Eliot Makeham Movies

This film consists of two episodes from the "Inspector Stryker" series of mysteries. In the first, Stryker enlists the help of a young woman to clear the name of her fiance, who was falsely convicted of murder. In the second, Stryker is told that a yachtsman is smuggling jewels. It turns out that the one who squealed is the real thief. ~ Sandra Brennan, All Movie Guide

Horseracing provides the framework of this British drama. The story begins as a former champion jockey Sam Lilley is barred from racing. Although he himself can no longer race, the jockey decides to live his dreams through Georgie Crain, who becomes his youthful protege. Sam teaches George all he knows, and also insists that he keep his morals high. But when Georgie's mother encounters financial disaster, the lad and his mentor decide they have no choice but to throw a race for a gang of criminals. Unfortunately, this leads to even more ethical problems. ~ Sandra Brennan, All Movie Guide

Released in the US as Man With a Million, The Million Pound Note is a satisfying adaptation of a satirical short story by Mark Twain. Gregory Peck plays Henry Adams, an impecunious American living by his wits in London. Henry becomes the object of a wager between millionaire brothers Oliver and Roderick Montpelier (Ronald Squire and Wilfred Hyde-White), who want to find out if a man with a million pound note in his bank account could live comfortably for one month on the strength of that note--without ever spending a penny of it. When Henry is given the note and lets it be known that he has it, every courtesy imaginable is extended to him by hoteliers, restauranteurs, etc. Trouble brews when Henry uses the note's reputation to speculate on the stock market. When his creditors demand that he produce the note as an act of faith, Henry is unable to do so, whereupon pandemonium reigns--and the audience's laughter cascades. ~ Hal Erickson, All Movie Guide

Though Meet Mr. Lucifer reads rather better than it plays, the film is still good for a few healthy laughs. Stanley Holloway plays Hollingsworth, an actor who is playing Lucifer in a stage production. While being hoisted through a trap door, Hollingsworth is knocked cold. While unconscious, he is replaced by the real Lucifer. Seeking about for a new form of deviltry to inflict upon the public, Lucifer comes up with the most hellish device of all: Television! The rest of the film details the effects that the boob tube has on otherwise normal, rational British citizens (there's even time for a swipe at 3D movies). Based on a play by Arnold Ridley, Meet Mr. Lucifer is enhanced by an all-star cast, including Peggy Cummins, Kay Kendall and Ernst Thesiger. ~ Hal Erickson, All Movie Guide

Twelve-year old Frankie (Andrew Ray) feels guilty after his best friend falls to his death when they are playing in a bombed-out London building. Len (Sylvester) is a petty thief who has just become a murderer by killing the pub owner in a botched robbery. Frankie and Len's paths cross, and Len learns Frankie's secret then poses as the boy's friend to blackmail the lad into stealing from his parents to finance Len's escape. When the crook suspects that Frankie knows enough to link him to the murder, he tries to silence the boy in a tense, "hide-and-seek" chase played out in a bomb- damaged, highly perilous underground station. The initial idea for this movie may well have been borrowed from The Window (1949), but several intriguing plot twists and effective use of the post-war London location make The Yellow Balloon a unique entertainment in itself. ~ Michael P. Rogers, All Movie Guide

Half affectionate parody and half enthusiastic tribute to the swashbuckling pirate epics of the 1930's and 40's, The Crimson Pirate stars Burt Lancaster as Captain Vallo, the smiling leader of a pack of unscrupulous pirates. While on the high seas, Vallo and his men spy a well-stocked merchant ship, and waste no time in relieving it of its contents. One of the passengers on the cargo vessel, Baron Gruda (Leslie E. Bradley), informs Vallo that a political revolt is shaking a island nation in the Caribbean to its foundations. The pirates set their course to the island, hoping to sell the arms they've just stolen to rebel leader Sebastian (Frederick Leister), while planning to later double their profit by turning him in to the Government leaders who are offering a reward for his capture. Vallo's plans change when he meets Sebastian's daughter Consuelo (Eva Bartok) and falls in love, while she teaches the pirate the wisdom of her father's philosophies. Vallo and his faithful sidekick Ojo (Nick Cravat) soon join Sebastian's men, and fight with them in a valiant struggle for freedom. Burt Lancaster and Nick Cravat were once partners in their early days as circus acrobats, and they got to put their skills to good use in this picture; keep an eye peeled for an early performance by future horror movie great Christopher Lee. ~ Mark Deming, All Movie Guide

