Mario Machado Movies

To escape his persistent--and dishonest--corporate sponsors, a Nobel Prize-winning microbiologist fakes his own death. It's a clever ruse, but not a particularly healthy one: soon afterward, the missing scientist turns up murdered for real. Typically, the wrong man is accused of the crime, obliging Jessica (Angela Lansbury) to take over investigation of the case herself...while her old friend Lt. Artie Gelber (Herb Edelman) fusses and fumes. ~ Hal Erickson, Rovi

In this second sequel to Robocop, the mechanical humanoid opposes the evil designs of his creators, who have gone corrupt and are trying to take over all real estate in Detroit, kicking the poorer citizens out of their homes and turning them out into the streets. ~ Rovi

The two-part, four-hour TV movie Switched at Birth is based on an actual event which began unfolding in Wauchula, Florida in 1978. Brian Kerwin and Judith Hoag play the new parents of a baby girl; a few days later, another couple, played by John M. Jackson and Bonnie Bedelia, have a baby at the same hospital. Kerwin and Hoag's baby is healthy; Jackson and Bedelia's baby has a heart defect. Switched at Birth traces the lives of the two girls over a period of eight years--up to the point of a tragedy which opens the possibility that the girls may not have been given over to the correct parents at the hospital. The four parents involved find themselves in court, battling over custody of the surviving child. This intensely personal problem is bloated into a cause celebre by the press and by parents' rights pressure groups. Edward Asner and Caroline McWilliams appear as the opposing attorneys. Those who'd been following the two-part Switched at Birth during its first telecast in April of 1991 may have found themselves in family conflicts of their own, inasmuch as Part Two was shown opposite the network TV premiere of Die Hard. ~ Hal Erickson, Rovi

The "Jack" who's "back" in this contemporary chiller is none other than Jack the Ripper. The scene is Los Angeles: the time is August of 1988, exactly 100 years after the Ripper's original reign of terror in Whitechapel. When several LA prostitutes turn up murdered and disemboweled, young physician James Spader is accused of emulating Spring Heel'd Jack. Before the film is half over, Spader is killed, and so far as the police are concerned, the case is closed. But then, Spader's twin brother appears on the scene, determined to track down the genuine culprit (if it doesn't turn out to be him, that is!). Handled with restraint, Jack's Back covers much of the same ground as the classic Robert Bloch tale Yours Truly, Jack the Ripper," though its crucial plot twist is a tad more clever (if a bit silly out of context). ~ Hal Erickson, Rovi

Post-collegiate angst, '80s style, is the subject of this coming-of-age ensemble piece, which traces the fortunes of a group of Georgetown grads as they enter the real world and grapple with work, infidelity, and adulthood. The most outwardly upscale member of the gang, Jules (Demi Moore), hides a plethora of emotional baggage behind a chic wardrobe, an expensive apartment, a fashionable drug habit, and lots of meaningless casual sex. Her friend Wendy (Mare Winningham) has the opposite problem; a trust-fund baby with body-image issues and little sexual experience, she's hung up on Billy (Rob Lowe), a no-good, sax-playing drunkard who can't face up to his responsibilities in the job market or at home with his wife and young child. Such open infidelity is anathema to Alex (Judd Nelson), who must maintain a sense of propriety even while engaging in compulsive womanizing; after all, the Democrat-turned-Republican's nascent political career requires the sort of picture-perfect relationship he shares with girlfriend Leslie (Ally Sheedy). That doesn't sit too well with tortured writer Kevin (Andrew McCarthy), who toils away at a newspaper job and pines away for the unattainable Leslie. Unrequited love also dogs Kirby (Emilio Estevez), a law-school student whose greatest wish is to romance classy doctor Dale Biberman (Andie MacDowell), who is, alas, way out of his league. Co-written by director Joel Schumacher and his studio intern, Carl Kurlander, St. Elmo's Fire spawned the number one pop hit "St. Elmo's Fire (Man in Motion)," which was credited to John Parr but co-written by music producer David Foster. ~ Brian J. Dillard, Rovi

