Stanley Mack Movies

1953  
 
No relation to the TV and radio series of the same name, Universal-International's Gunsmoke is a Technicolor vehicle for action star (and war hero) Audie Murphy. Murphy plays a wandering hired gun who is commissioned to kill a rancher (Paul Kelly). The film's conflict arises when the gunslinger befriends his would-be victim and comes to reject the attitudes of those who hired him. The fact that the gunman has fallen in love with the rancher's daughter (Susan Cabot) may have something to do with his change of heart. Audie Murphy mends his ways by the time Gunsmoke comes to a close, as if there was any doubt. ~ Hal Erickson, All Movie Guide

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Starring:
Audie MurphySusan Cabot, (more)
1945  
 
A bit "artier" than most Republic melodramas, Jealousy was directed by Gustav Machaty, the Czech expatriate famous for the 1933 exercise in erotica Extase. Nils Asther plays failed novelist Peter Urban, who is married to gorgeous Janet Urban (Jane Randolph). While trying to replenish the family coffers by working as a cab driver, Janet meets and befriends handsome physician David Brent (John Loder). Shortly afterward, a murder occurs, which is made to look like a suicide. Without tipping off too much of the plot, it's worth noting that Brent's associate is the bewitching Dr. Monica Anderson (Karen Morley) , and that such mysterious types as Hugo Haas and Mauritz Hugo are also in the picture. Jealousy was based on a story by Dalton Trumbo. ~ Hal Erickson, All Movie Guide

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Starring:
John LoderJane Randolph, (more)
1942  
 
Take a Letter, Darling is from the "boss lady" school of 1940s comedies. Fred MacMurray is Darling (that's his last name), an unsuccessful artist who advertises for a position as male secretary. He is hired by female advertising executive Rosalind Russell, who is all business--during business hours. MacMurray learns that his job description includes escorting Ms. Russell and her clients to social gatherings. This goes on and on until Rosalind begins softening her steely exterior and MacMurray asserts his male prerogative (this of course was 1942, when gender stereotypes weren't subject to the ACLU). The film's best moments belong to Robert Benchley as Russell's ad agency partner, who'd rather play cards than tend to business. Though Rosalind Russell seems to be typecast in Take a Letter, Darling she was actually second choice for her role; it had been slated for Claudette Colbert, but Colbert became unavailable when she took over for the recently deceased Carole Lombard in The Palm Beach Story (42). ~ Hal Erickson, All Movie Guide

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Starring:
Rosalind RussellFred MacMurray, (more)
1940  
 
William Holden and Bonita Granville, heavily if not convincingly decked out in "old age" makeup, recall on their 35th wedding anniversary how they first met in 1904. Holden was a brash college freshman, while Bonita was the daughter of a local judge (Vaughn Glaser). Since Holden couldn't stay out of trouble, the judge prohibited him from visiting his daughter, but the boy opposed the edict and ended up being arrested--with Bonita managing to have herself thrown in jail as well. The anecdotal storyline comes to a comically ironic conclusion when the ageing Holden complains that he can't control his own headstrong son. Based on the "Siwash" stories by George Fitch, Those Were the Days gets by on its nostalgic appeal, but cannot be considered one of William Holden's more significant pictures. ~ Hal Erickson, All Movie Guide

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Starring:
William HoldenBonita Granville, (more)
1939  
 
This Civil War comedy, related in flashbacks, depicts the misadventures of Buster Keaton as he tries to avoid getting killed by both Confederate and Union soldiers. When news of the outbreak of war reaches his family, Keaton and his brother Cyrus (Monty Collins) go off to enlist. But when they return home, they're in different uniforms: Keaton has joined the Confederacy and Cyrus the Union. As opposing armies sweep through the land, the brothers keep changing uniforms to blend in. Ultimately, Keaton is able to warn the Confederate forces and rescue them from the Union army. Note that producer/director Jules White remade this script (written by longtime Keaton collaborator Clyde Bruckman) as the 1946 Columbia two-reeler Uncivil Warbirds starring the Three Stooges. ~ Nicole Gagne, All Movie Guide

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Starring:
Buster Keaton
1938  
 
