Noel Madison Movies

The sure-handed starring performance of Warner Baxter and the inventive direction of William Castle help lift The Gentleman From Nowhere out of the ordinary. When Earl Donovan (Baxter) is picked up on a robbery charge, insurance investigator Barton (Luis Van Rooten) can't help but notice that Donovan resembles a criminal who was supposedly killed several years later in a chemical-plant hold-up. Hoping to solve the earlier case, Barton talks Donovan into impersonating the dead criminal. What the investigator doesn't know is that Donovan is the criminal, who's returned to his hometown for a second chance in life -- and hopefully, a reconciliation with his wife Catherine (Fay Baker). It's a surefire premise, and neither Baxter nor Castle let that premise down. ~ Hal Erickson, Rovi

Though Republic's Shantytown keeps threatening to become a musical, it's essentially a romantic drama built around the thespic talents of new discovery Mary Lee. The star plays Liz Gorey, a hoydenish lass from the wrong part of town who'd rather play sandlot baseball than anything else. In the course of events, Liz is instrumental in the salvation of Bill Allen (John Archer), a young-and married-mechanic who gets mixed up with a gang of bank robbers. Of special interest to movie buffs is the fact that John Archer's screen wife is played by his real-life spouse Marjorie Lord. Though Archer and Lord eventually divorced, the union lasted long enough to produce a daughter, who grew up to become film actress Anne Archer. ~ Hal Erickson, Rovi

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, Rovi

This entry in the detective series follows Queen as he investigates the case of a woman's missing husband, a banker. As he searches, he must cope with several murders and a burlesque queen. ~ Sandra Brennan, Rovi

Miss V From Moscow was singled out by B-film historian Don Miller as "one of the worst movies ever made by any standards, certainly the worst movie of its year." Seen today, the film seems to be simply another mediocre wartime meller from the cramped studios of PRC. Lola Lane plays Soviet secret agent Vera Marova, who bears a striking resemblance to a Nazi spy. Taking advantage of this, she confounds the German high command in occupied Paris, and also comes to the rescue of downed American flyer Steve Worth (Howard Banks). Much of the dialogue is hilariously inept (perhaps intentionally so), with some of the biggest yocks provided by Noel Madison as a would-be Goebbels. ~ Hal Erickson, Rovi

Like the first entry in Columbia's "Ellery Queen" series, Ellery Queen's Penthouse Mystery depicts its amateur-criminologist hero as an oafish ignoramus. This time around, Chinese ventriloquist Gordon Cobb (Noel Madison), is murdered by a gang of jewel thieves. Baffled by the contradictory clues, Inspector Queen (Charles Grapewin) asks his son Ellery (Ralph Bellamy) to help out. The suspect list includes Cobb's ex-partner Walsh (Russell Hicks), phony nobleman Count Brett (Eduardo Cianelli), sleight-of-hand artist Jim Ritter (Theodore Von Eltz), Chinese patriot Lois Ling (Anna May Wong), and reporter-in-disguise Sanders (Frank Albertson). Despite his inability to make a move without breaking something or taking a pratfall, Ellery Queen solves the case. ~ Hal Erickson, Rovi

The oft-used title A Shot in the Dark was affixed in 1941 to this Warner Bros. B-picture. Much of the film takes place in the big-city nightclub owned by shady Phil Richards (Ricardo Cortez). When the prospective buyer of Richards' establishment is murdered, there's no shortage of suspects, but the cops have their money on Richards' jealous sweetheart Clare Winters (Lucia Carroll)-until she's murdered as well. Police reporter Peter Kennedy (William Lundigan) and detective Bill Ryder (Regis Toomey) put their heads together to solve the mystery, with the help (and sometimes hindrance) of pert nightclub singer Dixie Waye (Nan Wynn). A Shot in the Dark is based on a story by Frederick Nebel, creator of the "Torchy Blaine" series. ~ Hal Erickson, Rovi

It's ironic that leading man Jack Holt, who in real life was deathly afraid of flying, should appear in so many aviation-oriented pictures. In The Great Plane Robbery, racketeer Joe Colson (Noel Madison) is released from jail three months before the expiration of his $500,000 life insurance policy. The plane on which Colson's flying home is hijacked by several of his old underworld cronies, who hope to collect on the policy by killing Joe-and, of necessity, everyone else on board. But insurance investigator Mike Henderson (Jack Holt), another passenger, isn't about to let that happen. The first half of the film is a mini-"Grand Hotel", giving way to three climactic reels of nonstop action and suspense. The heroine is played by Vicki Lester, who "borrowed" her screen name from the character played by Janet Gaynor in the original A Star is Born (1937). ~ Hal Erickson, Rovi

