continents to meet for each decisive duel, which will bring one of them a step closer to ultimate power. In present-day America, the troubled hero MacLeod lives a brooding and lonely existence, having lost his true love centuries ago. The evil Kurgan (Clancy Brown), an immortal who plans to use his power toward unspeakable ends, has fought MacLeod before but is still trying to finish him off. After emerging victorious from a parking garage skirmish with the third-to-last immortal, MacLeod knows that only Kurgan is left, and the two are on a collision path toward the inevitable. In the film's numerous flashbacks to the past, Sean Connery plays Ramirez, the immortal who first tutors MacLeod after the hero survives a mortal battle wound, prompting his fearful village to banish him. Roxanne Hart plays MacLeod's modern-day love interest, who tries to help him while struggling to believe his incredible story. The director's cut runs four minutes shorter. ~ Derek Armstrong, All Movie Guide

Director Bruce Beresford has safely stayed within the domain of the Bible and not strayed into patches of Hollywood fiction in this routine version of the story of David (Richard Gere). For that reason, anyone unfamiliar with Biblical history might be puzzled by the episodic presentation of David's life. In the opening scenes, Samuel condemns Saul and anoints the young David as his heir, and in fairly quick succession David slays Goliath, incurs Saul's jealous wrath, leaves, and, much later, comes back to rule after Saul has died. Once David is on the throne, Bathsheba and then Absalom enter into the picture. Interspersed are brutal scenes of fighting, but not much in the way of motivation for David's complex behavior. Gaps in the narration or unclear motivation may be the result of trying to cover too many events in a 114-minute running time. ~ Eleanor Mannikka, All Movie Guide

This feature-length story about the heist of $10 million in Nazi diamonds primarily rides on star Tom Selleck's popularity as TV's Magnum, P.I., (a 1980s show), since the plot turnarounds, slighted character development, and stock situations are not that engaging on their own. The setting is 1934 and Nick Lassiter (Selleck) has been strong-armed by the Yank and Brit governments into stealing the diamonds from a German agent (Lauren Hutton) -- if he can track the gems to their hiding place. Along the way, he travels through London of the 1930s -- marketplaces, warehouses, and watering holes that lend an atmosphere to his search. His lady love Sara (Jane Seymour) more or less stands around to lend support while the suavely suited-up Lassiter battles a crooked cop (Bob Hoskins), his real arch enemy. ~ Eleanor Mannikka, All Movie Guide

Created by David Butler, the British drama series We'll Meet Again took place during WWII. The members of the U.S. 8th Air Force, 525th Bomb Group, found themselves billeted in the Suffolk community of Market Wetherby. The locals weren't altogether thrilled by the presence of the "overpaid, oversexed, and over-here" Yanks, but along the way a few of the flyboys managed to make headway with some of the British lasses in the region. Rich with period detail, the series invoked warm nostalgic feelings within most viewers, even though much of the dialogue dealt with rationing, buzz-bombing, and other wartime iniquities. Opening with a 90-minute episode on February 19, 1982, We'll Meet Again quickly settled into a weekly 60-minute slot, proving so popular with British viewers that its story line was serialized in a national newspaper. The 13th and final episode aired on May 14, 1982. ~ Hal Erickson, All Movie Guide

Few filmmakers other than Warren Beatty would have had the courage and vision to fashion an epic film from the life of famed American Communist John Reed (who is the only US citizen buried in the Kremlin). The film is an effort to humanize a political movement that has previously been depicted on screen in a series of unsubtle and prejudicial broad strokes. The film begins in 1915, when Reed (Beatty) makes the acquaintance of married Portland journalist Louise Bryant (Diane Keaton). So persuasive is Reed's point of view--and so charismatic is Reed himself-- that Bryant kicks over the traces and joins Reed and his fellow radicals. Among the famous personages depicted herein are Emma Goldman (Maureen Stapleton), Eugene O'Neill (Jack Nicholson) and Max Eastman (Richard Herrmann). The second half of this nearly-200-minute film skims through the years when Reed, now a Russian resident, becomes disillusioned by the harsh realities of Bolshevism. Despite the celebrity line-up of real-life "witnesses" to the events depicted in the film (ranging from novelist Henry Miller to comedian George Jessel!), historians took Reds to task for its oversimplification of events and its laundering of the notoriously promiscuous Louise Bryant. ~ Hal Erickson, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

Why is it that some of the most outlandish movie plotlines are grounded in reality? The Great Riviera Bank Robbery is based on an actual occurrence in 1976. A fascist terrorist group, known as "The Chain", joins forces with a gang of professional criminals to pull off a heist. The target: a bank vault in a French resort town, bulging with tourist money. The booty: fifteen million dollars. In the tradition of Rififi, we follow the thieves' progress step by step, inch by inch, from conception to execution to aftermath. Throughout The Great Riviera Bank Robbery, you'll be declaring in dropped-jaw amazement that "this can't be true!"....but true it is. ~ Hal Erickson, All Movie Guide