Though Green Grow the Rushes has the look and feel of an Ealing comedy, the film was actually produced through the auspices of British Lion. The story takes place on the southern coast of England, where through a bureaucratic oversight a small patch of land in Kent is protected from outside legal intervention by an ancient charter. It is here that a group of liquor smugglers, headed by Captain Biddie (Roger Livesey), carries on its activities with impunity and with full cooperation of the regional politicians. The fun begins when a cargo of precious potables ends up in a duck pond owned by a local farmer, sparking an onslaught of governmental foolishness. Two future stars carry the slim romantic subplot in Green Grow the Rushes: Honor Blackman plays a well-meaning newspaper columnist, while Richard Burton shows up as a slovenly smuggler (this was Burton's final British film before his move to Hollywood). ~ Hal Erickson, All Movie Guide

This sequel to the 1942 Oscar-winner Mrs.Miniver can be considered ill-advised, if only because the producers could never really hope to match the success of the original. Otherwise, The Miniver Story has its charms, not the least of which were the sterling performances of Greer Garson and Walter Pidgeon. Set just after VE Day, the film finds Mrs. Miniver (Garson) reacting to the euphoria of her friends and family with a sense of quiet sadness. This is because she's just learned from her doctor that she hasn't much longer to live. With the same courage with which she met the deprivations of WW II, Mrs. Miniver resolves to put on a happy face and keep the news of her imminent demise a secret from her husband (Pigeon) and children. She even finds time to straighten out the tangled love life of her daughter Judy (Cathy O'Donnell). Henry Wilcoxon repeats his Mrs. Miniver role as the local vicar. Unlike its Hollywood-bound predecessor, The Miniver Story was lensed on location in England. ~ Hal Erickson, All Movie Guide

Trio was the 1950 follow-up to the successful Somerset Maugham "omnibus" feature Quartet. Maugham himself introduces the three short playlets in this captivating collection. "The Verger" stars James Hayter as a church verger who loses his position when it is discovered that he can neither read nor write. With the help of sympathetic Kathleen Harrison, Hayter becomes a successful tobacconist, a turn of events leading inexorably to the story's beautifully ironic punchline. In "Mister Know-All," Nigel Patrick plays an obnoxious, garrulous passenger on a luxury cruise, who becomes a hero simply by knowing when to shut up. The final story, "Sanitorium," details the touching romance between tuberculosis victims Michael Rennie and Jean Simmons. Like Quartet, this was popular and successful enough to inspire a sequel, 1951's Encore. ~ Hal Erickson, All Movie Guide

In this drama, set at the end of WW II, two Italian prostitutes ply their trade with American soldiers. When the war ends, they go back home to spend their money which is used by a local priest to create a home for illegitimate war children. Director Luigi Zampa shot this film at the same time as an Italian version with different actors, including Gina Lollobridgida in the lead role. ~ Sandra Brennan, All Movie Guide

Based on the play by Joan Temple, No Room at the Inn takes place in the early stages of WW2, when the children of London were evacuated to the Country. A group of these youthful refugees are taken in by Mrs. Voray (Freda Jackson), who already has several orphans in her charge. Outwardly the soul of Christian charity, Mrs. Voray is actually a drunken harridan who treats the children like her own personal slaves. It is said that when the villainess received her comeuppance, movie audiences were known to stand up and cheer. The most intriguing aspect of this melodramatic exercise is that the screenplay was written by legendary Welsh poet Dylan Thomas! ~ Hal Erickson, All Movie Guide

Taking advantage of Paramount's "frozen funds" in Britain, producer Hal Wallis was able to film much of So Evil My Love in London. Based on a novel by Joseph Shearing, whose previous Gothic romances included Moss Rose and Blanche Fury, the film stars Ray Milland in his first (but hardly his last) all-out villainous characterization. Milland is cast as charming scoundrel Mark Bellis, or at least that's what he's calling himself at the moment. Escaping his latest criminal escapade by boat, Bellis falls victim to a malaria epidemic. Nursed back to health by young widow Olivia Harwood (Ann Todd), Bellis repays the favor by pretending to fall in love with her, all the while intending to deplete her of her estate and bank account. Eventually Bellis' evil nature corrupts Olivia as well, prompting her to indulge in blackmail, with her old school friend Susan Courtney (Geraldine Fitzgerald) as the victim. Eventually, Olivia is driven to commit murder, carefully arranging the evidence to convict poor Susan. But when Bellis double-crosses her one time too many, Olivia belatedly does the "right thing," clearing her conscience if not her good name. ~ Hal Erickson, All Movie Guide