Peter Madden Movies

This handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the prophet Mohammed -- who, in accordance with the tenants of Islam, is never seen or heard (any physical depiction of the prophet is considered a heinous sin within the faith). In Mecca in the 7th century, Mohammed is visited by a vision of the Angel Gabriel, who urges him to lead the people of Mecca to cast aside the 300 idols of Kaaba and instead worship the one true God. Speaking out against the corrupt political and military leaders who rule Mecca, Mohammed and his followers struggle to worship God as they see fit, which eventually leads them into exile in Medina. However, one day God gives Mohammed a message to return to Mecca and take up arms against their oppressors -- while recruiting as many followers as they can along the way. With the help of his uncle, a brave warrior named Hamza (Anthony Quinn), Mohammed and his followers return to Mecca to liberate the city in the name of God. The Message (originally screened in the U.S. as Mohammed, Messenger of God) proved to be highly controversial during its production and initial release. Unfounded rumors had it that Mohammed would not only be depicted in the film, but that he was to be played by Charlton Heston or Peter O'Toole. This resulted in angry protests by Muslim extremists, until director Moustapha Akkad hired a staff of respected Islamic clerics as technical advisors. The advisors butted heads with Akkad, and they quit the production, which led the Moroccan government to withdraw their permission to film in their country. In time, Akkad ended up shooting on location in Libya under the sponsorship of Muammar Qaddafi, which presented a whole new set of political and practical problems for the filmmakers. Finally, when the film was scheduled to premier in the U.S., another Muslim extremist group staged a siege against the Washington D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved without explosion or injuries, though the film's American box office prospects never recovered from the unfortunate controversy. The Message was shot in two versions, one in English and one in Arabic (entitled Al-Ris-Alah), with different actors taking over some of the roles due to language requirements. ~ Mark Deming, Rovi

Henry VIII and His Six Wives is a feature film based upon the 1971 BBC miniseries The Six Wives of Henry VIII. Keith Michell weathers several makeup changes as the much-married titular monarch. While the miniseries was able to explore the political and personal reasons for the selection (and sometimes rejection) of the wives, the shortened version concentrates chiefly on such highlights as the birth of Queen Elizabeth and the execution of Anne Boleyn. The film is constructed in flashback form, with an aged Henry recalling his marital record. Side note: Donald Pleasence appears as Thomas Cromwell in Henry VIII and His Six Wives; Pleasence's daughter Angela had played Katherine Howard, Bride No. 5, in the original Six Wives of Henry VIII. ~ Hal Erickson, Rovi

In Billy Wilder's cinematic homage to the spirit of Sir Arthur Conan Doyle, British stage luminary Robert Stephens plays Holmes, while Colin Blakely is his friend and chronicler Dr. Watson. This self-described "hitherto suppressed and thoroughly fascinating" tale concerns Holmes' search for a missing mining engineer -- a case that may have a far-reaching effect on the national security of England. Along the way, Holmes falls in love for the first time in his life, with enigmatic foreign beauty Gabrielle Valladon (Genevieve Page). In this 1970 film, Wilder emphasizes such then-current topics as homosexuality (notably during the film's prologue) and drug addiction. Christopher Lee, a former screen Holmes himself, has a cameo (minus toupee) as Sherlock's brother Mycroft Holmes. Heavily re-edited and rearranged both before and after its release, The Private Life of Sherlock Holmes was a box-office disappointment when it came out in 1970. Since that time, its reputation has grown immeasurably, especially among those lucky enough to have seen a complete print. ~ Hal Erickson, Rovi

Serge Bourguignon, the auteur of the 1962 Academy Award winner Sundays and Cybele, doesn't quite come up to the standard set by that earlier film in Picasso Summer. Based on a Ray Bradbury story, the film concerns vacationing couple Albert Finney and Yvette Mimieux. Enchanted by the works of Pablo Picasso, Finney and Mimieux trek through the length and breadth of Europe to meet the great artist himself. Their odyssey concludes on a melancholy note, but not before an engaging animated sequences wherein Picasso's paintings come to life, as it were. Filmed in 1969, Picasso Summer was long withheld from release; in fact, most filmgoers didn't get to see it until it began making the TV rounds. ~ Hal Erickson, Rovi

Missing for two years, a scientist suddenly returns to his home, only to immediate vanish again. Aware that the poor man had been brainwashed, perhaps by the Chinese, Steed goes undercover to get to the truth. He ends up in the hotel owned by Max Chessman (Paul Whitsun-Jones). Meanwhile, Emma is herself waylaid by the bad guys and subjected to their hideous "mind-control" procedure. Written by Roger Marshall, "Room Without a View" originally aired in England on January 8, 1966, and was shown in America on June 27 of that same year. ~ Hal Erickson, Rovi

Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago covers the years prior to, during, and after the Russian Revolution, as seen through the eyes of poet/physician Yuri Zhivago (Omar Sharif). In the tradition of Russian novels, a multitude of characters and subplots intertwine within the film's 197 minutes (plus intermission). Zhivago is married to Tonya (Geraldine Chaplin), but carries on an affair with Lara (Julie Christie), who has been raped by ruthless politician Komarovsky (Rod Steiger). Meanwhile, Zhivago's half-brother Yevgraf (Alec Guinness) and the mysterious, revenge-seeking Strelnikoff (Tom Courteney) represent the "good" and "bad" elements of the Bolshevik revolution. Composer Maurice Jarre received one of Doctor Zhivago's five Oscars, with the others going to screenwriter Robert Bolt, cinematographer Freddie Young, art directors John Box and Terry Marsh, set decorator Dario Simoni, and costumer Phyllis Dalton. The best picture Oscar, however, went to The Sound of Music. ~ Hal Erickson, Rovi

