Ruth Madoc Movies

A Welsh woman is belatedly forced to come out of her shell when poor fortune befalls her family and friends in this kitchen-sink comedy. Annie Mary (Rachel Griffiths) is a woman in her early thirties who seems never to have finished growing up; she still lives at home with her widowed father Jack (Jonathan Pryce), hasn't established much of a life of her own, and can't get her relationship with her boyfriend Colin (Rhys Miles Thomas) to go anywhere. Jack, an enthusiastic ladies' man with a passion for opera and no modesty about sharing his vocal talents with those around him, runs a bakery, and is known to sing the occasional aria for the edification of fellow motorists as he delivers bread. Annie-Mary has been slowly saving up money for a down payment on a flat of her own until disaster strikes and Jack suffers a stroke. Confined to a wheelchair and unable to speak, Jack is incapable of running the bakery, and it falls to Annie-Mary to keep the business afloat. Attempting to rise to the occasion, Annie-Mary decides to give the bakery a make-over, with limited success, but as she tries to keep the business going and care for her father, Annie-Mary discovers that one of her closest friends, Bethan (Joanna Page), is suffering from a serious illness and hasn't long to live. Bethan has always wanted to visit America and see Disneyland, so Annie-Mary hatches a plan to raise the money by winning a local talent show; despite her feeble dancing ability, Annie-Mary decides to form a pop group with her friends, in hopes of fulfilling one of her foiled ambitions from her teenage years. Though shot in 1999, Very Annie-Mary didn't find its way to theaters until 2001. ~ Mark Deming, Rovi

This film (released in 1988) constitutes a feature-length edit of a popular British sitcom of the same title, from the very early eighties. Simon Cadell is a snooty Cambridge professor who takes a job at a Holiday Camp. Cadell's responsibilities as entertainment director lead to no end of zany complications. Not surprisingly, many of the vacationers are shapely young ladies, wearing as little as possible. Veteran comic cockney actor Leslie Dwyer makes his last professional appearances as a member of the cast. ~ Hal Erickson, Rovi

Norman Jewison's adaptation of the long-running Broadway musical is set in the Ukranian ghetto village of Anatevka (the film was actually lensed in Yugoslavia). Israeli actor Topol repeats his London stage role as Tevye the milkman, whose equilibrium is constantly being challenged by his poverty, the prejudicial attitudes of non-Jews, and the romantic entanglements of his five daughters. Whenever the weight of the world becomes too much for him, Tevye carries on lengthy conversations with God, who does not answer but is at least more willing to listen than the milkman's remonstrative wife Golde. After arranging a marriage between his oldest daughter Tzeitel and wealthy butcher Lazar Wolf, Tevye is forced to do some quick rearranging when the girl falls in love with poor tailor Motel Kamzoil. Fancying himself more broad-minded than his gentile oppressors, Tevye cannot accept the notion that his other daughter Chava would want to marry Fyedka, a non-Jew. And after shouting the praises of "tradition," Tevye must change his tune-and his entire life-when he and his neighbors are forced out of Anatevka by the Czar's minions. Topol's co-stars include Norma Crane as Golde, Yiddish theater legend Molly Picon as Yente the matchmaker, and Leonard Frey as Motel. ~ Hal Erickson, Rovi