William H. Macy Movies
William H. Macy came to acting by way of Bethany and Goddard Colleges. At the latter school,
Macy studied under playwright
David Mamet, with whom he would be frequently associated throughout his career. After college,
Macy was a member of
Mamet's theater troupe, the St. Nicholas Company. The actor performed in a number of productions, many of them written by
Mamet, until 1978 when he left the company and headed to New York. Some of his earliest work there included commercial voice-overs, such as the now infamous "Secret: Strong enough for a man, but PH balanced for a woman."
Macy also continued his theater work, forming the Atlantic Theatre Company with
Mamet in 1985 and acting in Broadway and off-Broadway shows. In addition, he worked in television and began doing feature films, debuting in '80s
Foolin' Around. He continued to act in supporting roles throughout the decade, appearing in such films as
Mamet's directorial debut,
House of Games (1987) and
Woody Allen's
Radio Days (1987). In 1991, he won a more substantial role, in
Mamet's
Homicide, and subsequently began to find work in more well-known films, including
Benny and Joon and
The Client.
Macy finally got a shot at a leading role with his turn in
Mamet's
Oleanna. He won positive notices and an Independent Spirit Award nomination for his portrayal of a professor accused of sexual harassment. More acclaim followed with his starring role as a hapless car salesman in
Joel Coen and
Ethan Coen's
Fargo (1996), for which he garnered a Best Supporting Actor Oscar nomination. The next year,
Macy's star rose a little higher, thanks to his work in three high-profile films,
Wag the Dog,
Air Force One, and
Paul Thomas Anderson's
Boogie Nights. He was similarly lauded for his versatility through work in such films as
Psycho and
Pleasantville, and in 1999 he continued his winning streak as an unconventional superhero in
Mystery Men, a gay sheriff in
Happy, Texas, and a member of the ensemble cast of
Paul Thomas Anderson's
Magnolia.
Despite the fact that
Macy drew praise for his turn as a reluctant hit man in the 2000 drama
Panic, the film went largely unseen, and his next substantial role found him running from dinosaurs in
Jurassic Park III. As always
Macy continued to intercut his more commercial efforts with such decidedly non-mainstream fare as
Focus and
Stealing Sinatra. Surprisingly, it was just such work that netted
Macy some of his most glowing reviews. Case in point was a memorable performance as a disabled traveling salesman in the 2003 drama
Door to Door; a role that earned its convincing lead an Emmy. After sticking to the small screen with the Showtime miniseries
Out of Order,
Macy went wide with the theatrical hit
Seabiscuit and the breathless Larry Cohen-scripted thriller Cellular. That same year, the actor would continue to nurture a succesful ongoing collaboration with famed writer/director
David Mamet in the widely-praised but little-seen crime drama Spartan.
Macy has also continued to do television work, appearing on such series as
Spencer,
Law & Order, and
