Bruce MacVittie Movies

1989  
R  
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The second of three films by co-writer/director Oliver Stone to explore the effects of the Vietnam War (Platoon and Heaven and Earth are the others), Born On The Fourth Of July tells the true story of Ron Kovic (Tom Cruise), a patriotic, All-American small town athlete who shocks his family by enlisting with the Marines to fight in the Vietnam War. Once he is overseas, however, Kovic's gung-ho enthusiasm turns to horror and confusion when he accidentally kills one of his own men in a firefight. His downfall is furthered by a bullet wound that leaves him paralyzed from the chest down. He returns home, spends an appalling, nightmarish stint in a veterans' hospital, and follows an increasingly disillusioned and fragmented path that ultimately leaves him drunk and dissolute in Mexico. However, Kovic somehow turns himself around and pulls his life together, becoming an outspoken anti-war activist in the process. The film is long but emotionally powerful; many consider it Stone's best work and Cruise's best performance. Both were nominated for Oscars, as was the film itself, but only Stone, who co-wrote the film with Kovic from the latter's book, won for Best Director. ~ Don Kaye, All Movie Guide

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Starring:
Tom CruiseRaymond J. Barry, (more)
1989  
R  
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This offbeat police thriller with heavy doses of humor was written by John Patrick Shanley, the former playwright who wrote Cher's hit romantic comedy Moonstruck. Kevin Kline stars as Nick Starkey, a brilliant former New York City police detective who has been exiled to the fire department because of his unorthodox ways. He's called back to service by his police commissioner brother Frank (Harvey Keitel) in the hopes that he can find a bizarre serial killer who's been murdering one woman a month. Nick's condition to agreeing to help is that he gets to cook dinner for Frank and his snooty wife Christine (Susan Sarandon), a former girlfriend of his. Ultimately, Nick uses his Zen-like intuition and some high-tech computer hardware (with prominent product placement plugs) to find the killer, pausing to have an affair with the mayor's beautiful daughter Bernadette (Mary Elizabeth Mastrantonio. In the improbable conclusion, Nick figures out the exact day the killer will strike and the exact apartment! January Man is too tongue-in-cheek to be taken seriously as a thriller. In addition to Keitel and Sarandon the stellar supporting cast includes Rod Steiger as the mayor and Danny Aiello as a tough police captain who rails against Nick's "beatnik" ways. ~ Clarke Fountain, All Movie Guide

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Starring:
Kevin KlineSusan Sarandon, (more)
1988  
PG  
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Two hapless psychics unwittingly aid a criminal in his quest to obtain a mystic relic in this farcical adventure. Street smart beauty-school dropout Sylvia Pickel (Cyndi Lauper) navigates life with the counsel of a spirit named Louise, while genteel Nick Deezy (Jeff Goldblum) has the ability to "read" an object's past just by holding it. Harry Buscafusco (Peter Falk) is the treasure hunter who brings them together for a trip to Ecuador to find his missing son. Nick and Sylvia don't get on at first, their animosity only amplified by various slapstick escapades that find them posing as siblings and hobnobbing with monied jet-setters. Eventually, Buscafusco's missing-child premise turns out to be a ruse; his true intentions envelop Nick and Sylvia in serious peril just as they're beginning to let down their guard and fall for one another. The action climaxes in a special effects-laden jungle sequence. Vibes marked the screen debut of pop singer Cyndi Lauper, whose single "Hole in My Heart (All the Way to China)" graces the closing credits. Despite the poor box-office results of Vibes and the generally poor reviews for her performance, Lauper would go on to earn an Emmy award for a guest stint on TV's Mad About You and appear with Christopher Walken in the indie drama The Opportunists. ~ Brian J. Dillard, All Movie Guide

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Starring:
Cyndi LauperJeff Goldblum, (more)
1984  
R  
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Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

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Starring:
Richard GereGregory Hines, (more)

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