Marjorie Main Movies

This soapy drama stars Hedy Lamarr as a would be model who meets a research doctor en route to the US from Europe. They meet when Dr. Spencer Tracy prevents her from taking a suicidal plunge from the upper decks of the ocean liner. It seems that Lamarr had been involved with married man Kent Taylor. When he reneged on his promise to divorce his wife Mona Barrie, she decided to end it all. Finding her extraordinarily beautiful, the doctor suggests she join him in his research. The two end up at a slum clinic and it doesn't take long for the doctor to fall completely in love with her. He convinces her to marry him and soon after the wedding, he exchanges life in the clinic for an upscale practice uptown. Servicing the rich is lucrative and soon he has provided his high maintenance wife with a luxurious life. Unfortunately for him, she appreciates his work and sacrifices not a whit, and as soon as she can attempts to respark a romance with Taylor whom she has never stopped loving. Fortunately for the doctor, Lamarr eventually comes to her senses and marital bliss ensues. This film had a troubled history with all of it due to Louis B. Mayer's obsession with making Lamarr the brightest star in the MGM galaxy. Originally the film was directed by Joseph von Sternberg, but he grew frustrated and tired by Mayer's constant interference and quit the film as did the next director, Frank Borzage. As a result an enormous amount of footage was discarded. Finally reliable W.S. Van Dyke was placed on the production and it was completed. Unfortunately, despite all that effort, the film bombed at the box office. ~ Sandra Brennan, All Movie Guide

Set in the years leading up to the Civil War and its outbreak, Dark Command tells a fictionalized version of the story of William Clarke Quantrill, the schoolteacher-turned-renegade, whose raids -- ostensibly on behalf of the Confederacy -- turned Kansas into a charnel house. John Wayne plays Bob Setton, a young Texan who arrives in Lawrence, KS, in 1859 on his way west, partnered with George "Gabby" Hayes. He meets Marie McCloud (Claire Trevor) and her younger brother, Fletch (Roy Rogers), and takes a liking to them, especially Marie. His only competition for her is William Cantrell (Walter Pidgeon), the local schoolteacher, who has big ambitions in life. He is nominated for town marshal and seems a shoo-in, especially as his only rival is Bob Setton, who admits he knows nothing about the law and can't even read, but Setton wins with his honest, unpretentious speech. At the time, Kansas is riven by strife, as settlers from the North opposed to slavery and those from the South supporting it pour into the territory, and Setton has his hands full. His most difficult personal moment comes when he must arrest Fletch for shooting an anti-slavery farmer (Trevor Bardette) to death. Cantrell leads a campaign of terror against the jury, however, which finds the young man not guilty just as the Civil War breaks out. In the months that follow, Setton and his posse go after the raiders who are stealing and destroying huge amounts of property in Kansas on behalf of the Confederacy. He suspects Cantrell is their leader, but can't prove it, and has to tread carefully. As the raids worsen, and the war drags on -- even Marie's pro-Confederacy banker father is murdered during a run on his bank -- their conflict comes to a violent end as Cantrell launches an attack on Lawrence, vowing to destroy the town, with only Bob Setton and Cantrell's own mother (Marjorie Main) standing in his way. ~ Bruce Eder, All Movie Guide

An heiress gets a crash course in the simple life when she marries a penniless man in this comedy. Calvin Jordan (Henry O'Neill) is the prosperous owner of a successful steel mill, and the apple of his eye is his daughter Cora (Myrna Loy). Cora stands to inherit Calvin's firm, and he's taken it upon himself to find a good husband for her. However, free-spirited Cora doesn't think much of her father's skills as a matchmaker, and makes it clear she's going to marry whomever she pleases. One day, Cora meets Bill Overton (Robert Taylor), a jobless and homeless man camping out on a park bench. After bumming fifty cents from a cop, Bill offers to take Cora out to dinner; instead, they end up gambling, and turn the four bits into a bankroll. After a few too many celebratory drinks, Bill and Cora decide true love and good fortune are shining upon them, and they get married the same evening. However, the next day the newlyweds realize they are indeed husband and wife, and after defying her father Cora can't count on her dad's help in paying the bills anymore. ~ Mark Deming, All Movie Guide