ER. For his role in the 2004 made for television drama The Wool Cap (which also found him teaming with writer Steven Schachter to adapt a story originally written by Jackie Gleason),
Macy was nominated for multiple awards including a Best Actor at the Golden Globe and an Emmys.
In 2005,
Macy returned to home turf with the
Mamet-scripted thriller Edmond, directed by Stuart "Reanimator" Gordon. The picture reunited the actor and director, who originally collaborated in the early eighties on the stage version of the playwright's Sexual Perversity in Chicago. Adapted from
Mamet's 1982 one-acter, Edmond dramatizes the descent of a seemingly normal man (
Macy) from sanity to unbridled psychosis. While Edmond didn't exactly bomb critically or commercially after its July 14, 2006 premiere, it fell below the bar of previous
Mamet efforts on two levels: first, the studio opened it to decidedly more limited release than
Mamet's directorial projects over the previous several years (such as Spartan and Heist), thus ensuring that fewer would see it, and it also suffered from somewhat lackluster reviews. Surprisingly, those who did complain of the work attacked
Mamet's script in lieu Gordon's direction. Variety's Scott Foundas observed, "The problem is that, too often, we don't fully understand what motivates Edmond, and many of Mamet's efforts toward explanation -- that life is one big shell game, that we're all latent racists at heart -- feel like specious armchair philosophizing."
Macy produced that same year's Transamerica, and graced the cast of Jason Reitman's hearty satire Thank You For Smoking, with a funny turn as senator and anti-tobacco promulgator Ortolan Finistirre. At around the same time, he also voiced a crooked, baseball bat-swiping security guard in that year's family friendly animated feature Everyone's Hero. Meanwhile, audiences geared up for
Macy's contribution to the ensemble of actor-cum-director Emilio Estevez's semi-fictional, Altmanesque docudrama Bobby, which recounts the events that preceded RFK's assassination by Sirhan Sirhan at the Ambassador Hotel. As the hotel manager,
Macy joins a line-up of formidable heavyweights: Helen Hunt, Elijah Wood, Harry Belafonte, Martin Sheen, Estevez himself, Anthony Hopkins, Sharon Stone, and many others. The picture had journalists and moviegoers across America whispering 'Oscar contender' long before its initial release on November 22, 2006. Shortly after production wrapped,
Macy made headlines in mid-late 2006 for a comment that involved his allegedly berating Bobby co-star Lindsay Lohan's on-set behavior, in reference to her constant tardiness.
Meanwhile, the trades reported the everpresent
Macy's involvement in two 2007 features: the animated Bee Movie (with a lead voice by Jerry Seinfeld), about a honeybee who decides to sue mankind for its use of honey, and Wild Hogs, a farce with Tim Allen, Martin Lawrence and John Travolta as a trio of Hell's Angels. Over the coming years, Macy would appear in movies like Shorts, Dirty Girl, and The Lincoln Lawyer, as well as the critically acclaimed series Shameless.
In 1997,
William H. Macy married Felicity Huffman, with whom he appeared in
Magnolia. ~ Rebecca Flint Marx, Rovi

