Wilbur Mack Movies

In this comedy, a slightly addled young advertising executive works for his father's radio-advertising agency. His first job is to hire a famous big-game hunter for an upcoming show. Unfortunately, the man he chooses proves to be a fake and mayhem ensues. ~ Sandra Brennan, All Movie Guide

This Irving Asher production was that rarity, a genuine B-movie from posh MGM. Set in a pre-Pearl Harbor United States, Nazi Agent starred real-life Hitler refugee Conrad Veidt as identical twins, one a timid stamp collector and rare book store owner, the other the Nazi consul. The evil Veidt is killed during an argument between the two and the good Veidt shaves his beard in order to take his brother's place as head of a Nazi spy ring. He manages to quell the group's attempts to sabotage allied shipping routes before being exposed by, of all things, a pet canary. In order to save the life of a defecting fifth columnist (Ann Ayars), Veidt agrees to return to Germany, gaining strength for the upcoming ordeal in the Vaterland as his ship passes the Statue of Liberty. Relatively fast-paced and engrossing most of the way, Nazi Agent was the feature-film debut of director Jules Dassin, formerly of MGM's short subject department. Dassin went on to direct several groundbreaking crime dramas for Universal before finding himself blacklisted during the Hollywood "witch hunts." He continued his career in Europe, helming such genuine classics as Never on Sunday (1959). A lyric soprano, Ann Ayars spent the mostly unrewarding years between 1941 and 1943 in MGM potboilers before leaving films in favor of the New York City Opera. ~ Hans J. Wollstein, All Movie Guide

The Lady Bodyguard of the title is pretty but somewhat physically frail A. C. Baker (Anne Shirley). An advertising representative for an insurance company, A. C. gets into trouble when she okays several $1000 life-insurance policies as a publicity stunt. One of the recipients is Terry Moore (Eddie Albert), who, thanks to a typographical error, finds that he's been insured for one million dollars. Desperately, A. C. tries to talk Terry into cancelling the policy, but his avaricious beneficiaries don't want this to happen. There are laughs and thrills aplenty as a sleep-benumbed Terry pilots an airplane carrying A. C. and all of those vultures who'd benefit mightily from his demise. ~ Hal Erickson, All Movie Guide

Despite the ridicule of the rest of the East Side Kids, Mugs Maloney (Leo Gorcey) aspires to be a jockey. He gets his chance with the help of elderly stablehand Ben (Clarence Muse), the owner of a thoroughbred race horse. Ben agrees to train Mugs on the condition that the rest of the gang raise enough money to enter his horse in a Big Race. Alas, Mugs turns out to be a terrible jockey, but this doesn't dissuade a wealthy horseman from offering to race the thoroughbred with a different boy in the saddle. Resentful of being passed over, Mugs does everything he can to sabotage the rival jockey, but in the end he relents and allows the other boy to ride the horse to victory. Beautifully directed by Joseph H. Lewis (especially in the racing scenes), That Gang of Mine is a superior "East Side Kids" romp, marred only by the unecessary racist badinage between black actors Clarence Muse and Sunshine Sammy Morrison. ~ Hal Erickson, All Movie Guide

In his final "Mr. Wong" mystery, Boris Karloff solves the case of who killed shipping magnate Cyrus P. Wentworth (Melvin Lang). Wentworth's flagship "The Wentworth Castle" had tragically caught on fire with a tremendous loss of life. Near suicidal, the shipping tycoon is helped into the next world by persons unknown but dunderhead police captain Bill Street (Grant Withers) points the finger at Dick Fleming (William Stelling), the son of a rival tycoon and in love with Wentworth's daughter Cynthia (Catherine Craig). Promising to eat his hat if young Fleming isn't the killer, Street can only watch as enterprising cub reporter Bobby Logan (Marjorie Reynolds) assigns Mr. Wong (Karloff) to solve the case. Which the eminent Oriental sleuth does to the point where Bobby can gleefully add salt to Street's less than edible headgear. The burning of the fictional "Wentworth Castle" was actual footage from the infamous 1934"Morro Castle" fire, a tragedy that took the lives of 137 passengers. ~ Hans J. Wollstein, All Movie Guide

