Guy Madison Movies

Ex-telephone lineman Guy Madison was serving his country in the Navy at the time he made his screen debut as an extra in David Selznick's Since You Went Away (1944). After the war, Madison was signed by RKO, where he was given the star buildup in such films as Till the End of Time (1946) and Honeymoon (1947). Unpleasant publicity surrounding his stormy marriage to actress Gail Russell very nearly put an end to Madison's burgeoning career. Salvation came in the form of a syndicated TV series, Wild Bill Hickok, which starred Madison in the title role and which ran from 1951 through 1958. Thanks to his Hickok popularity, Madison was able to secure major roles in such "A" pictures as The Charge at Feather River (1953) and On the Threshold of Space (1956). After the cancellation of Wild Bill Hickok in 1958, Guy Madison's star faded somewhat, though he went on to make a good living as a leading man in German and Italian westerns and swashbucklers of the 1960s. ~ Hal Erickson, All Movie Guide
1953  
 
With all those flaming arrows being aimed directly at the audience, it is fairly obvious that Charge of Feather River was originally released in 3D. Fresh from his TV success as Wild Bill Hickok, Guy Madison stars as frontiersman Miles Archer (his character name will be amusing to fans of The Maltese Falcon). In the company of cavalry sergeant Baker (Frank Lovejoy) and a column of troops, Archer heads into Indian country to rescue a pair of white female captives. One of the two girls, Ann McKeever (Helen Westcott), is reluctant to return because she's been despoiled by her Indian captors; the other girl, Ann's sister Jennie (Vera Miles), is in love with the tribal chief and intends to betray her rescuers at the first opportunity. The rescue has been staged to divert the Indians' attention away from the railroad that is being constructed across their territory. The trick now is for Archer, the soldiers and the women to return to Cavalry headquarters in one piece. The film ends with the eponymous charge, excitingly staged by director Gordon Douglas. ~ Hal Erickson, All Movie Guide

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Starring:
Guy MadisonFrank Lovejoy, (more)
1952  
 
Red Snow utilizes several reels of documentary footage around which to construct a fictional Cold War plotline. Guy Madison stars as a US pilot, sent to the Bering Straits to investigate suspicious activities. Madison teams with Eskimo soldier Ray Mala to discover that the rascally Russians--only 35 miles away from Alaska--are up to no good. It's up to the Good Guys to stop the Reds from developing a top-secret weapon. Much of Red Snow is taken up by pedestrian footage of real Eskimos going about their usual daily activities, while the narrative contrives to impose a hidden meaning on the most innocent of gestures and reactions. ~ Hal Erickson, All Movie Guide

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Starring:
Guy MadisonRay Mala, (more)
1951  
 
Directed by former set designer William Cameron Menzies, this minor Civil War effort from low-budget producers King Brothers stars James Craig and Guy Madison as former West Point roommates now on opposing sides in the war between the states. Assigned to delay General Sherman's march toward Atlanta, Major Clay Clayborn (Craig) and 20 rebel volunteers take position on top of Devil Mountain where they proceed to bombard Union supply trains, at first almost unimpeded. Unaware that his best friend is leading the rebels, Union major Will Denning (Madison) prepares to blow up the entire mountain but Clay's former fiancé, Kathy Summers (Barbara Payton), manages to persuade him to cease fire while she negotiates a deal. Filmed in inexpensive Super Cine Color, Drums in the Deep South was produced independently and awarded an RKO release. ~ Hans J. Wollstein, All Movie Guide

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Starring:
James CraigBarbara Payton, (more)
1949  
 
Guy Madison and Rory Calhoun, both of whom went on to star in their own TV western series, head the cast of the Monogram sagebrusher Massacre River. Madison and Calhoun play Larry Knight and Phil Acton, fellow Army officers and rivals for the attentions of colonel's daughter Kitty Reid (Cathy Downs). Losing the romantic battle, Knight loses himself in the arms of no-good gambling-hall proprietress Laura Jordan (Carole Mathews). All amorous intrigues are forgotten when Knight and Acton fight shoulder to shoulder against marauding Indians. To ensure better bookings, Monogram released Massacre River through its "prestige" subsidiary Allied Artists. ~ Hal Erickson, All Movie Guide

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Starring:
Guy MadisonRory Calhoun, (more)
1948  
 
