Bruce MacVittie Movies

A petty criminal's attempt to turn his life around takes both him and a young boy on an unexpected journey in this independent drama. Twentysomething Daniel Carter (Mark Webber) has been in trouble with the law ever since he was a kid, and his latest misadventure has led him to performing community service at a grade school in the East Village. Daniel strikes up a close friendship with one of the students he's working with, Boone (Antonio Ortiz), an eight-year-old who has shown surprising resilience despite a blighted home environment. When Boone doesn't show up for school one day, Daniel asks some questions and learns his mother has become seriously ill and a foster family has taken him in. Boone is eventually put up for adoption, and Daniel hopes to gain custody of the boy, convinced helping the boy will give him a chance to turn his life around. However, his age and criminal record make Daniel an unfit father in the eyes of the court, and when Daniel's father refuses to help, he has a brainstorm -- Boone has mentioned that he has an older sister in Dallas, so Daniel snatches the boy from his foster parents and hits the road for Texas, planning to reunite Boone with his family. Just Like the Son received its world premiere at the 2006 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

A drug dealer is murdered, and it appears that the killer is the father of a teenager who died from an overdose. But both the detectives and lawyers are stopped in their prosecutorial tracks by the accused man's parish priest Father Hogan (Denis O'Hare), who insists that he, himself, is the guilty party. The question: Should this confession be accepted at face value, or should the investigation proceed until all the facts are on the table? ~ Hal Erickson, All Movie Guide

Brandon Cole directed this romantic comedy-drama with a revenge angle. Schoolteacher Rachel (Lili Taylor) leaves her car at the O.K. Garage run by small-time crook Yannick (Olek Krupa) who rips off his customers. Rachel's oddball neighbor Sean (Will Patton) likes lizards. Sean hangs with his pal, welder Johnny (John Turturro), who can't overcome his shyness to secure what he envisions as "the perfect relationship." However, a meeting with Rachel puts Johnny in a gentleman-caller mode and opens the doors to a restrained romance of sorts. Sean is curious, since there are no women in his life apart from his mother (Gemma Jones). Meanwhile, with Rachel's car eating up her savings, the trio decides to get revenge during a final showdown at the O.K. Garage. Shown at the 1998 L.A. Independent Film Festival. ~ Bhob Stewart, All Movie Guide

Roger Hedden wrote and directed this indie romantic comedy about a group of New Yorkers on the Upper West Side as Christmas nears. Unemployed actor Jimmy (Eric Stoltz), who owes $900 to local bookie Fatty (Charles Durning), tells his girlfriend Susan (Moira Kelly) that the money is for an abortion for sis Maggie (Daryl Hannah) -- who jilted bartender Ray (Campbell Scott). Ray and one of his regular customers April (Katrin Cartlidge) visit bars trying to raise the money, and eventually a half dozen others are drawn into the treasure hunt. Shown at the 1998 Mill Valley Film Festival and the 1998 Chicago Film Festival. ~ Bhob Stewart, All Movie Guide

As dozens of commuters look on in horror, John Langer (Vincent D'Onofrio) falls between the cars of a subway train. No one, however, is quite certain whether Langer fell accidentally, jumped, or was deliberately pushed. But the homicide detectives on the scene are certain about one disturbing fact: If any attempt is made to move Langer, he will probably die on the spot. As the grimly philosophical Langer awaits the inevitable, the detectives search for two people -- one of whom may be a killer. "Subway" was the episode profiled on the PBS documentary Anatomy of a 'Homicide: Life on the Street' (originally telecast November 4, 1998). The episode was also nominated for two Emmys: one for D'Onofrio as Outstanding Guest Actor in a Drama Series, the other for James Yoshimura for Outstanding Writing for a Drama Series. ~ Hal Erickson, All Movie Guide

This independent film is about four homeless people in Brooklyn, and how they manage to get by from day to day. At the beginning, it depicts the lives of Sammy, his heroin-addicted girlfriend and his crack-addict brother. Sammy's brother and girlfriend raise money by selling their bodies for sex. Sammy seems to get by through foraging and fishing. They live together in an unused, semi-abandoned warehouse through an arrangement made with its caretaker/watchman. Their lives gain dramatic poignancy when they are joined by a young runaway boy named Shiner. ~ Clarke Fountain, All Movie Guide

