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Lee Majors Movies

A football star at Eastern Kentucky State College, Lee Majors came to Los Angeles armed with a physical education degree and possessed with a vague desire to break into films. He worked as a park recreation director for the City of Los Angeles before entering show business in 1963. Majors was promoted as "the New James Dean," though he personally aspired to become a new Steve McQueen or Paul Newman (he also retained his permit to work as a recreation director, just in case the world wasn't holding its breath for a new Dean, McQueen or Newman). Majors achieved stardom on his own merits in a variety of television series, the most recent of which was 1992's Raven. His best-known TV roles included Heath Barkley on The Big Valley (1965-69), bionic Steve Austin on The Six Million Dollar Man (1973-78) and stunt man Colt Seavers on The Fall Guy (1981-86). In addition, he has headlined a number of made-for-TV movies, essaying the old Gary Cooper part in the 1991 sequel to High Noon and portraying U-2 pilot Francis Gary Powers in a 1976 biopic. Majors would continue to act in the decades to come, memorably appearing in Big Fat Liar and on The Game. For several years, Lee Majors was married to actress Farrah Fawcett. ~ Hal Erickson, Rovi
1980  
 
Taking over for Gary Cooper, Lee Majors stars as Marshal Will Kane in this made-for-TV movie set a year after the original High Noon ends. ~ Jason Ankeny, Rovi

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1977  
 
Actor James Stacy, who in real life lost and arm and a leg in a motorcycle accident, won an Emmy award for his performance as double-amputee Kenny Briggs in this made-for-TV movie. Disabled in Vietnam, Kenny is not only embittered by his plight, but also holds his best friend and fellow soldier Frank Logan (Lee Majors) responsible for the tragedy. In concert with Kenny's girlfriend, Nikki (Barbara Hershey), Logan tries to snap Kenny out of his self-pitying doldrums -- while Kenny himself struggles with physical rehabilitation, in hopes of returning to his favorite sport of skiing. Written and directed by Theodore J. Flicker (The President's Analyst), Just a Little Inconvenience debuted October 2, 1977, on NBC. ~ Hal Erickson, Rovi

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1976  
 
Francis Gary Powers: The True Story of the U-2 Spy is a TV dramatization of the notorious Cold War incident of 1960. The story is told from the point of view of Powers (Lee Majors), an American pilot who was shot down over Russia while taking photographs on behalf of the CIA. The event occurs just before a crucial summit meeting between American President Dwight D. Eisenhower (James Flavin) and Soviet premier Nikita Khrushchev (Thayer David). Eisenhower tries to cover up the incident, allowing Khrushchev to make propagandistic hay of the whole affair. Robert E. Thompson's teleplay tends to depict the Americans as jerks, and the Russians as essentially good guys; even Powers' Soviet interrogator, portrayed by Nehemiah Persoff, comes off comparatively sympathetic. Also in the cast are Noah Beery as Powers' father and Lew Ayres as Allen Dulles. Francis Gary Powers: The True Story of the U-2 Spy was originally telecast September 29, 1976. ~ Hal Erickson, Rovi

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1975  
 
Jamie Somers, the "Bionic Woman" introduced on a 1975 episode of TV's Six Million Dollar Man, launched her own series with a two-part adventure. Part One was telecast as the January 11, 1976 installment of Six Million Dollar Man: in a comatose state, Jamie, the onetime fiancee of "bionic man" Steve Austin (Lee Majors), is rescued by emergency brain surgery. Retaining no memory of her relationship with Austin, Jamie starts a new life as a California schoolteacher. In Part Two, which served as the January 14, 1976 premiere of The Bionic Woman, we learn that Jamie, like Steve has been outfitted with electronic replacements for certain vital appendages: her legs, her right arm, her right ear. Moonlighting as a government agent, Jamie infiltrates the headquarters of evil businessman Dennis Patrick, who hopes to exploit her bionic accoutrements for his own nefarious purposes. In syndication, the two halves of the first Bionic Woman adventure were melded into one 2-hour TV movie. ~ Hal Erickson, Rovi

