Russ Smith Movies

The down-and-dirty side of building management in pre-gentrification Manhattan sets the stage for this dark comedy. It's 1981, and Joe Peltz (David Krumholtz) runs a newsstand in New York City, where he has recently married Annabelle (Clara Bellar), an exotic dancer from France who isn't in love with Joe but asked for his hand so she could get a Green Card. When Annabelle discovers she's pregnant, the couple decides they need a larger apartment, and Joe finds a flat in the East Village that's on the same block where his great-great-grandparents lived when they first came to America. However, the neighborhood is decaying and ridden with crime, and when Joe and Annabelle move into their new apartment, he's immediately drafted onto the building's co-op board, where he has to deal with a variety of eccentrics of various stripes and must often sleep in the lobby armed with a baseball bat to ward off junkies and burglars. But by far his biggest problem is Carlos DeJesus (Paul Calderon), a bully who has been squatting in the building for eight years with his roughneck teenage son, Segundo (Jon Budinoff). Carlos sees no reason why he should start paying rent, and he's made enemies with practically everyone who lives in the building, wasting no time in adding Joe and Annabelle to that list. So when a gasoline fire guts Carlos' apartment, the question is not who wanted him out, but who actually had the nerve to start the blaze. Based on a novel by Joel Rose, Kill the Poor was written for the screen by Daniel Handler, best known as the author of the popular "Lemony Snicket" books. ~ Mark Deming, All Movie Guide

The cool and mannered sociopath Tom Ripley returns to the big screen in director Liliana Cavani's 2002 crime thriller Ripley's Game, adapted from the 1974 novel by Patricia Highsmith. Living a life of luxury as an art dealer in northern Italy with his musician wife Luisa (Chiara Caselli), Ripley (John Malkovich) attends a party thrown by Jonathan Trevanny (Dougray Scott) and overhears the host making critical comments about Ripley's fashion sense. Enraged, Ripley immediately plots his retaliation for this slight, which comes via a reunion with his former business partner Reeves (Ray Winstone). Reeves seeks out Ripley's help in finding an unrecognized assassin to kill a Russian gangster, and Ripley suggests he talk to Trevanny -- whom Ripley knows has recently been diagnosed with leukemia and is also desperately strapped for cash. Trevanny reluctantly accepts the offer, in order to insure his family's security -- but is pressured into a repeat performance, which draws the ire of Ripley. The situation quickly spirals out of control to the point of drawing the attention -- and anger -- of the Russian mob, forcing Ripley to intervene. But the master criminal also develops a respect for his unwitting victim, forming an unlikely friendship under the most dire of circumstances. ~ Ryan Shriver, All Movie Guide

Filmmaker Terry Zwigoff, who enjoyed breakthrough success with his 1994 documentary Crumb, shifts gears as he examines the lives of two young women on the verge of leaving their adolescence behind in his first dramatic feature. Enid (Thora Birch) and Rebecca (Scarlett Johansson) are two close friends who've just graduated from high school, and are trying to decide what to do with their lives. Enid is a dark-haired arch cynic who is tired of living at home with her ineffectual dad (Bob Balaban) and his annoyingly perky girlfriend Maxine (Teri Garr), while Rebecca is prettier and a bit cheerier, but no more certain about her future. While the two girls have vague plans of getting an apartment together, they seem content to while away their summer hanging out and indulging in their shared infatuation with Josh (Brad Renfro), a friend from school who works at a convenience store and doesn't seem to be especially attracted to either of them. Enid discovers that in order to get her diploma, she'll have to take an additional class over the summer, where she winds up studying art with Roberta (Illeana Douglas), who is determined to encourage Enid's creative impulses, whether Enid likes it or not. More significantly, Enid meets Seymour (Steve Buscemi), a geeky record collector more than twice her age, and while they would seem to have little in common (and Rebecca thinks he's a creep), Enid discovers a kindred spirit in fellow misfit Seymour, who shares her disgust with the world around them, and a relationship begins to develop between the two. Ghost World is based on the award-winning graphic novel by comic artist Daniel Clowes, who also wrote the film's screenplay. ~ Mark Deming, All Movie Guide

Gary Sinese directed this respectful re-telling of John Steinbeck's classic novel, with Sinese as the wily George and John Malkovich as the brutish, simple-minded Lennie. Set during the Depression era, the film opens as George and Lennie are running from a woman with a torn dress, who has sent a gang of ruffians to chase the two out of the county. After a long bus ride and a ten-mile walk, George and Lennie arrive at a migrant farm in California's San Joaquin Valley, where they seek work. George dreams of putting together enough money to buy a small piece of land where he and Lennie can build a home; he hopes that in California the two can realize their dream. Unfortunately, the foreman of the ranch, Curley (Casey Siemaszko), enjoys tormenting Lennie, while Curley's frustrated wife (Sherilyn Fenn) entices Lennie with her sexual allure. George warns Lennie to steer clear of Curley's wife, but Lennie follows her to a barn where a tragedy occurs and George and Lennie's dreams are shattered. ~ Paul Brenner, All Movie Guide

Two brothers (Richard Gere, Kevin Anderson) have inherited a large farm (once voted "Farm of the Year") from their father, but cannot keep it afloat. When the farm goes bankrupt, the pair decide to torch the place and take off across the Midwest, fleeing the law to become folk heroes for many rural farmers in the area. ~ John Bush, All Movie Guide