Though not a sequel to Angels with Dirty Faces, this Warner Bros. programmer does star the Dead End Kids-or, more specifically, Billy Halop, Leo Gorcey, Bobby Jordan, Huntz Hall, Gabriel Dell, and Bernard Punsley. Fresh out of reform school, Gabe Ryan (Frankie Thomas) promises his sister Joy (Ann Sheridan) that he'll go straight, and promptly joins the Beale Street Termites (the Dead Enders), a tough but basically good-hearted street gang. Local mobster William Kroner (Bernard Nedell), seeking out a fall guy for a series of arsons, frames Gabe for a fire in which helpless invalid Sleepy (Punsly) dies. With the help of the other Termites, crusading DA Pat Remson (Ronald Reagan) tries to prove Gabe's innocence, using surprisingly high-handed tactics to get results: arresting Kroner on a misdemeanor, he turns the crook over to the kids, who force a confession out of the terrified crook. In this and several other instances in the film, the gang's rowdy behavior is "purified" because the end justifies the means. ~ Hal Erickson, All Movie Guide

Based on the Clare Booth Luce play of the same name, this MGM comedy is justly famous for its all-female cast and deft direction by George Cukor. The plot centers on a group of gossipy high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily wedded Mary Haines (Norma Shearer) finds her marriage in trouble when shopgirl Crystal Allen (Joan Crawford) gets her hooks into Mary's man. Naturally, this situation becomes the hot talk amongst Mary's catty friends, especially the scandalmonger Sylvia Fowler (Rosalind Russell), who has little room to talk -- she finds herself on a train to Reno and headed for divorce right after Mary. But with a bit of guts and daring, Mary snatches her man right back from Crystal's clutches. Snappy, witty dialogue, much of it courtesy of veteran screenwriter Anita Loos, helps send this film's humor over the top. So do the characterizations -- Crawford is as venomous as they come, and this was Russell's first chance to show what she could do as a comedienne. And don't discount Shearer -- her portrayal of good-girl Mary is never overpowered by these two far-flashier roles. The only part of The Women that misses is the fashion-show sequence. It was shot in color -- an innovative idea in its day -- but now both the concept and clothes are dreary and archaic. Do keep an eye on the supporting players, though, especially Mary Boland as the Countess DeLage. The role was based on a cafe society dame of that era, the Countess DiFrasso, who had a wild affair with Gary Cooper; that romance is satirized here. ~ Janiss Garza, All Movie Guide

Alternating effortlessly between comedy and suspense and back again, Too Hot to Handle stars Myrna Loy as a famous aviatrix and Clark Gable as an opportunistic newsreel photographer. Gable and rival shutterbug Walter Pidgeon agree to accompany Loy on her search for her missing brother, sensing a good story and excellent photo op. Their odyssey takes them into the deepest jungles of the Amazon, where Gable's photographic prowess saves everyone's lives when hostile natives attack. Along the way, both Gable and Pidgeon fall in love with Loy. The classic opening sequence in Too Hot to Handle, in which the resourceful Gable fakes a bombing raid for the benefit of his cameras, was allegedly conceived by Buster Keaton, then a free-lance MGM gag man. ~ Hal Erickson, All Movie Guide

Veteran cinematographer Karl Brown also had several directorial efforts to his credit. Most were on a par with Monogram's Under the Big Top: slick and mildly entertaining, but not much more. Circus aerialist Penny (Anne Nagel) may be the queen of the trapeze, but she can't seem to manage her life on solid ground. She spends most of the film as the romantic bone of contention between her partners Pablo and Ricardo (Grant Richards and Jack LaRue incongruously cast as brothers). Hostilities break up the act, but by film's end the hatchets have been buried and "The Three Flying Pennies" are soaring again. Future "Ma Kettle" Marjorie Main has a sizeable role as a circus manager. ~ Hal Erickson, All Movie Guide