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1972  
 
This TV movie was the pilot for the popular series The Six Million Dollar Man. In this maiden effort, we are told just how astronaut Steve Austin became a bionic man. Surviving a near-fatal crash, the mutilated Austin is given artificial limbs (plus one faux eye) and reassembled into a part-human, part-electronic entity, endowed with superstrength and the ability to run faster than anyone--a feat which is always depicted in slow motion. Put to work by the Office of Strategic Information, Col. Austin answers to his immediate superior Darren McGavin (replaced by Richard Anderson in the series proper). Martin Balsam plays the doctor responsible for Austin's superhuman status (Balsam's character was played on the series by Martin Brooks) Filmed in part at Edwards Air Force Base, The Six Million Dollar Man was first telecast on March 7, 1973, where it performed admirably opposite a Bob Hope special; the series itself began on a monthly basis in October of 1973, then became a weekly in January of 1974. ~ Hal Erickson, Rovi

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1970  
 
In this drama, two kidnappers begin looking for a new victim after they accidentally kill their latest hostage. ~ Sandra Brennan, Rovi

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1965  
 
W.W. Jacobs' Grand Guignol classic The Monkey's Paw had previously been filmed as a theatrical feature in 1933 when this updated version was presented on The Alfred Hitchcock Hour. While on vacation in the Bahamas, Paul and Anne White (Leif Erickson, Jane Wyatt) attend a party where the guests are cruelly mocking a wizened gypsy woman (Zolya Talma). Defiantly, the old crone brandishes a tiny, severed monkey's paw, which Paul immediately identifies as a good-luck charm. Indeed, when the gypsy gives the monkey's paw to Mr. White, she informs him that the shriveled artifact will grant him three wishes -- but the third wish will be for death. A young Lee Majors appears as the Whites' son, Howard, whose grisly demise looms large over the story's heart-pounding climax. ~ Hal Erickson, Rovi

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Starring:
Leif EricksonJane Wyatt, (more)
 
1965  
 
Add The Big Valley: Season 01 to Queue Add The Big Valley: Season 01 to top of Queue  
The Big Valley was the last major successful network Western series of the 1960s, running four seasons, from 1965 through 1969; none of the others that came after it, Branded, Hondo, Lancer, etc., even came close to that kind of longevity. Most of its appeal, besides high production values, lay in its casting and the starring role played by Barbara Stanwyck (or "Miss Barbara Stanwyck" as she was referred to in the credits) as Victoria Barkley, the matriarch ruling over a huge ranch outside of Stockton, CA, and the San Joachin Valley. Stanwyck was also a partner in the series' production company, Four Star. The Big Valley opens in the year 1876, six years after the death of Victoria's husband, Thomas Barkley, who was shot to death amid a battle with the railroad, and in the first episode the railroad is once more trying to take the land of the homesteaders adjacent to the Barkley ranch. The series' model was very obviously Bonanza (along with elements of the movie Duel in the Sun), which, with a relatively inexperienced cast, was already a hit in its fourth season at the time this series was conceived. The sensibilities of the period being what they were, Victoria Barkley could not have produced four siblings from different husbands, as Lorne Greene's Ben Cartwright had by different wives on Bonanza -- but her offspring were still as varied as the Cartwright family. The Barkleys, in the opening, include three brothers, Jarrod (Richard Long), the oldest and the lawyer, mature and deliberative; Nick (Peter Breck), the ramrod of the ranch, bold but also very hot-tempered; and Eugene (Charles Briles), the youngest, who looks up to both of his brothers (who goes off to college and, after the first season, is never seen or mentioned again); and one daughter, Audra (Linda Evans), who is by turns spoiled and vulnerable, and solitary.

In the first episode, a mysterious young man named Heath (Lee Majors) arrives at the ranch, claiming to be Tom Barkley's illegitimate son -- which sends Nick into a rage that nearly has him killing the visitor, until he joins the Barkley brothers in defending their neighbors from the railroad. The Barkley ranch may not have been as big as the Ponderosa on Bonanza, but it was just as attractive to would-be interlopers and troublemakers, and across four seasons the series managed to put some fresh twists on a lot of Western conventions, mostly by virtue of what Stanwyck's presence allowed in the way of scripting. With more acting and filmmaking experience than the rest of the cast combined, she could put her own stamp and fresh, interesting interpretations on stories as old as the "Vanishing Lady" ("The Disappearance") -- the same story that inspired Hitchcock's The Lady Vanishes -- and even prison stories ("Four Days to Furnace Creek") in later seasons. The other prime actor in the series was, oddly enough, Lee Majors, who, at the outset of his career, understood the notion of less being more. His approach to the role of Heath in the first seaon is reminiscent of Steve McQueen with a touch of James Dean and Dennis Hopper. Whereas Richard Long did his best with a role that was usually fairly dullish, Breck tended to overact in his role, which, when it wasn't very physical, tended to get difficult speeches that required more subtlety than he had as an actor. As for Linda Evans, she was so untrained as an actress that she was actually occasionally interesting to watch in her scattershot approach to the role, which, as a solitary romantic dreamer, lent itself to a certain amorphous quality. To the audience's relief, she also got better during the later seasons of the show and was a fully competent actress by the series' end.