- 1994
-
Eight weeks after attempting suicide, head nurse Carol (Julianna Margulies) returns to work at the ER. Meanwhile, Greene (Anthony Edwards) forces a family to come to grips with a domestic abuser in their midst. And Carter (Noah Wyle) learns a lesson in compassion from a mysterious female patient (played by Rosemary Clooney, the aunt of series regular George Clooney), who bursts into song at the slightest provocation. ~ Hal Erickson, Rovi
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- 1994
-
Carter (Noah Wyle) pulls off his first major blunder when he tells the wrong family that their teenaged son died in a car accident. Resident Romeo Ross (George Clooney) steps up his campaign to win Carol (Julianna Margulies) away from her current beau, Dr. Taglieri (Rick Rossovich). And the volatile Benton (Eriq La Salle) attacks his brother-in-law, Walt (Ving Rhames), for neglecting his family, then turns his wrath upon Lewis (Sherry Stringfield) for a misdiagnosis. ~ Hal Erickson, Rovi
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- 1994
-
Originally telecast as a two-hour special, the first episode of ER has since been divided into a two-parter for syndication. In part one, young and inexperienced third-year med student John Carter (Noah Wyle) reports for work at the emergency room of Chicago's County General Hospital. During a hectic 24-hour shift, Carter is brusquely introduced to his future co-workers: his arrogant trainer, Dr. Peter Benton (Eriq La Salle); workaholic chief resident Dr. Mark Greene (Anthony Edwards); the equally hardworking Dr. Susan Lewis (Sherry Stringfield); the womanizing Dr. Douglas Ross (George Clooney); and troubled head nurse Carol Hathaway (Julianna Margulies). All in all, it is a typical shift at the ER, with cases ranging from gunshot wounds, ruptured aneurysms, burns, and even hangnails -- but a few surprises are in store for both the staff and the viewers at home. In part two, inexperienced three-year med student John Carter continues to cope as best he can with his hectic first day in the emergency room of Chicago's County General Hospital. Meanwhile, chief resident Greene weighs the possibility of entering private practice; Carter's supervisor, Benton, oversteps his authority by operating on a patient with an aortic aneurysm; and troubled head nurse, Carol Hathaway, becomes a patient herself after attempting suicide (originally intended as a one-shot character, Hathaway proved so popular with the viewers that she was immediately pencilled in as a regular). ~ Hal Erickson, Rovi
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- 1994
- R
- Add Above Suspicion to Queue
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In this high-tension thriller, Christopher Reeves plays Dempsey Cain, a paralyzed detective (ironically, it was filmed a year before the tragic accident that would make him a quadriplegic) whose arrogance and penchant for perfectionism has alienated his family to the point that his wife Gail (Kim Cattrall) turns to his brother Nick (Edward Kerr) for love. Nick is also a cop, but unlike Dempsey, he tends to be irresponsible and sloppy. It was he who was responsible for Dempsey's paralysis. Dempsey knows that Nick and Gail are trysting. This coupled with his disability makes life unbearable. Wanting to end his life, but knowing that his million-dollar life insurance policy will not cover his suicide, he approaches Nick and Gail with the perfect solution -- to murder him and make it look like a burglary. Dempsey plans his demise to the nth degree. Unfortunately, despite his careful scheming, Dempsey makes one fatal flaw -- he did not include his suspicious, resentful and jealous colleague Allan Rhinehart (Joe Mantegna) into the equation and things go horribly awry. ~ Sandra Brennan, Rovi
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- 1994
- PG
- Add Tall Tale to Queue
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This ambitious Disney movie uses a remarkable screenplay from Steven L. Bloom and Robert Rodat to tell a rollicking tale of America's transition from a close-to-the-land culture of mythic heroes to a corporate world of real estate tycoons. The strong theme about the decline of folk culture is expressed through a series of high octane adventures experienced by 12-year-old Daniel Hackett (Nick Stahl) at the dawn of the 20th century. Daniel's father, Jonas Hackett (Stephen Lang), runs a farm in a place called Paradise Valley, but his land is coveted by a greedy developer, J.P. Stiles (Scott Glenn). Daniel looks longingly at postcards of New York City while growing increasingly skeptical of his father's tales of legendary folk heroes. Then, through a series of incredible adventures, Daniel meets up with the legends that his father has spoken about -- cowboy Pecos Bill (Patrick Swayze), lumberjack Paul Bunyan (Oliver Platt), and finally, ex-slave and strongman John Henry (Roger Aaron Brown). Each of these heroes hooks up with Daniel and becomes involved in an increasingly bitter and boisterous fight against Stiles, whose plans to buy up land threaten the very strength of the folk heroes and the well-being of the common people. Pecos Bill has a horse named Widowmaker and can lasso a tornado. The giant Bunyan is accompanied by his famous blue ox, Babe. At one point, another legend, the cowgirl Calamity Jane (Catherine O'Hara), joins in the adventures. ~ Michael Betzold, Rovi
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- Starring:
- Patrick Swayze, Oliver Platt, (more)

