Toni Basil Movies

Reese Witherspoon stars in this romantic comedy, the feature film debut of award-winning Australian director Robert Luketic. As a ravishing Miss Hawaiian Tropic, sorority president, and calendar girl, Elle Woods (Witherspoon) is a big hit on the campus of her sun-drenched Los Angeles college. She's also got the perfect boyfriend in Warner Huntington III (Matthew Davis), a wealthy East Coast blue blood. Fearing that his snooty friends and family will never accept the bubble-headed Elle, however, Warner dumps her before heading off to graduate law school at Harvard University. Determined to win back her man, Elle enrolls in the same imposing institution, quickly becoming an object of scorn and ridicule, especially to Warner's old prep school flame (Selma Blair). Despite her penchant for malls, makeup, and tanning, Elle is no dummy and is soon showing elite Ivy League snobs a thing or two about class, self-confidence, and courtroom victory. ~ Karl Williams, All Movie Guide

A woman realizes that friends can be lovers, but now has to convince the friend in question in this romantic comedy. Michael O'Neal (Dermot Mulroney) and Julianne Potter (Julia Roberts) were romantically involved in college, and after breaking up, they have managed to remain close friends. For years, Julianne and Michael have had a pledge that if both were single when they turned 28, they would get married. Shortly before her 28th birthday, Julianne is lamenting the sad state of her love life when she gets a call from Michael, who announces that he has important news. Julianne is convinced that Michael is going to ask her to marry him, and she is crestfallen when he announces that he's engaged to Kimmy Wallace (Cameron Diaz). Kimmy seems like the perfect woman for Michael; she's sweet, pretty, bright, and adores Michael, and her wealthy family is just as fond of him as she is. But now that Julianne has realized how much she loves Michael, she's not about to give him up without a fight -- and isn't afraid to fight dirty. Julianne's uneasy ally in the battle for Michael's affections is her friend and editor George Downes (Rupert Everett), a cheerfully out-of-the-closet homosexual who is not prepared when Julianne asks him to pose as her boyfriend. ~ Mark Deming, All Movie Guide

In this fictionalized account based on true figures, a foursome of young thugs decides to team up and take control of New York's east side from the aging bosses who control it. Bugsy Siegel (Richard Grieco) and Frank Costello (Costas Mandylor) control the physical elements of the operation, while Lucky Luciano (Christian Slater) and Meyer Lansky (Patrick Dempsey) bring up the business end. ~ John Bush, All Movie Guide

The title of Henry Jaglom's stream-of-consciousness Eating says it all. Three women (Lisa Blake Richards, Mary Crosby and Marlena Giovi), each celebrating a "milestone" birthday, decide to throw a joint party. Attending the revelries is French documentary filmmaker Martine Nely Alard, who becomes fascinated when none of the guests will touch the meticulously prepared birthday cake. As Martine begins interviewing the partygoers, she discovers the importance that food holds in each of their lives. One of the most revelatory improvisational monologues is delivered by a matriarch portrayed by Frances Bergen, the real-life widow of Edgar Bergen and the mother of Candice. Though Eating is not for everyone's taste, for those in tune with the fiercely independent Jaglom, the film is a cinematic smorgasbord. ~ Hal Erickson, All Movie Guide

In this the third in the "Angel" series, former hooker Angel is reunited with her mom just long enough to make friends (her mom left when Angel was a baby) and learn that she has a half-sister somewhere. Mom is soon the victim of some sort of hit squad and Angel decides to find her half-sister and avenge her mom's death. Her half-sister, it turns out, is a prostitute, and former-hooker Angel, virtuously "born-again," is dead-set against prostitution so she's out to save her sibling. Unlike its predecessors, there's lots of nudity in this film. ~ All Movie Guide

Director/animator Ralph Bakshi turns his attention to 1950s Brooklyn in Hey Good Lookin', which looks at greasers hanging out (and making out) on street corners, hot girls, and gang rumbles, all set in a decaying urban landscape. The main action concerns Vinnie (voice of Richard Romanus), the leader of an Italian gang called The Stompers, who values, in equal measure, the perfection of his hairstyle and scoring with girls. His bosom buddy, Crazy (David Proval), more than lives up to his moniker, and his impulsiveness leads to many conflicts, including fights with other gangs -- a real problem because Vinnie is nowhere near as tough as he pretends to be. Things become even more complicated when he finds himself falling hard for Rozzie (Tina Bowman), whose father keeps her on a pretty short leash. Things come to a head in a deadly shoot-out, which may have serious consequences for the three main characters. ~ Craig Butler, All Movie Guide

Bette Midler stars as Rose in this somber drama loosely based on the life of the late Janis Joplin. She plays an ill-fated singer who succumbs to the pressures of performing by indulging in drugs and alcohol. Her sweetheart Dyer (Frederic Forrest) is the former chauffeur who naively tries to save her from self destruction, while her British manager Rudge (Alan Bates) is ultimately blamed for not preventing her inevitable fall. The story mirrors any one of a number of popular singers who have fallen victim to the excess of success. Midler and Forrest were nominated for Oscars for their performances, with Best Editing laurels given to Timothy O'Meara and Robert Wolf. The Rose was a box office smash and was the plum role that elevated Midler to star status in the eyes of the public and Hollywood. ~ Dan Pavlides, All Movie Guide