The first season of the series was devoted principally to establishing who the Barkleys were, the dimensions of their 30,000-acre ranch (which, in addition to cattle, included a mine, timber, a vineyard, orange groves, and -- in keeping with the sensibilities of the mid-'60s -- included at least one black ranch hand), and establishing the characters' individual personalities. Stanwyck evidently believed that scarcity created demand, and in many of the episodes, her work was confined to no more than two or three major scenes, enough to keep audiences satisfied while not overexposing her on the small screen. By the end of the season, youngest son Eugene was gone from memory and Jarrod, Nick, Heath, and Audra were the focus of the series, along with Victoria. The series was the creation of renowned author A.I. Bezzerides and Louis F. Edelman, and produced by Arthur Gardner, Arnold Laven, and Jules Levy. ~ Bruce Eder, Rovi

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2007  
R  
Add The Brothers Solomon to Queue Add The Brothers Solomon to top of Queue  
Mr. Show alumnus Bob Odenkirk directed -- and SNL vet Will Forte scripted -- this gleefully raunchy tale of two socially backward but kind-hearted adult brothers, Dean and John Solomon (Forte and Will Arnett), who had the misfortune to be home-schooled by their father at a remote Arctic outpost. Destined to be perpetually single, their moronic, klutzy attempts at meeting new women (such as popping the question on a first date in a crowded restaurant) always blow up in their face. Then, one day, the Solomons receive the distressing news that their father is on his deathbed -- and to complicate matters, he indicates that his dying wish involves having a grandchild. John and Dean are happy to oblige -- but where in the world will they find a mother for this infant? Suddenly, the bachelors' romantic desperation doubles, and each brother embarks on a nutty, madcap quest to find the girl of his dreams and the mother of his future children. Malin Akerman, Kristen Wiig, Jenna Fischer, and Chi McBride co-star. ~ Nathan Southern, Rovi

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Starring:
Will ArnettWill Forte, (more)
 
1999  
R  
Add Chapter Zero to Queue Add Chapter Zero to top of Queue  
Nip/Tuck's Dylan Walsh stars in this comedy drama about a writer named Adam who plunges into depression when his novel is rejected, only to craft his finest work out of the personal strife. As he approaches his milestone 30th birthday, Adam finally begins to see his life taking a turn for the better and tries to ensure he doesn't screw things up. Chapter Zero also stars The L Word's Laurel Holloman and Lee Majors of The Six Million Dollar Man. ~ Matthew Tobey, Rovi

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1997  
R  
After his wife is killed, an assassin for the government drops out to wage justice against the men who took her life. Soon he devotes his time to protecting women when the law fails. ~ Mark Deming, Rovi

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Starring:
Lee MajorsEd Marinaro, (more)
 
1990  
R  
Vigilante cops must stop a group of drug dealers who are poisoning the cocaine supply. ~ John Bush, Rovi

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1989  
R  
Lee Majors stars as a policeman assigned to protect a onetime mob boss (Abe Vigoda) who has become the target of a hit man. ~ Jason Ankeny, Rovi

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Starring:
Lee MajorsAbe Vigoda, (more)
 
1981  
R  
Add Agency to Queue Add Agency to top of Queue  
Agency tackles the question of the efficiency of media manipulation. An unscrupulous advertising agency, in league with equally untrustworthy political campaign manager Robert Mitchum, plants subliminal messages in its TV commercials. Just as Vance Packard warned in the 1950s expose The Hidden Persuaders, these hidden messages persuade the viewers to vote for Mitchum's candidate. Given the potency of the the film's premise, it's disappointing to watch director George Gaczender handle the material (based on a novel by Paul Gottleib) is so cut-and-dried a fashion. But Mitchum is good, as are his costars Valerie Perrine, Lee Majors, Saul Rubinek and Alexandra Stewart. ~ Hal Erickson, Rovi

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Starring:
Robert MitchumLee Majors, (more)