Peter MacNeill Movies

David Cronenberg directed this screen adaptation of a graphic novel by John Wagner and Vince Locke which explores how an act of heroism unexpectedly changes a man's life. Tom Stall (Viggo Mortensen) lives a quiet life in a small Indiana town, running the local diner with his wife, Edie (Maria Bello), and raising their two children. But the quiet is shattered one day when a pair of criminals on the run from the police walk into his diner just before closing time. After they attack one of the customers and seem ready to kill several of the people inside, Tom jumps to the fore, grabbing a gun from one of the criminals and killing the invaders. Tom is immediately hailed as a hero by his employees and the community at large, but Tom seems less than comfortable with his new notoriety. One day, a man with severe facial scars, Carl Fogarty (Ed Harris), sits down at the counter and begins addressing Tom as Joey, and begins asking him questions about the old days in Philadelphia. While Tom seems puzzled, Carl's actions suggest that the quiet man pouring coffee at the diner may have a dark and violent past he isn't eager to share with others -- as well as some old scores that haven't been settled. ~ Mark Deming, All Movie Guide

In this above-average, exciting Canadian-made action thriller, four psychopaths, led by Christie (Robert Carradine) take over and vandalize a ritzy Manhattan apartment building during the New York power blackout. They move from apartment to apartment, victimizing the occupants until stopped by the police. This low-budget thriller has an exciting, well-written script by John C. Saxton, excellent photography by Jean-Jacques Tarbes and well-acted cameo performances by several well-known actors, including Jean-Pierre Aumont, Ray Milland and June Allyson. While highly derivative and predictable, this film is well worth watching if only to see James Mitchum give an unusually strong performance. ~ Linda Rasmussen, All Movie Guide

When prison psychiatrist Bill Chrushank (Jeff Fahey) loses an arm in a car accident, he receives a revolutionary new transplant from an unknown donor, who is later discovered to have been a recently-executed psycho-killer. During his recovery, Bill is tormented by violent nightmares and aggressive new impulses -- and his limb seems to have developed a malevolent will of its own, acting independently and lashing out beyond his control. He eventually discovers that an artist named Remo Lacey (Brad Dourif) -- whose work is influenced by the same nightmares -- is the recipient of the killer's other arm. Before long, the same donor's legs turn up on yet another man, who harbors the same violent mood swings... and the inevitable "reunion" culminates in a violent, gory finale. Written and directed by Eric Red (based on the novel Choice Cuts by Pierre Boileau & Thomas Narcejac), this is a stylish and tightly-paced film (the harrowing car chase is a definite nail-biter), but the ball is sadly dropped by a weak script that discards the twisted potential of its premise (is the donor arm influencing Chrushank's mind, or vice versa?), lapsing instead into standard slasher-think. ~ Cavett Binion, All Movie Guide

In this thriller, an author who was paralyzed after she was attacked by a serial killer who had been inspired to violence by her first book decides to publish a sequel. It proves to be a bad idea, for no sooner is it published than she finds herself victimized again, first through ominous e-mail messages from the Internet and then through physical violence. ~ Sandra Brennan, All Movie Guide

After surviving a brutal car wreck, commercial director James Ballard finds himself slowly drawn to a mysterious subculture of people who have transformed automobile accidents into erotic events. Like the J.G. Ballard novel that inspired it, David Cronenberg's study of the sexual dimension of man's relationship to technology was a magnet for controversy, drawing a NC-17 rating and criticism from several sources, including studio owner Ted Turner, who attempted to prevent the film's American release. But though some have leveled charges of pornography, James' descent into this fetishistic underworld is approached with cold, scientific detachment. Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film's point. This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore's superb score. Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes. ~ Judd Blaise, All Movie Guide

Brian Dennehy makes one of his many TV-movie appearances as Chicago homicide cop John Reed in the two-part Deadly Matrimony. Reed's quarry this time is mob lawyer Treat Williams, who murders his wife and then effectively covers his tracks. The closer Reed comes to the truth, the more he's in jeopardy of losing his job (and possibly his life) thanks to Williams' friends in high places. Based on a true story, part one of Deadly Matrimony was first telecast on November 22, 1992. In part two, which debuted November 23, Reed is victimized by the crooked cops under Williams' thumb, but refuses to knuckle under to mob pressure. ~ Hal Erickson, All Movie Guide