- 1994
- NR
- Add Oleanna to Queue
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David Mamet directed this screen version of his controversial two-character stage drama. John (William H. Macy) is a self-centered college professor preoccupied with his bid for tenure and negotiations for a house that he and his wife want to buy. Mary (Debra Eisenstadt), one of his students, comes by John's office after class; she's failing his course and is obviously confused by the material. Not really paying attention to her, John discusses his philosophies about education in an abstract manner rather than offering concrete suggestions on how to improve her grades. The discussion becomes confrontational and eventually Mary leaves. Several days later, Mary returns, announcing that on the advice of her "group" that she is filing sexual harassment charges against John based on a broad interpretation of his statements. If Mary's suit is successful, it could cost John his job -- and the house he's always wanted. Mamet's wife, actress and musician Rebecca Pidgeon, composed the film's musical score. ~ Mark Deming, Rovi
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- Starring:
- William H. Macy, Debra Eisenstadt, (more)

- 1994
- PG13
- Add The Client to Queue
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A sterling cast headed by Oscar-nominated Susan Sarandon makes this slick thriller one of the better adaptations of a John Grisham bestseller. Mark Sway (Brad Renfro) witnesses the suicide of a Mafia lawyer, who confesses that the Mob was behind the murder of a U.S. senator. Mark's brother is traumatized into a coma by the incident; gangster Barry Muldano (Anthony LaPaglia) is soon on Mark's trail, and in desperation, he arrives at the office of recovering alcoholic lawyer Reggie Love (Sarandon). With the Mob after them, and a ruthless federal attorney (Tommy Lee Jones) trying to force Mark to reveal what he knows, Love battles to guarantee the safety of her client and his family. The relationship between Reggie Love and Mark Sway is the center of the film, adding considerable character development to plot's routine elements. Director Joel Schumacher helmed another Grisham adaptation, A Time To Kill, in 1996. ~ Don Kaye, Rovi
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- Starring:
- Susan Sarandon, Tommy Lee Jones, (more)

- 1993
-
In this tense drama a reporter tries to figure out the reason a wealthy young man shot a popular pulp-fiction writer and then shot himself. ~ Sandra Brennan, Rovi
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- Starring:
- Eric Stoltz, Jennifer Connelly, (more)

- 1993
- PG
- Add Benny & Joon to Queue
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Johnny Depp was nominated for a Golden Globe for his astonishing performance in Benny & Joon, though the entire cast is equally impressive. Benny (Aidan Quinn) runs a small car repair shop. He must also take care of his mentally ill sister Juniper, better known as Joon (Mary Stuart Masterson). After losing a bet, Benny is forced to bring another eccentric into his house: Sam (Johnny Depp), the cousin of a friend. Not inclined to conversation, Sam expresses himself by performing Charlie Chaplin and Buster Keaton routines (and brilliantly!) Not surprisingly, he immediately hits it off with Joon. As Sam and Joon fall deeper in love, Benny for the first time in life experiences the pangs of jealousy. As can be gathered by this synopsis, Benny and Joon may not strike responsive chord with everyone; those who like the film, however, are almost militant in their devotion. ~ Hal Erickson, Rovi
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- Starring:
- Johnny Depp, Mary Stuart Masterson, (more)

- 1993
- R
- Add Twenty Bucks to Queue
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This fascinating chronicle of the life and times of a twenty dollar bill was originally written by Endre Boehm in 1935 and languished forgotten on the shelf until his son Leslie resurrected it after his father's death, and updated the script. (Both received screenwriter credit for the released version). The scrap of currency's journey begins after it is spit out of a downtown Minneapolis ATM machine into the hands of a busy young mother. It's a windy day, and the crisp bill is blown out of her hands into those of a bag lady who uses it on the lottery because she believes the serial numbers are lucky. Unfortunately, the bill is plucked from her hands by a light-fingered skate boarder who uses the money at a local bakery. From there the bill's odyssey takes it to a wide variety of places including a wedding, a stripper's g-string, a con artist's scam, and a robbery. It ends up used as a note pad, a birthday present, a coaster, and a fishing contest trophy. Interestingly, every one who encounters the bill changes in some way. ~ Sandra Brennan, Rovi
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- Starring:
- Linda Hunt, David Rasche, (more)

- 1993
- PG13
Five fables, each set in a different historical era, make up this quirky comedy from director Bill Forsyth. Each tale features Robin Williams as a basically decent but troubled average man named Hector. Beginning with the Bronze Age, where Hector struggles for survival against barbarians, the film proceeds through Roman times, the Middle Ages, and the 16th century, concluding in the present day, where Hector is a divorced father attempting to reconcile with his children. The film clearly intends to draw parallels between these stories in order to illustrate the universal nature of human experience, though the segments themselves vary widely in tone, from broadly comic to philosophically reflective. Additionally, some may find the film's attempts at creating a fantasy atmosphere rather cloying, while others may be charmed by the project's determined oddness and whimsicality. ~ Judd Blaise, Rovi
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- Starring:
- Robin Williams, John Turturro, (more)