The Three Mesqueteers attempt to prevent wholesale slaughter in this fine Republic Western starring John Wayne, Ray "Crash" Corrigan, and Raymond Hatton. Planning to build a reservoir on the site, the state government has condemned the town of New Hope and surrounding ranches. Construction chief M.C. Gilbert (LeRoy Mason) arrives with a clear mandate to buy off both the townsfolk and the ranchers but receives unwanted resistance from old Major Braddock (Eddy Waller) and his grandchildren (Jennifer Jones, Dave O'Brien, and Sammy McKim), who are ready to take up arms against the intrusion. When Gilbert and his cohort, Proctor (Harrison Greene), resort to ungentlemanly methods, including bringing in a crooked real-estate developer (Wilbur Mack), the Mesqueteers ride into action. Jennifer Jones, in her screen debut, is billed under her real name of Phyllis Isley. ~ Hans J. Wollstein, All Movie Guide

Republic Pictures borrowed heavily from Damon Runyon when they crafted this tuneful Gene Autry series entry, restored to its full length by Gene Autry Entertainment in 2001. Just as Apple Annie had in Lady for a Day (1933), kindly old Dad Haskell Frank Darien) has gilded the lily a bit by suggesting to his Eastern daughter Betty (Jean Rouverol) that he is the sole owner of the Circle J, a Western dude ranch. The problem is that the ranch has just been sold to one Van Fleet (Davison Clark) and is not equipped to receive guests at all. Yet despite being repeatedly snubbed by Betty, foreman Gene Autry nevertheless agrees to put up a front in order for the girl to impress her socialite fiancé Walter (George Wolcott). But unbeknownst to all and sundry, there is helium in them thar hills and soon both bullets and fists are flying. Gene Autry, Smiley Burnette and guest stars Joe Frisco and Edward Raquello perform "Old November Moon", "Roll, On Little Dogies, Roll On", "When the Bloom Is on the Sage", "El Rancho Grande", "Cielito Lindo", "I Love in the Morning", and "The Balloon Song". ~ Hans J. Wollstein, All Movie Guide

Film collectors take note: Hal Roach's Pick a Star is not a Laurel and Hardy picture, though the popular comic duo does make a brace of amusing cameo appearances halfway through the film. A remake of Buster Keaton's Free and Easy, this is the story of how small-town gas-station owner Joe Jenkins (Jack Haley) tries to help his sweetheart Cecilia Moore (Rosina Lawrence) realize her ambition to become a movie star. At the behest of travelling entrepreneur Stone (Russell Hicks), Jenkins organizes a talent contest, the first prize being a trip to Hollywood and a screen test. When Stone turns out to be a crook and skips town with the proceeds of the contest, Cecilia is heartbroken, but Joe promises to go to Hollywood himself and make the right connections to assure her rise to stardom. Alas, the best Joe can manage in Tinseltown is a busboy job at the Colonial Club, a fact he tries to conceal from Cecilia and her wisecracking sister Nellie (Patsy Kelly) when they unexpectedly arrive in California as guests of movie-matinee idol Rinaldo Lopez (Mischa Auer). In desperation, Joe pretends to be a nightclub entertainer, but when this ruse is revealed, Cecilia angrily walks out on him, accompanying Rinaldo first to his movie studio and then to his apartment. Naturally Rinaldo has seduction on his mind, but innocent Cecilia doesn't realize this until Joe storms into the apartment with blood in his eye. Ashamed for his lascivious behavior, Rinaldo arranges for Cecilia to have a screen test for producer Klawheimer (Charles Halton). At the last moment, Cecilia suffers an attack of "camera fright," but Joe gently coaches her through her test, and there's a happy ending for all concerned -- even for sister Nellie, who's been relentlessly cynical about the storyline from first scene to last. Cast as "movie stars," Laurel and Hardy show up briefly in the movie-studio scenes to participate in a reciprocal-destruction sequence with their old screen nemesis Walter Long, and to perform an amusing musical routine with "dueling" harmonicas. Pick a Star has been reissued as Movie Struck, while the Laurel & Hardy scenes were released separately to TV as the ersatz two-reeler A Day at the Studio. ~ Hal Erickson, All Movie Guide

