Marianne Basler Movies

A romantic comedy from acclaimed French director Jacques Rivette (La Belle Noiseuse), this film centers on three men and three women whose lives converge during the run of a play in Paris. The star of the play, Camille (Jeanne Balibar), is returning to Paris after leaving her stuffy boyfriend Pierre (Jacques Bonaffe) and residing in Italy. Her Italian theater company has brought her to France, where the show is run by her lover, director, and co-star Ugo (Sergio Castellitto). Ugo is concerned with the show's poor attendance, but also busy searching for a long-lost play by an Italian playwright. While on his quest, he discovers the beautiful young Do (Helene De Fougerolles), a student who offers to help him. Do's mother has a library that may contain the lost play, and Ugo runs into her possessive half-sibling Arthur (Bruno Todeschini), a shady man pursuing an affair with Pierre's wife Sonia (Mariane Basler), who also has a questionable past. After a brooding dinner at Pierre and Sonia's home, tensions mount in everybody's relationships and their romantic journeys are similarly tested. A lighter work from the usually dramatic filmmaker Rivette, the film was made by the director at the amazing age of 73.
~ Jason Clark, Rovi

The performer known as Farinelli, born Carlo Broschi (and played in this film by Stefano Dionisi), was famous in the 18th century as the world's greatest castrato, a male singer whose testicles were removed in childhood so that he would retain the high, clear voice of a child while gaining the control and power of an adult vocalist. A strikingly gifted singer with a range of more than three octaves, Farinelli was given little choice but to sacrifice his manhood in exchange for his art, and as his career was founded on the surgery that would dramatically restrict his off-stage life, his art was in turn hemmed in by his family. Carlo's father declared early on that he should only sing the songs of his brother Riccardo (Enrico LoVerso), and while Farinelli's fame gives Riccardo's career a needed boost, the mediocrity of Riccardo's compositions holds Farinelli back. When the singer is given the opportunity to work with the great composer Handel (Jeroen Krabbe), his brother's jealously and Farinelli's own poorly chosen career alliances stand in his way. The brothers' often contentious partnership also extends to the bedroom; while Farinelli's performances set women on fire, he's physically incapable of satisfying them sexually, so he provides the foreplay in a bizarre game of seduction and then turns his conquests over to his brother. Farinelli il Castrato received a Golden Globe award as Best Foreign Language Film of 1994 and an Academy Award nomination in the same category. ~ Mark Deming, Rovi

Despite being busy with his profession of soldiery, Brantome (Richard Bohringer) manages to find much more time for amorous dalliances with the ladies of the 16th-century French court than for battles. Unfortunately for him, his true love, Victoire (Isabella Rossellini), is beyond his reach most of the time. He more than compensates for this in the arms of others. Reviewers found little merit in this uninspired drama, except for the gorgeous period settings and costumes. ~ Clarke Fountain, Rovi

Gabriel Byrne and Marianne Basler star in this drama about the relationship between a British sergeant and a French woman during WW II. Once a Resistance member, the woman had an affair with a German officer and is a target for the group's execution. Coming to her rescue, the sergeant protects her, and they engage in an odd affair. Before long, however, he must choose between her and his military duties. ~ Kristie Hassen, Rovi

Sam (Roland Giraud) enjoys his romantic rendezvous with his ex-wife Vanessa (Fanny Cortencon) and others in this routine sex farce. He lives with up-and-coming actress Elodie (Fiona Gelin), but quickly falls for pretty female physician Joanna (Marianne Basler). Sam soon is globe-trotting after the doctor who storms his dreams. ~ Dan Pavlides, Rovi

In this caper comedy, Gilbert was young once, though one would never know it to see him now. He is middle-aged, middle-class, and has an extremely boring job through which he supports his wife and child. It's a pretty odd job, though: he operates the incinerator in the basement of his bank which destroys old, soiled bank notes. That's hard, cold cash to everyone else. Then Serge, a childhood buddy, shows up, Serge was also in a rock band with Gilbert but has now become pretty much a full-time scoundrel. The nature of Gilbert's job leads the old buddy to try and ensnare Gilbert in a scheme to make off with millions of untraceable bills. Unfortunately for Serge, he just can't keep his mitts off of anything, including Gilbert's wife. When Gilbert finds out about it, this throws a big monkeywrench into their theft plans. ~ Clarke Fountain, Rovi

In this drama with a nearly invisible storyline, Rosa (Marianne Basler), a very beautiful prostitute, finds that life as a hooker can be a downer. Nude scenes are plentiful, as Rosa goes about her business with the other hookers in the Les Halles district of Paris. Since Rosa is her pimp's main source of income, he is particularly unhappy when she begins to fall in love with a regular Joe with little money of his own. ~ Eleanor Mannikka, Rovi