This 1976 episode of Saturday Night Live is hosted by Ron Nessen and features musical guests Toni Basil and Patti Smith. ~ Skyler Miller, All Movie Guide

In this frantic black comedy, Harry Fishbine (Allen Garfield) is the proprietor of the F&B Ambulance Service, a low-budget free-lance rescue service which is struggling to keep up with the bigger and better funded competition after a law in Los Angeles decrees that the first ambulance to arrive at the scene of a distress call gets the job. F&B's best driver is Mother (Bill Cosby), a free-wheeling ambulance jockey who likes to drink beer and play dance music while he makes his rounds. Mother's new assistant is Speed (Harvey Keitel), a former cop who left the force after allegations of drug use; Speed is looking for a new career and a chance to prove himself. And Jugs is the accurate-if-sexist nickname for Jennifer (Raquel Welch), the company secretary who wants to get out from behind the desk and prove her skills as a paramedic. As F&B's drivers race through the streets of Hollywood, their adventures veer between the hilarious and the tragic. Mother, Jugs and Speed also features Larry Hagman, Dick Butkus, Bruce Davison, and L.Q. Jones. ~ Mark Deming, All Movie Guide

With a barrage of cinematic distancing devices at hand (flashbacks and flash-forwards, super-imposed titles, missing frames, projectionist cue-marks placed in the wrong locations in a film reel), Dennis Hopper concocts a hallucinatory acid-trip concerning an American movie company making a western in Peru. In a remote mountain village in Peru, a Hollywood film company wraps up shooting a western and returns to California. Staying behind is a young stunt man, Kansas (Dennis Hopper). In the village, he takes up with the resident whore, Maria (Stella Garcia). At this point, the film flash-forwards to Kansas being crucified by the villagers. Back in the old time frame, the Peruvians decide that they want to make their own movie. Not having the necessary film equipment, but plenty of local raw material, the villagers construct the needed cameras, microphones, and sound recorders out of bamboo, and although the equipment is faked, the villagers substitute real, bloody violence for the make-believe violence of Hollywood. During this eruption of violence in the Peruvian village, the local priest (Tomas Milian) blames Kansas for the carnage. The priest decides that movies are the root of all worldly evil and convinces the villagers to seize Kansas. ~ Paul Brenner, All Movie Guide

Tossing wristwatches away, two bikers hit the road to find America in Dennis Hopper's anti-establishment classic. After a major cocaine sale to an L.A. connection (Phil Spector), free-wheeling potheads Billy (Hopper) and Wyatt, aka Captain America (Peter Fonda, who also produced), motor eastward to party at Mardi Gras before "retiring" to Florida with the riches concealed in Wyatt's stars-and-stripes gas tank. As they ride through the Southwest, they take a hitchhiker (Luke Askew) to a struggling hippie commune before they get thrown in a small-town jail for "parading without a permit." Their cellmate, drunken ACLU lawyer George Hanson (Jack Nicholson, replacing Rip Torn), does them a "groovy" favor by getting them out of jail and then decides to join them. Babbling about Venusians, George discovers the joys of smoking grass, but an encounter with Southern rednecks soon proves how right he is about the danger posed by Billy's and Wyatt's unfettered life in a country that has lost its ideals. With the straight world closing in, Wyatt and Billy try to revel in New Orleans with some LSD and hookers (Karen Black and Toni Basil), but the acid trip is shot through with morbidity. Once they reach Florida, Billy raves about attaining the American dream; Wyatt, however, knows the truth: "We blew it."

Produced and directed by two Hollywood iconoclasts with under a half-million non-studio dollars, Easy Rider shook up the languishing movie industry when it grossed over 19 million dollars in 1969; it captured the spirit of the times as it woke Hollywood up to the power of young audiences and socially relevant movies, along with such other landmarks of the late '60s as Bonnie and Clyde, The Graduate, and 2001. Shot on location by Laszlo Kovacs, Easy Rider eschewed old-fashioned Hollywood polish for documentary-style immediacy, and it enhanced its casual feel with improvised dialogue and realistically "stoned" acting. With a soundtrack of contemporary rock songs by Jimi Hendrix, the Band, and Steppenwolf to complete the atmosphere, Easy Rider was hailed for capturing the increasingly violent Vietnam-era split between the counterculture and the repressive Establishment. Experiencing the "shock of recognition," youth audiences embraced Easy Rider's vision of both the attractions and the limits of dropping out, proving that audience's box-office power and turning Nicholson into a movie star. The momentarily hip Academy nominated Nicholson for the Best Supporting Actor Oscar, and Fonda, Hopper, and Terry Southern for their screenplay. Though none of its imitators would match its impact, Easy Rider remains one of the seminal works of late '60s Hollywood both for its trailblazing legacy and its sharply perceptive portrait of its chaotic times. ~ Lucia Bozzola, All Movie Guide

This musical comedy pokes fun at the music industry as it tells of the romantic travails of two popular singers thrust together by an ingenious promoter/matchmaker as a publicity stunt. The young male needs to revive his flagging career while the female singer is trying to get her big break; so both of them reluctantly go along with their manager's harebrained scheme. You can guess what happens next. Songs include: "The Cool Ones," "A Bad Woman's Love," "Whiz Bam Opener," "This Town," "High," "Up Your Totem Pole with Love," "Tantrum," and ""Where Did I Go Wrong?"" ~ Sandra Brennan, All Movie Guide