Alan MacNaughton Movies

Taped in Britain, The Dark Angel is an extra-long entry of PBS' Mystery series. Peter O'Toole heads a cast of dissipated, decadent 19th century aristocratic types. The script is based on a novel by Sheridan LeFanu, whose fascination with vampirism and "the undead" precipitated Bram Stoker by nearly thirty years. As in most gothic novels, the characters are motivated by greed, lust and the desire to hide Deep Dark Family Secrets from the outside world. The Dark Angel was originally presented in several weekly installments, here boiled down to 150 minutes for videocassette convenience. The film bears absolutely no relation to the 1935 Hollywood period drama of the same name. ~ Hal Erickson, All Movie Guide

The friction between British civilians and the American military during WWII was played for laughs in this 13-episode Granada Television series. The stories concerned a squadron of U.S. Air Force men who were billeted in Lancashire for the duration. Naturally, the men from "across the pond" had an inordinate interest in the local girls, much to the dismay of the local boys. Lasting two seasons, Yanks Go Home made its British TV bow on November 22, 1976. ~ Hal Erickson, All Movie Guide

In 1943 North Africa, George Patton (George C. Scott) assumes command of (and instills some much-needed discipline in) the American forces. Engaged in battle against Germany's Field Marshal Rommel (Karl Michael Vogler), Patton drives back "The Desert Fox" by using the German's own tactics. Promoted to Lieutenant General, Patton is sent to Sicily, where he engages in a personal war of egos with British Field Marshal Montgomery (Michael Bates). Performing brilliantly in Italy, Patton seriously jeopardizes his future with a single slap. While touring an Army hospital, the General comes across a GI (Tim Considine) suffering from nervous fatigue. Incensed by what he considers a slacker, Patton smacks the poor soldier and orders him to get well in a hurry. This incident results in his losing his command-and, by extension, missing out on D-Day. In his final campaign, Patton leads the US 3rd Army through Europe. Unabashedly flamboyant, Patton remains a valuable resource, but ultimately proves too much of a "loose cannon" in comparison to the more level-headed tactics of his old friend Omar Bradley (Karl Malden). Patton won 7 Academy Awards, including Best Picture and Best Actor for Scott, an award that he refused. ~ Hal Erickson, All Movie Guide

Adapted from a novel by Brian Marshall, the four-part British miniseries The White Rabbit was the story of WWII hero Wing Commander Yeo-Thomas. Played by Kenneth More, the protagonist was seen joining the French resistance during the early stages of the Nazi occupation. Though at first successful in eluding the enemy, Yeo-Thomas was ultimately captured and placed in a concentration camp -- but the story was far from over. The White Rabbit was originally telecast in Great Britain from September 16 to October 7, 1967. ~ Hal Erickson, All Movie Guide

Hammer Studios followed up Evil of Frankenstein with this entertaining sequel, again starring Peter Cushing as the quintessential mad scientist obsessed with the reanimation of dead bodies and the creation of superhuman creatures. His latest project involves transferring the mind of a wrongly-executed man into the body of his lover (former Playboy centerfold Susan Denberg), whose own suicide left her horribly disfigured. After restoring her beauty, the Doctor performs the mind-transference, which comes off without a hitch... until the lust for revenge against his executioners begins to surface. He/she then pursues this vendetta by seducing and murdering those who wronged him. Hammer stalwart Terence Fisher directs this quirky entry with his usual flair -- aided considerably by a decent budget -- and spices things up with a fair share of titillation (courtesy of Ms. Denberg). ~ Cavett Binion, All Movie Guide

In its time, Victim was considered as a daring a film as had ever been made in England. Taken at face value, Janet Green and John McCormick's screenplay is nothing new: Dirk Bogarde plays a lawyer who agrees to defend an old friend (John McEnery) on a theft charge, only to be enmeshed in a blackmailing scheme. What set this one apart is the fact that the lawyer had once been the male lover of his client. At a time when homosexuality was a criminal offense in England, any film that depicted the gay scene in a non-judgmental light was in for a rough time from the bluenose brigades. What really startled filmgoers of 1962 is that the homosexuals shown in Victim were seemingly normal, everyday blokes, a far cry from the stereotyped "nance" characters common to films. Denied the MPAA seal when it was released to the United States, Victim surprisingly ran into very little interference when it was released to television in the mid-1960s. ~ Hal Erickson, All Movie Guide