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Texas, Brooklyn and Heaven deserves a historical footnote as director William Castle's only comedy western. Future Wild Bill Hickok star Guy Madison plays Eddie Taylor, a lonesome cowboy who falls in love with city-gal Perry Dunkin (Diana Lynn). The couple "meets cute" in Brooklyn, where the two have migrated to seek their fortunes. The plot veers into Runyonesque territory as Eddie tries to write the Great American Play, while Perry "adopts" pickpocket Mandy (Florence Bates) to pose as her mother. The loosely structured storyline permits several entertaining diversions, including a trip to Coney Island and a wild episode at a Brooklyn riding academy which hero and heroine have been conned into purchasing. Audie Murphy makes his second film appearance in a near-microscopic role. Based on a Saturday Evening Post story by Barry Benefield, Texas, Brooklyn and Heaven was released in England as The Girl From Texas. ~ Hal Erickson, All Movie Guide

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Starring:
Guy MadisonDiana Lynn, (more)
1947  
 
Honeymoon stars an attractively grown-up Shirley Temple as Barbara, the sweetheart of a GI corporal named Phil (Guy Madison). Eloping to Mexico City, Barbara discovers that her boy friend, stationed in the Panama Canal zone, is tied up in bureaucratic red tape and may not make it to his own wedding. The headstrong bride-to-be enlists the reluctant aid of American consul Flanner (Franchot Tone), leading to any number of compromising situations involving Barbara, Flanner, and Flanner's own girl friend Raquel (Lina Romay). The film extracts most of its laughs from the legal and language barriers facing Barbara and her beau while south of the Border. Posting a $675,000 loss, Honeymoon unfortunately proved that Shirley Temple's drawing power had slipped considerably since her 1930s heyday. ~ Hal Erickson, All Movie Guide

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Starring:
Shirley TempleFranchot Tone, (more)
1946  
NR  
Sometimes dismissed as a derivation of Samuel Goldwyn's The Best Years of Our Lives, RKO Radio's superb Till the End of Time was actually based on Niven Busch's novel They Dream of Home, and was completed and released several months before the Goldwyn film. The story concentrates on three ex-marines: Cliff Harper (Guy Madison), Bill Tabeshaw (Robert Mitchum) and Perry Kincheloe (Bill Williams). Harper falls in love with emotionally distraught war widow Pat Ruscomb (Dorothy McGuire); Tabeshaw endures one disappointment after another as he tries to buy his own ranch; and Kincheloe, rendered legless by the war, intends to spend the rest of his life wallowing in self-pity. All three men find a new lease on life when they engage in a cathartic barroom brawl against a bigoted group of self-styled patriots led by hate-spouting Ray Teal (forever typecast as rabid racists during the postwar years). It was this climactic scene, which remains the most memorable aspect of Till the End of Time (outside of its Chopin-inspired theme song) that caused a lot of headaches for producer Dore Schary, screenwriter Allen Rivkin and director Edward Dmytryk during the House Unamerican Activities hearings a few years later: what was accepted as pro-American in 1946 would soon be labelled "Pinko" by the anti-Red zealots. ~ Hal Erickson, All Movie Guide

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Starring:
Dorothy McGuireGuy Madison, (more)
1944  
 
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David O. Selznick's first production since 1940's Rebecca, Since You Went Away, based on Margaret Buell Wilder's bestselling novel, is a long but rewarding paean to the World War 2 "home front". Claudette Colbert plays the wife of a businessman who, though well past draft age, volunteered to serve his country as an officer (though the husband is never seen, he is "played"-via a photograph-by Neil Hamilton). Fighting back her own fears and anxieties, Colbert does her best to maintain a normal, stable household for the sake of her growing daughters Jennifer Jones and Shirley Temple. She is offered moral support by cynical-but-kindly boarder Monty Woolley, by maid Hattie McDaniel (who willing foregoes her salary "for the duration") and by Navy man and friend-of-the-family Joseph Cotten, whose relationship with Claudette remains staunchly platonic. The harsh realities of war hit home several times throughout the film, first when it seems as though Colbert's husband is missing in action, and later when Jennifer's young boyfriend, GI Robert Walker, is killed in combat. From the vantage point of the 1990s, it is easy to see why Since You Went Away scored with its wartime audiences. Though the leading characters are slightly more financially secure than most of the moviegoers of 1944, the various vignettes presented throughout-complaints about rationing and priorities, shoulder-to-shoulder sacrifices, the weekly escape to the local movie house, tender partings, joyous reunions, the returning wounded, the dreaded wire from the war department-all had the ring of truth and topicality. Even today, the film's emotional highlights, particularly the much-imitated farewell scene at the railroad station, are sufficient to bring tears to the eyes of the most jaded viewer. Enhancing the film's heartstring tugging tenfold is Max Steiner's Oscar-winning musical score. If you can remain objective while watching Since You Went Away (it isn't easy), see if you can spot Ruth Roman, Guy Madison and John Derek, making their screen debuts in microscopic roles ~ Hal Erickson, All Movie Guide

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Starring:
Claudette ColbertJennifer Jones, (more)

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