This fact-based TV movie melodrama stars Joe Penny as John Dubroski, a veteran cop with a history of erratic behavior and casual philandering. Dubroski's passive wife, Cindy (Teri Garr), is aware of her husband's peccadilloes, but she has always forgiven him and steadfastly remained at his side. Enter Julia Neuland (Brittany Murphy), a 16-year-old waitress and self-styled "cop groupie" who despite her innate naïveté quickly ensnares Dubroski and maneuvers him into bed. When Julia finds out that she's pregnant, she is certain that John will leave his family for her sake. But he flatly denies the affair and insists the child is not his, leading the girl to file a paternity suit. Ultimately, Julia turns up murdered, and of course John is the number-one suspect. The question: will Cindy offer loyal support as before or is this one indignity too many? Originally titled Double Jeopardy when it first aired over CBS on January 30, 1996, the film has since been retitled Victim of the Night for cable-TV play. ~ Hal Erickson, All Movie Guide

The plot of the futuristic made-for-TV thriller Killer Deal is predicated on the notion that a world-wide economic collapse in 2009 AD will utterly wipe out the Middle Class in America. In this not-so-brave new world, the rich and privileged Upper Class lives in Parkland, a luxurious walled community, while the Lower Class starves in the ruins of "Oldtown." With absolutely no jobs available, the poor are left with but one opportunity to escape their lot: to voluntarily donate their vital organs to the wealthy, who have bought into an organization known as "Eternity Life." The donors are provided with $10 million, which they can spend any way they wish in the 30-day period before their bodies are dissected, while their families are permitted to live in Parkland permanently. One of the few non-rich non-donors residing in the community is police sergeant James Quinn (Rick Rossovich), who is allowed to do so because of his past heroics. Unfortunately, the lives of Quinn and his family are placed in jeopardy when the elderly creator of "Eternity Life" desperately needs an organ donor to survive. Fleeing from Parkland, Quinn learns the hard way that the so-called "voluntary" donors are anything but! Originally telecast on March 25, 1999 as part of UPN's "Nightworld" movie series, Killer Deal has been released abroad as Nightworld: Parkland. ~ Hal Erickson, All Movie Guide

Patrick McGoohan stars in this thriller as a loutish talk-show host who is held hostage by a band of terrorists who plan to use his program to broadcast their demands. ~ Jason Ankeny, All Movie Guide

A straight-laced chemist begins questioning society's standards and confronting his own darkest desires after falling for the all-American homecoming queen who joined a hippie death cult and made headlines for her murderous exploits. Perry (Gregory Smith) is your typical God-fearing American: A diligent academic who landed a good job at a chemical company before proposing to his Christian girlfriend Dorothy (Kristin Adams), he always did right by the Lord and his parents. But while Perry was always fortunate in life, Leslie was irreparably damaged by her parents' divorce, an abortion, and the assassination of President John F. Kennedy. Following Timothy Leary's advice to "tune in, turn on, and drop out," the former cheerleader joined up with charismatic cult leader Charles Manson and helped his gang slaughter an upstanding citizen in her own home. Now Perry has been chosen to serve on the jury that will decide Leslie's fate. The moment Perry and Leslie lock eyes in the courtroom, the sheltered chemist is hopelessly smitten. Could their wildly divergent paths somehow converge? The more Perry learns about Leslie the stronger his infatuation grows, and the more he begins to question the rules that society has imposed on them both. ~ Jason Buchanan, All Movie Guide

This made-for-TV shocker was inspired by a true story which occurred in Allentown, Pennsylvania. Housewife Jessica Rayner (Joanne Kerns) becomes the latest in a long line of victims when she is attacked in her own home by a vicious serial rapist and murderer who preys on blondes. The difference is that Jessica manages to survive the attack--the first victim to do so. Despite Jessica's testimony and a trail of clues, the police seem incapable of tracking down her assailant, forcing Jessica's husband Dan (Anthony John Denison) to militantly guard his wife round the clock. But it is ultimately Jessica herself who must devise the trap that will bring her attacker to justice. No One Could Protect Her debuted February 11, 1996 on ABC. ~ Hal Erickson, All Movie Guide

Robert Conrad stars in One Police Plaza as a New York homicide detective. A case on which he's working, involving the murder of a beautiful woman, is ordered closed by Conrad's superiors. Refusing to give up, the detective probes deeper, and unearths a hotbed of crooked cops, dirty "brass" and illegal weapons. Made for television, One Police Plaza was initially telecast on November 29, 1986, easily outrating a Jack Paar "comeback" special. The film was based on the bestselling novel by William J. Caunitz. ~ Hal Erickson, All Movie Guide