Shirley Ross plays an innocent young girl convicted for complicity in a crime committed by her boy friend (Lloyd Nolan). The male crook is sentence to six months on a prison farm populated by both men and women (segregated, of course). Ross is also incarcerated, suffering the cruelties of the sadistic male and female guards (including J. Carroll Naish and future "Ma Kettle" Marjorie Main!) Since this film leaves no cliche unturned, an escape attempt is inevitable, but Ross is ultimately rescued from her plight for the obligatory happy ending. Nowhere near as exploitive as the later Linda Blair films of the same ilk, Prison Farm was considered reasonably realistic in 1938, earning back its modest cost and then some. ~ Hal Erickson, All Movie Guide

Test Pilot is one of those irresistible MGM potboilers of the 1930s that coast along on sheer star power. Clark Gable plays a courageous test pilot, who compromises his achievements with his frequent bouts of drinking. Gable's mechanic, Spencer Tracy, does what he can to keep his boss out of trouble. While testing a new aircraft, Gable is forced to land on a Midwestern farm, where he meets and falls in love with Myrna Loy. Gable and Loy marry, whereupon he is fired by his boss Lionel Barrymore, who is of the opinion that flying and dames don't mix. Gable goes off on another bender, compelling Loy to leave him. Once more, Tracy comes to Gable's rescue by reuniting the couple and arranging for Barrymore to give Gable his job back. Later, Gable and Tracy are assigned to test a huge army bomber. Something goes wrong, and the plane goes into a dive. The self-sacrificing Tracy sees to it that Gable is saved from a flaming death--at the cost of his own life. Gable is so devastated by Tracy's death that it looks as though he'll never fly again. But with Loy's help, Gable regains his self-confidence. As one can see, there's little in Test Pilot that hasn't been done before. But with Clark Gable, Spencer Tracy and Myrna Loy at the controls, the film proved a real audience-pleaser in 1938. In fact, it's still pretty good today. ~ Hal Erickson, All Movie Guide

In this comedy, wealthy girls attend boarding school to learn proper etiquette. The well-mannered character of the class is disrupted when one of the proper young women plans to elope with a handsome young simpleton. Unfortunately she is outfoxed by a young teacher who elopes with the boy before she can. ~ Sandra Brennan, All Movie Guide

In this drama, a young man aspires to a life of wealth and power in the newspaper business. Unfortunately, it takes time and money to be successful. The young man's girl is not patient and decides to dump him in favor of a wealthy gangster. This inspires the jilted youth to achieve his dreams. He begins newspaper delivery business that becomes so successful that he can afford a penthouse on Park Avenue. Still he has not forgotten the girl he once loved. This is fortuitous as she has become fed up with the gangster. Eventually, the young man loses his business and his fancy flat, but in exchange, he regains the affections of the woman he always loved. ~ Sandra Brennan, All Movie Guide

Raymond McCarey, the prolific if less-inspired brother of Leo McCarey, called the directorial shots for Universal's Love in a Bungalow. Nan Grey stars as young real estate agent Mary Callahan, whose job it is to guide potential house-buyers through a "model" bungalow. Enter Jeff Langan (Kent Taylor), a handsome young indigent who moves into the bungalow and steadfastly refuses to move out. Falling in love with the stubborn but charming Jeff, Mary conspires with him to enter a radio contest in hopes of winning the bungalow rent-free. But there's a catch: Jeff and Mary have to pretend to be married. Never a studio to throw anything away, Universal recycled the plot of Love in a Bungalow for one of its mini-musicals of the 1940s. ~ Hal Erickson, All Movie Guide