Ten-year-old Wendy Sylvester (Stephi Lineburg) disappears from a foster home. The subsequent investigation reveals that Wendy had been subjected to neglect and abuse by her foster mother. The girl turns up in a specially designed "hiding place" within the home of her compassionate former teacher Arnette Fenady (Lisa Eichhorn), who insists that she is acting in the child's best interest -- but who is obviously an extremely disturbed woman despite her noble intentions. ~ Hal Erickson, All Movie Guide

A frozen corpse, dressed in a tuxedo, is found in a dumpster. It soon develops that the dead man was killed five years earlier, and that he was a prominent Broadway producer. The detectives and the DA's office move quickly to prosecute the most likely suspect, the victim's hated show-biz rival. Frank Converse, star of the 1967 "cult" TV series Coronet Blue, appears as Gary Wallace. ~ Hal Erickson, All Movie Guide

Todd Robinson's Lonely Hearts features John Travolta and James Gandolfini as Elmer C. Robinson and Charles Hildebrandt, a pair of homicide detectives who are on the trail of lovers on a crime spree. The evil duo of Ray Fernandez (Jared Leto) and Martha Beck (Salma Hayek) take advantage of elderly widows, stealing as much money as they can after gaining the victim's confidence, and then murdering their mark. Robinson becomes drawn into the case too deeply in order to help him confront his feelings, as his wife has recently killed herself. The story is based on the real life "Lonely Hearts" killers of the late '40s, the infamous couple whom the director's grandfather played a large part in bringing to justice. ~ Perry Seibert, All Movie Guide

Val Kilmer delivers what was considered one of 1991's best performances as Jim Morrison in Oliver Stone's hallucinatory bio-pic of the seminal 1960s rock group The Doors. Stone cuts a jagged swath through Morrison's life, starting with a childhood memory where Morrison sees an elderly Indian dying by the roadside. It picks up with Morrison's arrival in California and his assimilation into the Venice Beach culture, followed by his film school days at UCLA; his introduction to his girlfriend Pamela Courson (Meg Ryan); his first encounters with Ray Manzarek (Kyle MacLachlan); and the origin of The Doors -- made up of Manzarek, Robby Kreiger (Frank Whaley), and John Densmore (Kevin Dillon). As the fame of The Doors grows, Morrison's obsession with death increases. The band grows weary of Morrison's missed recording sessions and no-shows at concerts. Morrison, meanwhile, sinks deeper into a drug-induced haze, having mystical sexual encounters with Patricia Kennealy (Kathleen Quinlan), an older rock journalist involved with sadomasochism and witchcraft. ~ Paul Brenner, All Movie Guide

The second of three films by co-writer/director Oliver Stone to explore the effects of the Vietnam War (Platoon and Heaven and Earth are the others), Born On The Fourth Of July tells the true story of Ron Kovic (Tom Cruise), a patriotic, All-American small town athlete who shocks his family by enlisting with the Marines to fight in the Vietnam War. Once he is overseas, however, Kovic's gung-ho enthusiasm turns to horror and confusion when he accidentally kills one of his own men in a firefight. His downfall is furthered by a bullet wound that leaves him paralyzed from the chest down. He returns home, spends an appalling, nightmarish stint in a veterans' hospital, and follows an increasingly disillusioned and fragmented path that ultimately leaves him drunk and dissolute in Mexico. However, Kovic somehow turns himself around and pulls his life together, becoming an outspoken anti-war activist in the process. The film is long but emotionally powerful; many consider it Stone's best work and Cruise's best performance. Both were nominated for Oscars, as was the film itself, but only Stone, who co-wrote the film with Kovic from the latter's book, won for Best Director. ~ Don Kaye, All Movie Guide

Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

An ailing criminal and his excitement-starved nurse decide to knock over a bank for fun and profit in this comic suspense story. Legendary bank robber Henry Manning (Paul Newman) pushes his luck too far and ends up in prison, where he suffers a massive stroke. He is transferred to a nursing home, in the care of Carol Ann McKay (Linda Fiorentino), a high school prom queen who married her boyfriend Wayne (Dermot Mulroney), the star of her school's football team, and whose glamour days are well behind her. After a few of her personal effects mysteriously disappear, Carol Ann starts to suspect that Henry isn't as sick as he seems, and she and Wayne are soon working with Henry to plan his last and greatest score. The title comes from the remark attributed to the outlaw Willie Sutton, who when asked why he robbed banks, replied, "Because that's where the money is." ~ Mark Deming, All Movie Guide