- 1993
- PG
- Add Searching for Bobby Fischer to Queue
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Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, Rovi
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- Starring:
- Joe Mantegna, Max Pomeranc, (more)

- 1992
-
Long before co-starring on The Practice, Kelli Williams appeared in this Law & Order episode as a young drug addict living in a teen shelter. When the girl accuses Sister Bettina (Kate Burton), the nun in charge of the shelter, of molesting her, detectives Logan (Chris Noth) and Cerreta (Paul Sorvino) investigate. As it happens, the solution to the case may hinge upon a secret being withheld by the center's male supervisor (William H. Macy). ~ Hal Erickson, Rovi
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- 1992
-
A Depression-era inventor finds a way of revolutionizing manufacturing technology and then discovers that this invention has its dark side as well. ~ Tana Hobart, Rovi
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- 1992
-
This 1970s true story features a fanatically religious woman and her son-in-law who hold her children prisoner while waiting for her late husband's resurrection in Utah. ~ Rovi
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- 1992
-
Based on a true story, this is the case of Carolyn Warmus, a teacher from Westchester County who was convicted of the murder of her lover's wife. ~ Tana Hobart, Rovi
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- 1991
- R
- Add Homicide to Queue
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The third film written and directed by playwright David Mamet, this combination of crime drama and character study stars several of Mamet's stock players. Joe Mantegna stars as Bobby Gold, a detective with a gift for negotiation who, along with his partner Tim Sullivan (William H. Macy), accidentally stumbles upon a crime scene -- the murder of an elderly Jewish woman in her corner store. When it turns out that the victim was politically well-connected and Jewish, Bobby's superiors assign him the case because he's also Jewish. The problem is that Bobby isn't very religious and he resents being taken off a higher profile drug investigation involving a dealer, Randolph (Ving Rhames). Bobby's also highly skeptical when the murdered woman's family claims that her death was not a simple robbery but an anti-Semitic hate crime. As he gets deeper into his case, however, Bobby discovers that a larger conspiracy may be afoot, and he begins to question his own ethnic roots. ~ Karl Williams, Rovi
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- Starring:
- Joe Mantegna, William H. Macy, (more)

- 1991
- PG13
- Add Shadows and Fog to Queue
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Woody Allen's black-and-white curiosity piece is a mixture of influences -- from German silent film expressionism to Franz Kafka's nightmare worlds to the contemporary fables of Wim Wenders. Woody Allen plays the nebbish clerk Kleinman (in a throwback to his characters from Sleeper and Love and Death), who is awakened in the middle of the night by a vigilante group who want him to help capture a serial killer on the loose. Kleinman reluctantly agrees, but when he gets to the street, the vigilantes are gone and Kleinmen spends most of the film wandering the shadowy back alleys in search of the citizen's brigade. Meanwhile, a circus is in town. When sword-swallower Irmy (Mia Farrow) catches her creepy clown husband (John Malkovich) getting familiar with trapeze artist Marie (Madonna), she packs her bags and heads for town, where she meets up with Kleinman. This meeting sets up a number of plot lines that has Irmy befriending a trio of prostitutes (Jodie Foster, Lily Tomlin and Kathy Bates) at the local brothel and accepting $700 from a university student (John Cusack) who wants to sleep with her. She finally meets up with her husband, and they then find an abandoned baby which they decide to raise as their own. ~ Paul Brenner, Rovi
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- Starring:
- Woody Allen, Mia Farrow, (more)