The career of boxer Ray "Boom Boom" Mancini is the subject of the made-for-TV biopic. Doug McKeon plays Mancini, while Robert Blake co-stars as his father, Lenny Mancini. An excellent pugilist in his own right, Lenny's career is cut short by his wartime service. Son Ray carries on the tradition into the 1980s, battling his way towards the WBA crown. Heart of a Champion's executive producer was Rocky star Sylvester Stallone, who (it says here) staged the boxing sequences. This heartwarming "do it for the old man" effort was first telecast May 1, 1985. ~ Hal Erickson, Rovi

A trio of rich ex-cops begin to investigate a murder involving baseball and gangsters. ~ Kristie Hassen, Rovi

Ex-Vietnam chopper pilot Roy Scheider is now in charge of Blue Thunder, a high-tech copter designed to quell possible terrorism during the 1984 LA Olympics. His onetime comrade-in-arms Malcolm McDowell, now his bitter enemy, will stop at nothing to neutralize Blue Thunder and expedite an armed takeover of the United States. Well, there's the plot: now sit back and enjoy those eye-popping aerial scenes. Blue Thunder was later adapted into a weekly TV series. ~ Hal Erickson, Rovi

In this drama, a woman attempts to put together her shattered life after her husband inexplicably commits suicide. ~ Sandra Brennan, Rovi

The 8-hour TV miniseries Blind Ambition was originally telecast May 20 through 23, 1979. This 105-minute feature-film version, prepared in 1982, seems a bit rushed at times, but overall does a credible and coherent job of storytelling. Based on John Dean's book Blind Ambition, with elements of Maureen Dean's Mo woven in by screenwriter Stanley R. Greenberg, this is the saga of the Watergate affair, as experienced by Dean (Martin Sheen) and hia wife Maureen (Theresa Russell). As the Nixon administration goes down in flames, the Deans' marriage is sorely tested-as is Dean's success-at-any-price credo. Rip Torn plays Nixon like something out of a Greek Tragedy; some viewers accepted his interpretation, others found it jarringly inaccurate. Others in the cast of "usual suspects" include Michael Callan as Charles Colson, Lonny Chapman as L. Patrick Gray, William Daniels as G. Gordon Liddy, Fred Grandy as Donald Segretti, Christopher Guest as Jeb Magruder, Lawrence Pressman as H. R. Haldeman, William Windom as Richard Kleindienst, James Greene as E. Howard Hunt, Logan Ramsey as J. Edgar Hoover, and Al Checco as judge John Sirica. Also known as The John Dean Story, Blind Ambition earned two Emmy nominations. ~ Hal Erickson, Rovi

Jim (James Garner) hires on as bodyguard for novelist Anne Louise Clement, whose politically incorrect "perfect-wife" bestseller has incurred the wrath of several militant feminists. When Anne claims that she's been threatened with death, Jim thinks she's pulling a publicity stunt--until her agent Marty Bach (Tasha Martel) turns up murdered. In his efforts to save Anne's life, our hero is stymied by his client's tendency to stretch the truth...and what exactly is Anne's "doting" husband Bud Clement (Arthur Roberts) up to at the moment? ~ Hal Erickson, Rovi

While heading an anti-obscenity campaign aimed at notorious porno publisher Carlo Dicassa (John Saxon), a prominent priest is found dead in the bedroom of a prostitute (E.J. Peaker). The police are satisfied by the hooker's explanation that the priest died of a heart attack while she was "servicing him", and it looks like the dead man's reputation will be forever sullied. But medical examiner Quincy (Jack Klugman) finds a number of inconsistencies during his autopsy on the priest--and he becomes convinced that a frame-up and murder have occurred. ~ Hal Erickson, Rovi

Banacek was the two-hour pilot film for the 1972-74 detective series starring George Peppard. The cigar-smoking, aphorism-spouting Peppard plays T. Banacek, Polish/American investigator for a major Boston insurance company. Independently wealthy, Banacek will only accept cases that have been deemed "unsolvable" by all previous investigators. In this pilot episode, Banacek tackles the case of a Brink's-truck hijacking in the middle of a Texas roadway. The truck and its costly cargo has seemingly vanished into thin air, and the cops are stymied. But with Banacek on the case, we learn that the whole affair was an elaborately orchestrated inside job. The subsequent Banacek series was a component of The NBC Wednesday Movie. The pilot film has been reissued to TV as Detour to Nowhere. ~ Hal Erickson, Rovi