Atlantic Flight was designed as a vehicle for Dick Merrill, a real-life pilot then very much in the news because of his record-breaking flights. Merrill is cast as flyboy Dick Bennett, the best friend of aspiring aircraft designer Bill (Weldon Heyburn). Entering a national air meet, Dick is prevented from flying by an unscrupulous phony nobleman (Ivan Lebedeff), whereupon darn-fool-kid Bill flies his new plane himself. On cue, Bill crashes to the ground, and soon is hovering between life and death in the hospital. Only a rare miracle serum can save Bill's life, but the only supply is in London. Dick volunteers to make the round-trip flight to retrieve the serum, thereby setting yet another air record (48 hours!) ~ Hal Erickson, All Movie Guide

One is immediately aware that The Plainsman is a Cecil B. DeMille production in the opening scene, wherein President Abraham Lincoln (Frank McGlynn Sr.), on the verge of signing crucial legislation which will determine the future of the American West, is dragged away from his Cabinet by a scolding Mrs. Lincoln (Leila McIntyre), who informs her husband that he'll be late for the theater! The story proper picks up in the years just following the Civil War, as crooked arms dealer John Lattimer (Charles Bickford) schemes to sell a huge shipment of repeating rifles to the Indians. Constantly thwarting Lattimer's schemes is lawman Wild Bill Hickok (Gary Cooper), who soon forms a strong alliance with Indian scout Buffalo Bill Cody (James Ellison). Rambunctious Calamity Jane (Jean Arthur) is crazy about Wild Bill, but he refuses to have anything to do with her, contemptuously wiping his mouth whenever he kisses her. He prefers the company of winsome Louisa (Dorothy Burgess), but gallantly steps aside when Louisa marries Buffalo Bill. Upon learning that a band of Indians armed with Lattimer's rifles have attacked a military garrison, Wild Bill tells General Custer (John Miljan), who in turn sends Buffalo Bill to the garrison with a consignment of weapons. Wild Bill then tries to arrange a peace conference with Indian chief Yellow Hand (Paul Harvey), but is sidetracked when he sees Calamity Jane being captured by two Indian braves. Riding to her rescue, Wild Bill is himself captured and tortured in the hope that he'll reveal the whereabouts of Buffalo Bill and his weapons. He refuses to talk, but Calamity, horrified at the agony endured by Wild Bill, tells all. Her breach of confidence leads indirectly to Custer's death at the Little Big Horn (not seen, but described by a young Indian played by DeMille's then son-in-law Anthony Quinn), whereupon Wild Bill disgustedly breaks off all communication with her. Hoping to make up for her past sins, Calamity warns Wild Bill that Lattimer has come to town a-gunning for him. Wild Bill makes short work of Lattimer, only to be shot in the back by the villain's snivelling confederate Jack McCall (Porter Hall). As he breathes his last, Wild Bill forgives Calamity for revealing the whereabouts of the ammunition; with tears in her eyes, Calamity plants a kiss on Wild Bill's lips that he'll never wipe off. As can be seen, accuracy is not the strong suit of The Plainsman; DeMille, like Buffalo Bill before him, was more interested in putting on a helluva good show than offering a dry history lesson. Unfortunately, the film often promises more than it can deliver, thanks to DeMille's insistence upon filming more of his big scenes indoors and relying far too heavily on grainy process screens. Still, the DeMille version of The Plainsman is infinitely more entertaining than the 1966 remake with Don Murray and Abby Dalton. ~ Hal Erickson, All Movie Guide

The rollicking music of Gilbert and Sullivan is featured in this musical. It tells the story of a dance hall girl with a love of money. She will spend it every chance she gets as long as it is not hers. Trouble ensues when she sponges off a bookie during a date. To get revenge, he becomes her manager and forces her to join a Gilbert and Sullivan troupe. Any money she makes is to be his. Songs include: "The Mikado," "Patience," "Pirates of Penzance," and "Ruddigore." ~ Sandra Brennan, All Movie Guide

In this emotional drama, a lonely British housekeeper, uses her hard-earned savings account to finance a trip to America so she can see the successful son she has been proud of all her life. At least she has been lead to believe that her son is a big shot. Once in the US, she and her young female companion end up thumbing to California. Along the way they hook up with a kindly young man and his world-weary promoter. Unfortunately, she learns a bitter truth upon her arrival: her son is actually a prisoner in San Quentin. ~ Sandra Brennan, All Movie Guide

In this crime drama a young boxer joins the police department so he can use their high-quality gymnasium. In time, he comes to like law enforcement. He also falls in love. During the film's climax he breaks up a neighborhood mob, saves two cops in a hostage situation, and wins his girl. ~ Sandra Brennan, All Movie Guide