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Ashley Sabin Movies

2012  
 
Directors David Redmon and Ashley Sabin travel to coastal Maine, where they examine the impact of the closure of a sardine canning factory, and the challenges presented to the owner of a new lobster processing plant. ~ Tracie Cooper, Rovi

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2011  
 
Add Girl Model to Queue Add Girl Model to top of Queue  
Documentary filmmakers David Redmon and Ashley Sabin offer this illuminating -- and often disturbing -- look at the challenges faced by young, aspiring Russian models determined to break into the fashion industry. Ashley Arbaugh is a former American model who has parlayed her experience in front of the camera into a lucrative job scouting young girls in Siberia. The lucky few whom Ashley selects to move on are then offered the opportunity to model in Japan. Ashley's latest discovery is Nadya, a 13-year-old, self-described "grey mouse" who possesses a striking natural beauty, and who endeavors to pull her family out of poverty through her modeling career. But upon arriving in Japan and attempting to navigate the strange new world without the benefit of speaking the language, Nadya and homesick fellow model Madlen soon realize that the experience is nothing like what they thought it would be, and that the work they were "guaranteed" back home seems frustratingly hard to come by. Meanwhile, surreptitious contract clauses stipulate that the girls could be quickly sent home at a moment's notice, and they wind up deeply in debt to the same company that promised them the opportunity of a lifetime. ~ Jason Buchanan, Rovi

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2009  
 
Add Invisible Girlfriend to Queue Add Invisible Girlfriend to top of Queue  
With their documentary Invisible Girlfriend, filmmakers David Redmon and Ashley Sabin have sensitively captured the strange existence of Charles Fihiol, a man who would be unbelievable if glimpsed in a fiction film. To see his girlfriend, Charles embarks on a curse-filled 400-mile trip on his bike that takes him from Monroe to New Orleans. But Charlie's girlfriend -- Joan of Arc -- is invisible, and his journey bears a striking resemblance to The Wizard of Oz when he encounters a witch and a tin man. ~ Kimber Myers, Rovi

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2008  
 
 
 
2008  
 
Filmmakers Rene Pinnell and Claire Huie pay tribute to Pinnell's uncle - Texas filmmaker Eagle Pinnell - in this affectionate documentary celebrating the Last Night at the Alamo director's unique brand of DIY filmmaking while simultaneously offering a cautionary tale about the pitfalls of alcohol and substance abuse. IN a little less than three decades, Eagle Pinnell managed to craft four feature films and one short in addition to contributing to the documentary Good Life. Despite the fact that Pinnell's films never received distribution and were rarely screened outside of a festival setting, his intimate tales of working class Texans proved that quality films could be produced from outside the Hollywood system, ultimately inspiring Robert Redford to create the Sundance Institute - a center where burgeoning filmmakers are encouraged to develop and produce films that are completely independent from first draft to final cut. ~ Jason Buchanan, Rovi

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2008  
 
Add Intimidad to Queue Add Intimidad to top of Queue  
An ordinary couple's dream of building a better life for themselves and their family proves to be a hard road to travel in this documentary by filmmakers David Redmon and Ashley Sabin. Camilo Ramirez and his wife Cecy are only 21, but they're old enough to know there isn't much of a future in Santa Maria, Puebla, the small town where they were born and raised. Camilo and Cecy have a young daughter and they want to be able to buy a house and some land to give their child a proper home, so they move to Reynosa, a larger city near the American border where they can get better paying jobs and save towards a down payment. With Cecy working in a garment factory and Camilo laboring in a plant building fire hydrants, they won't have the time to look after their baby, so they leave her at home with family. In time, Cecy can barely stand to be away from her daughter, and when she learns her father is seriously ill, she does go back to Santa Maria to look after them both. Meanwhile, Camilo stays on in Reynosa, working long hours in hopes of raising the cash to buy a home that will keep his small family together. Intimidad received its world premiere at the 2008 South by Southwest Film Festival. ~ Mark Deming, Rovi

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2007  
 
Add Kamp Katrina to Queue Add Kamp Katrina to top of Queue  
In the aftermath of Hurricane Katrina, a kindly Upper 9th Ward resident offers her backyard as a makeshift camp for neighbors rendered homeless by the disaster. Documentary filmmakers David Redmon and Ashley Sabin tell the tale of a 56-year-old woman who for six months acted as mother, nurse, housing advocate, psychologist, and even domestic-abuse counselor to 14 desperate souls in need of shelter and compassion. ~ Jason Buchanan, Rovi

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2004  
 
Add Mardi Gras: Made in China to Queue Add Mardi Gras: Made in China to top of Queue  
One of the better known traditions of the annual Mardi Gras celebration in New Orleans, LA is the beads -- most folks wear lots of cheap plastic beads while they wander the city's streets in search of fun, and men hoping that women will flash their breasts usually toss ladies their beads in what they hope will be considered a fair exchange. However, while in New Orleans, those beads symbolize a wild party and low-level exhibitionism, on the other side of the world they mean something else. In Fuzhou, China, a man named Roger Wong owns a factory that produces the majority of the beads tossed to strangers during Mardi Gras, and to his employees, the beads mean work days of 14 to 20 hours, for which they are paid less than ten cents an hour. Most of the workers in Wong's plant are young women, whom he says are less likely to cause trouble or make demands than their male equivalent. The workers live in a dormitory where they can be fined one month's wages if a member of the opposite sex is found in their room. And most are struggling to support themselves and their families on wages that are low even by the standards of a Chinese sweatshop. Mardi Gras: Made in China is a documentary which explores the dramatic contrast between the conditions under which Mardi Gras beads are made and what happens with them once they arrive in the United States; both American revelers and Chinese workers are given a perspective on how the other half lives, and what can be done to make their circumstances more equitable. ~ Mark Deming, Rovi

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