This timely entry in Fox's Charlie Chan series is set in Paris during the Munich Crisis of 1938. Charlie Chan (Sidney Toler) arrives in the City of Light for a reunion with his war buddies, only to find those lights dimmed by a city-wide blackout. The murder victim this time out is munitions manufacturer Douglas Dumbrille, who sells out his country by selling arms to an unnamed enemy. Harold Huber shamelessly overacts as the Parisian inspector assigned to the case. Charlie Chan in City of Darkness ends on a prescient note, with Chan expressing trepidation over the "Peace in Our Time" solution to the Munich affair. ~ Hal Erickson, Rovi

Originally conceived as a musical (called Asking for Trouble) to showcase the talents of leading lady Jessie Matthews, Climbing High emerged as a straight romantic comedy, albeit one that sometimes sets up musical numbers that don't occur. Michael Redgrave plays Nicky Brooke, a millionaire unhappily involved with a society dame who is primarily interested in him for his money and name. Matthews plays a beautiful young girl of limited means, Diana Castle, who works as a model (along with her roommate, Alastair Sim, portraying a communist forced to take a job as the loincloth-clad "before" picture in a muscle-building ad). While out driving, Brooke nearly runs over Diana; in the process, he falls for her but decides that he will have a better chance of getting his love returned if he courts her in disguise. Disguised as another ordinary working man, he succeeds -- until his real identity is revealed. More complications ensue -- including an escaped lunatic and a finale in which all of the characters end up climbing the Alps -- before Brooke and Diana end up together, where they always belonged. ~ Craig Butler, Rovi

Crackerjack tells the story of Jack Drake (Tom Walls), who is seemingly an ordinary, foppish member of England's idle rich, a true ne'er-do-well. He has a secret, however (actually, several) -- the first being a heart of gold and a social conscience, which motivate him to help the less fortunate; the second is an array of special, stealthy skills that permit him to be a master thief, so masterful that he can even steal from other thieves without their knowledge. His exploits, attributed to a master thief known as "Crackerjack," are even chronicled in an anonymously authored bestseller entitled Crackerjack (which even the Scotland Yard superintendent is reading). Its royalties are all directed to a charity. As he explains to his valet/social secretary, Burdge (Charles Heslop -- the only person who knows his secret), he never steals from anyone who would actually miss the money in any material way, and he does it because they're "too mean to give it away themselves." He is also in love with the Baroness Von Haltz (Lilli Palmer) and the two interests converge at a costume party thrown by Mrs. Humbold (Muriel George) -- he plans to court the baroness and steal the Humbold pearls. But all plans of romance are swept aside when the quartet of American entertainers at the party turn out to be armed robbers who kill one of the guests. Now a cat-and-mouse game ensues: Crackerjack on the one side trying to steer Scotland Yard to the American gang, the gang trying to get a line on Crackerjack to get the Humboldt pearls, and Scotland Yard caught between them, and on top of that, baroness is in jeopardy. ~ Bruce Eder, Rovi

Produced by the Halperin Brothers, the folks responsible for the early-talkie horror classic White Zombie, Nation Aflame is one of several 1930s exposés of such hate groups as the KKK, the Silver Shirts and the Black Legion. The bigoted aggregation depicted in this film, a fictional group called the Avenging Angels, is shown to be just another racket, controlled by big-city mobsters for their own financial gain. The principal villain is gangster Sandino (Noel Madison), who has the state's governor (Harry Holman) in his pocket, along with several other political leaders. When the governor rebels against his corrupt colleagues, Sandino orders his assassination, prompting the governor's daughter Wynne (Norma Trelvar) to team with her former fiance, crusading DA Burtis (Roger Williams) to arrange a frame to discredit Sandino and his ilk. She lures the crooks into a drunken orgy, whereupon Burtis' lieutenants break down the doors and arrest everyone in the joint. The DA destroys the Avenging Angels and their hooligans once and for all, which proves immensely beneficial to his career. Alas, poor Wynne cannot share the fruits of his victory -- she is, after all, a "fallen woman" (remember that this was 1937, not 1997!) Incredibly, Nation Aflame was ostensibly based on a story by Thomas Dixon, the virulently racist author of such pro-KKK, anti-black literature as The Clansman and The Leopard's Spots; if the film was indeed a faithful adaptation of a Dixon original, it would have represented a complete 180-degree shift in his own political beliefs. ~ Hal Erickson, Rovi

One of the advantages of holding an MGM stock-company contract in the 1930s was the occasional opportunity to star in one of the studio's "B"-pictures. Maltese character actor Joseph Calleia, hitherto confined to supporting villainy, was permitted to play the hero in MGM's Man of the People. "Drawn from today's headlines," the story dealt with small-town political corruption. Unable to make a living as a lawyer, Italian-born Jack Mareno (Calleia) sells out to a high-pressure political machine. Elevated to the position of assistant District Attorney, Mareno is expected to "play ball" with the local racketeers. Finally rebelling against this set-up, Mareno turns his back on his dirty-handed sponsors and runs for office as an independent. Designed as just another programmer, Man of the People turned out to be something rather special, thanks in no small part to the heartfelt performance by star Joseph Calleia. ~ Hal Erickson, Rovi