In the tradition of Kind Hearts and Coronets (49), Nothing But the Best is a sparkling British "comedy of murders." Alan Bates stars as a lowly real estate clerk who wants to crash the British upper class. To that end, Bates hires down-and-out gentleman Denholm Elliott to "train" him for the noblesse. The clerk is a fast learner, and is soon wooing the daughter (Millicent Martin) of his blueblood boss. Just as he's on the brink of becoming one of the "better people," his mentor Elliot disdainfully threatens to reveal the truth about Bates. With nary a moment's hesitation, Bates strangles Elliot with his own school tie, and hides the body in Elliot's own school trunk. From this point forward, Bates moves onward and upward, and since the high-class folks in this film are shown to be shallow phonies, the audience is half rooting for Bates to get away with his little murder. The film ends just as Bates' old lodgings are about to be demolished--leaving Our Hero waiting in wry, bemused anticipation for that incriminating trunk to be uncovered. Frederick Raphael based his screenplay for Nothing But the Best on Stanley Elkins' black-humor masterpiece The Best of Everything. ~ Hal Erickson, Rovi

In this British melodrama based on a French novel by Catherine Arley, Sean Connery plays Anthony Richmond, a money-hungry young man enraged that his rich, dying uncle doesn't plan to include him in his will. Instead, Charles Richmond (Ralph Richardson) plans to give his fortune to charity. Anthony recruits a young nurse, Maria (Gina Lollobrigida), for a nefarious scheme. Her job is to care for the old man and get him to marry her and change the will so she gets his fortune. Then she will give Anthony a three-million-dollar share. Maria does her job well, but she comes to actually love Charles. ~ Michael Betzold, Rovi

Producer Anthony Hinds used the alias John Elder to pen the screenplay of Kiss of the Vampire. Dr. Ravna (Noel Willman), an early 20th century Bavarian, entices a British honeymooning couple, Gerald and Marianne (Clifford Evans, Jennifer Daniel), to accept his hospitality. Once ensconced in Ravna's chateau, the couple discovers with horror that Ravna, Bavaria's biggest fan of Count Dracula, is the leader of an enthusiastic vampire cult. Clifford Evans plays the Van Helsing counterpart, Professor Zimmer, a vampire expert who first tries to warn the couple out of the area and then saves Marianne. Not as horrific as the title suggests, Kiss of the Vampire concentrates on the seductive, sensual side of vampirism, especially in a surrealistic masked-ball sequence. Though it contains far less bloodletting than most Hammer productions, Kiss of the Vampire was severely cut for its American TV release (and retitled Kiss of Evil). ~ Hal Erickson, Rovi

This was the last trip in the "road" comedies that Bob Hope, Bing Crosby, and a bevy of female stars that featured Dorothy Lamour once made famous. In this road to Hong Kong and parts far beyond, Chester and Harry (Hope and Crosby) are a couple of failed vaudeville stars looking for a way to riches in the confidence game. Chester's memory goes kaputz, and the two end up involved with Diane (Joan Collins), a spy looking for a secret formula, and a bunch of hoodlums who plan on sending up a rocket to the moon with special equipment allowing them to rule the planet earth. The pair of heroes gets caught in the rocket instead of the originally intended monkeys, and the monkey business continues in outer space -- where it seems to be all along. In this mixed collage of events, several stars pop up in cameo roles: Peter Sellers, Dean Martin, David Niven, Frank Sinatra among them. ~ Eleanor Mannikka, Rovi

This well-wrought romance takes place in Lancashire, England in an industrial area where Vic (Alan Bates) and Ingrid (June Ritchie) work in the same factory. He is a draftsman who wants only a physical relationship with the woman of his choice (Ingrid), and she is a typist who wants true love with the man she is interested in (Vic). In carefully handled scenes throughout, Vic and Ingrid get together but with consequences neither could have foreseen. Ingrid becomes pregnant, and that one indisputable fact tests the mettle of their relationship more than anything else they could have imagined. ~ Eleanor Mannikka, Rovi

"All I want is a good time. The rest is propaganda." That's the philosophy of archetypal British "angry young man" Arthur Seaton (Albert Finney). A middle-class working stiff in a dead-end job, Arthur's principal goal in life is to survive the work week, then spend the weekend raising as much hell and drinking as much beer and other liquor as possible. Since pleasure is all that Arthur lives for, he thinks nothing of starting up an affair with the wife (Rachel Roberts) of one of his co-workers (Bryan Pringle). His efforts to secure her an abortion when he gets her pregnant stem not out of concern for her but out of his own selfishness: why should he be tied down with a squalling brat? Despite his carousing and his ongoing desire to escape the dull routine of his weekday existence, Arthur is doomed to perpetuate that routine via his marriage to a complacent "nice" girl (Shirley Ann Field) from his own neighborhood. ~ Hal Erickson, Rovi