Rising star Rita Hayworth puts in a little box-office duty in the Columbia "B" Juvenile Court. The star of the proceedings is Paul Kelly as crusading public defender Gary Franklin, who hopes to establish a Police Athletic League to give street kids a new chance in life. His toughest charge is Stubby (Frankie Darro), a born leader with potential for either the White House or the Electric Chair. Once he's won over Stubby, Franklin is able to get the rest of the neighborhood kids to attend his new athletic outfit. The far- reaching influence of Franklin's pet project is proven when a group of young punks change their minds about committing a robbery. As Franklin's girl friend Marcia Kelly, Rita Hayworth has virtually nothing to do but stand around and look pretty. ~ Hal Erickson, All Movie Guide

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Starring:
Paul KellyRita Hayworth, (more)
1937  
 
Marked Woman was the most famous of the late-1930s films based on New York DA Thomas Dewey's attack on vice lord Lucky Luciano; Paid to Dance was among the least famous. All-purpose Columbia leading lady Jacqueline Wells plays Joan Bradley, a long-suffering hoofer in the seedy dime-a-dance joint controlled by racketeer Jack Miranda (Arthur Loft). Like her fellow "hostesses," Joan is expected to clip the customers for their bankrolls -- and, it is implied, offer their bodies as well as their terpsichorean skills (though we're assured that Joan is still pure of heart and every other portion of her anatomy). Crusading detective William Dennis (Don Terry) vows to save Joan and her ilk from Miranda's clutches, but it takes plenty of brains and muscle to topple the villain's criminal empire. Billed last, Ralph "Dick Tracy" Byrd has a marvelous moment when he takes on two hoodlums at once -- and wins! ~ Hal Erickson, All Movie Guide

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Starring:
Don TerryJacqueline Wells, (more)
1937  
 
Women of Glamour is a considerably toned-down remake of Frank Capra's pre-code drama Ladies of Leisure. Virginia Bruce steps into the old Barbara Stanwyck role as streetwise good-time girl Gloria, who falls in love with wealthy playboy Dick (Melvyn Douglas). Not only must she contend with Dick's snooty society pals, but she must also cross claws with the hero's rich-bitch lady friend Carol (Leona Maricle). The dilemma almost leads Gloria to suicide, but there's a happy ending in the offing. Counterpointing the Gloria-Dick romance is the comic courtship of Gloria's dance-hall chum Fan (Pert Kelton) and silly socialite Fritz (Reginald Denny). ~ Hal Erickson, All Movie Guide

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Starring:
Virginia BruceMelvyn Douglas, (more)
1935  
 
When he's shipped off to prison on a tax-evasion charge, millionaire Van Dyke (Walter Connolly) breathes a sigh of relief: at least he'll be free of his dizzy, spendthrift wife (Billie Burke) and spoiled-rotten daughter Carol (Joan Bennett). Once behind bars, Van Dyke strikes up a friendship with amiable reformed bootlegger Ricardi (George Raft). Since Ricardi is to be sprung first, Van Dyke suggests that the ex-crook take on the task of "taming" the incorrigible Carol. Unwilling to be stifled by a former jailbird (even a good-looking one), Carol decides to get even by persuading one of Ricardi's former cohorts, a shady character named Tex (Lloyd Nolan) to stage a fake kidnapping. Trouble is, Tex kidnaps the girl for real, obliging Ricardi to race to her rescue -- but only after deliberately breaking every traffic law known to man, so that he'll be pursued by a veritable battalion of motorcycle cops (this hilarious finale was later re-used in the 1941 Buster Keaton two-reeler So You Won't Squawk). A heady blend of screwball comedy and crime melodrama, She Couldn't Take It is one of the fastest and funniest films of 1935. ~ Hal Erickson, All Movie Guide

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Starring:
George RaftJoan Bennett, (more)
1934  
 