- 1990
-
When a councilman is mugged, detectives Greevey (George Dzundza) and Logan (Chris Noth) follow a trail of evidence leading to Anthony Scalisi (Paul Guilfoyle), a prominent mobster. Typically, this is not the end of the case -- not when the D.A.'s office decides to use Scalisi as bait to trap some supposedly "respectable" city officials. The fact that assistant D.A.'s Logan (Michael Moriarty) and Robinette (Richard Brooks) are shown meeting for the first time, not to mention the conspicuous absence of series regular Steven Hill as D.A. Adam Schiff, is proof enough that "Everybody's Favorite Bagman" was the pilot episode for Law & Order -- though it was not the first episode to be telecast. ~ Hal Erickson, Rovi
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- 1988
- PG
- Add Things Change to Queue
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Perhaps it was his collaborator Shel Silverstein who said to screenwriter David Mamet "Lighten up. Do a comedy." Whatever the case, Things Change was a welcome change of pace for Mamet, both as scenarist and director. Don Ameche also goes against his usual grain by playing a downtrodden Chicago shoeshine boy (if one can call an 80-year-old a "boy") who is arrested for a crime he didn't commit. Not having much of a future anyway, Ameche has agreed--for a hefty sum--to take the rap for a gangland rubout. Mob henchman Joe Mantegna is assigned to keep an eye on Ameche over the weekend to make sure he doesn't try to weasel out of his agreement. Mantegna has been ordered to remain in Ameche's Lake Tahoe hotel, but the young guy takes a liking to the old loser. Like Jack Nicholson in The Last Detail, Mantegna takes Ameche on one last fling around Nevada. The location photography is terrific, and Ameche even more so. One would like Things Change to be equally as good, and while it never comes up to its potential, it remains a pleasant means to while away 100 minutes. ~ Hal Erickson, Rovi
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- Starring:
- Don Ameche, Joe Mantegna, (more)

- 1988
-
The TV news industry is targeted in this satire, about a veteran newsman (Paul Dooley) who is edged out of his morning show anchor chair by a brash upstart (Griffin Dunne). ~ Jason Ankeny, Rovi
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- Starring:
- Griffin Dunne, Paul Dooley, (more)

- 1987
- PG
- Add Radio Days to Queue
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Woody Allen's gentle and nostalgic tribute to the glory days of radio and coming-of-age during World War II plays like Fellini's Amarcord filtered through Neil Simon. The nominal star is Seth Green as Joe, a teenage Jewish boy, growing up with a house full of relatives in Brooklyn. Allen cuts between Joe's working class neighborhood of Rockaway Beach, Queens, and the glittery and glamorous world of radio in Manhattan. ~ Paul Brenner, Rovi
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- Starring:
- Mia Farrow, Seth Green, (more)

- 1987
- R
- Add House of Games to Queue
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In his directorial debut, Pulitzer Prize-winning playwright David Mamet creates a stylish cinematic puzzle of games within games, as con men are joined by a psychologist in creating the perfect caper. Dr. Margaret Ford (Lindsay Crouse), the writer of psychological self-help books, meets Mike (Joe Mantegna) as she attempts to help a patient who owes heavy gambling debts. When she herself is the victim of a con, she becomes intrigued by the psychological drama of the con game and joins in a complicated scam involving a suitcase of cash. Mamet directs his extremely complicated plot with skill and complete control until it is impossible to tell who is the con and who is the victim. The suspense builds to an amazing surprise ending which is both reasonable and believable but completely unpredictable. Crouse and Mantegna are outstanding as are all the supporting performances. Mamet and his cinematographer Juan Ruiz-Anchia create a visually stunning, compelling film that does justice to Mamet's superbly written screenplay ~ Linda Rasmussen, Rovi
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- Starring:
- Lindsay Crouse, Joe Mantegna, (more)

- 1985
- PG13
- Add The Last Dragon to Queue
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The TV prints of this entertaining melange whittled down the film's original self-serving title (Motown king Berry Gordy was the producer), and settled on merely The Last Dragon. Taimak stars as an African American martial-arts whiz, so devoted to his hobby that he dresses and behaves in what he thinks is true Chinese fashion. Taimak falls in love with sexy veejay Vanity. Gangsters intrude on both their lives when crook Julius J. Carry III tries to promote his talentless protegee into rock stardom. ~ Hal Erickson, Rovi
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- Starring:
- Taimak, Vanity, (more)