James Cagney manages to retain his pre-Code cockiness within post-Code limitations in the likeable St. Louis Kid. Cagney and Allen Jenkins, Eddie Kennedy, and Buck Willetts play long-distance truck drivers who get entangled in a battle between a crooked trucking firm and striking milk farmers (a plot thread based on actual events). When one of the dairymen is killed by a hired goon, Eddie is accused of the crime. He breaks out of jail to track down the real killer then has to rescue his girlfriend Ann (Patricia Ellis), who's been kidnapped by henchmen of the truck company. It takes a bit of clever brainwork between Eddie and Buck, but our hero manages to flummox the bad guys and rescue the girl. James Cagney's sheer star power is such that the audience is willing to forgive the fact that, in the early passages of the film, his character is nothing more or less than a "scab." St. Louis Kid is the picture in which Cagney, tired of playing characters who settle differences with their fists, hit upon the novel idea of incapacitating his screen rivals by butting his forehead against theirs, knocking them cold without laying a hand on them! ~ Hal Erickson, All Movie Guide

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Starring:
James CagneyPatricia Ellis, (more)
1934  
 
In this drama, a fighter's fiancee refuses to marry him until he can overcome his insane jealousy. He does and they marry. The jealousy resurfaces when he finds his wife and her boss in a hotel room. He goes mad with rage and kills her boss. His wife is blamed for the killing. Just before the verdict is announced, the guilt-ridden man confesses and himself receives the death-penalty. Time passes and his finally hour arrives. He asks the attending priest to offer him a 10-count. Just as the priest hits nine, his voice becomes that of a referee and the boxer is seen slowly awakening from being knocked on conscious during a fight. The whole story was but a dream. ~ Sandra Brennan, All Movie Guide

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Starring:
Nancy CarrollGeorge Murphy, (more)
1934  
 
James Cagney runs a shady missing-heir tracing service, occasionally providing phony heirs in order to collect his fee. He suffers a tinge of jealousy when he takes a gander at the offices of a legitimate tracing firm, where his former girlfriend (Bette Davis) has taken a job. Jimmy soon learns that the reputable organization's boss (Alan Dinehart) is more crooked than Jimmy ever was, but he can't convince the girl of this fact. Using his own street smarts, Cagney exposes the "honest" heir tracer and agrees to go straight if his girl will come back to him. At the time Jimmy the Gent was filmed, James Cagney was getting tired of the formula pictures being handed him; rather than go on suspension, he expressed his displeasure by shaving his hair almost down to the bone, which is why he appears in this film with an uncharacteristic buzz-cut. ~ Hal Erickson, All Movie Guide

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Starring:
James CagneyBette Davis, (more)
1934  
 
Born on the proverbial wrong side of the tracks, Lady Lee (Barbara Stanwyck) rises to prominence as a professional gambler. Though she works in a somewhat shady casino, our heroine enjoys a reputation for utter honesty, refusing all entreaties to turn crooked. Impressed by this quality, wealthy young Garry Madison (Joel McCrea) falls in love with Lady Lee and asks her to become his wife. Madison's friends and family assume that Lady Lee is merely a gold-digger, but she proves them irrefutably wrong when she saves him from a murder charge. According to some sources, Tyrone Power can be spotted in a bit role in this "A-minus" Warner Bros. programmer. Gambling Lady would make an interesting double feature with the later Stanwyck vehicle The Lady Gambles. ~ Hal Erickson, All Movie Guide

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Starring:
Barbara StanwyckJoel McCrea, (more)
1931  
 
William Boyd is one of the stars of the Paramount western Gun Smoke -- only it's not the same William Boyd who later essayed the role of Hopalong Cassidy, but another actor who billed himself as William "Stage" Boyd. The plot was a familiar one to western devotees of the early 1930s: a bunch of urban gangsters, forced out of the Big City when the cops put the screws in, head to Idaho to continue their crooked activities in the Wide Open Spaces. Unfortunately, the bad guys, headed by Kedge Davas (Boyd), haven't reckoned with the resourcefulness of cowboy hero Brad Farley (Richard Arlen) and his saddle pals. Farley and company organize a vigilante group to purge the territory of the gangsters, adopting tactics that might in any other circumstances be considered fascistic. The unspeakable Davas finally comes to a well-deserved end when he falls from a mountain top (a cinematic tour de force for cinematographer Archie J. Stout). It may seem hopelessly hokey and outdated in synopsis form, but Gun Smoke is as entertaining in the 1990s as it was six decades earlier; indeed, a recent screening of the film in the small Idaho resort community of Ketchum earned a standing ovation from the audience. ~ Hal Erickson, All Movie Guide

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Starring:
Richard ArlenMary Brian, (more)

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