Shirley MacLaine Movies

A dancer, singer, highly regarded actress and metaphysical time traveler, Shirley MacLaine is certainly among Hollywood's most unique stars. Born Shirley MacLane Beaty on April 24, 1934 in Richmond, Virginia, MacLaine was the daughter of drama coach and former actress Kathlyn MacLean Beaty and Ira O. Beaty, a professor of psychology and philosophy. Her younger brother, Warren Beatty, also grew up to be an important Hollywood figure as an actor/director/ producer and screenwriter. MacLaine's mother, who gave up her own dreams of stardom for her young family, greatly motivated her daughter to become an actress and dancer. MacLaine took dance lessons from age two, first performed publicly at age four, and at 16 went to New York, making her Broadway debut as a chorus girl in Me and Juliet (1953). When not scrambling for theatrical work, MacLaine worked as a model.

Interestingly, MacLaine's big break was the result of another actress's bad luck. In 1954, MacLaine was understudying Broadway actress Carol Haney The Pajama Game when Haney fractured her ankle. MacLaine replaced her and was spotted and offered a movie contract by producer Hal Wallis. With her auburn hair cut impishly short, the young actress made her film debut in Hitchock's black comedy The Trouble With Harry (1955). Later that year, she co-starred opposite Dean Martin and Jerry Lewis in the comedy Artists and Models. In her next feature, Around the World in 80 Days (1956), she appeared as an Indian princess.

MacLaine earned her first Oscar nomination for her portrayal of a pathetic tart who shocks a conservative town by showing up on the arm of young war hero Frank Sinatra in Some Came Running (1959). She then got the opportunity to show off her long legs and dancing talents in Can-Can (1960). Prior to that, she appeared with Rat Packers Frank Sinatra, Dean Martin, Sammy Davis Jr. and Peter Lawford in Oceans Eleven (1960). MacLaine, the only female member of the famed group, would later recount her experiences with them in her seventh book My Lucky Stars. In 1960, she won her second Oscar nomination for Billy Wilder's comedy/drama The Apartment, and a third nomination for Irma La Douce (1963). MacLaine's career was in high gear during the '60s, with her appearing in everything from dramas to madcap comedies to musicals such as What a Way to Go! (1964) and Bob Fosse's Sweet Charity! (1969). In addition to her screen work, she actively participated in Robert Kennedy's 1968 presidential campaign and served as a Democratic Convention delegate. She was similarly involved in George McGovern's 1972 campaign.

Bored by sitting around on movie sets all day awaiting her scenes, MacLaine started writing down her thoughts and was thus inspired to add writing to her list of talents. She published her first book, Don't Fall Off the Mountain in 1970. She next tried her hand at series television in 1971, starring in the comedy Shirley's World (1971-72) as a globe-trotting photographer. The role reflected her real-life reputation as a world traveler, and these experiences resulted in her second book Don't Fall Off the Mountain and the documentary The Other Half of the Sky -- A China Memoir (1975) which she scripted, produced and co-directed with Claudia Weill. MacLaine returned to Broadway in 1976 with a spectacular one-woman show A Gypsy in My Soul, and the following year entered a new phase in her career playing a middle-aged former ballerina who regrets leaving dance to live a middle-class life in The Turning Point. MacLaine was memorable starring as a lonely political wife opposite Peter Sellers' simple-minded gardener in Being There (1979), but did not again attract too much attention until she played the over-protective, eccentric widow Aurora Greenway in James L. Brooks' Terms of Endearment (1983), a role that finally won MacLaine an Academy Award. That same year, she published the candid Out on a Limb, bravely risking public ridicule by describing her experiences and theories concerning out-of-body travel and reincarnation.

MacLaine's film appearances were sporadic through the mid '80s, although she did appear in a few television specials. In 1988, she came back strong with three great roles in Madame Sousatzka (1988), Steel Magnolias (1989) and particularly Postcards from the Edge (1990), in which she played a fading star clinging to her own career while helping her daughter Meryl Streep, a drug addicted, self-destructive actress. Through the '90s, MacLaine specialized in playing rather crusty and strong-willed eccentrics, such as her title character in the 1994 comedy Guarding Tess. In 1997, MacLaine stole scenes as a wise grande dame who helps pregnant, homeless Ricki Lake in Mrs. Winterbourne, and the same year revived Aurora Greenway in The Evening Star, the critically maligned sequel to Terms of Endearment.

MacLaine's onscreen performances were few and far between in the first half of the next decade, but in 2005 she returned in relatively full force, appearing in three features. She took on a pair of grandmother roles in the comedy-dramas In Her Shoes and Rumor Has It..., and was a perfect fit for the part of Endora in the bigscreen take on the classic sitcom Bewitched.

For a long time, MacLaine did seminars on her books, but in the mid '90s stopped giving talks, claiming she did not want "to be anyone's guru." She does, however, continue writing and remains a popular writer. ~ Sandra Brennan, All Movie Guide
1994  
PG13  
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A man trained for a life of excitement and danger is given a new and unexpected challenge -- minding a grouchy old woman -- in this comedy. Doug Chesnic (Nicolas Cage) is a Secret Service agent who takes great pride in his job, performing his duties with the utmost professionalism and always minding the details. However, his assignment for the last three years has been a severe test of his patience; Tess Carlisle (Shirley MacLaine) is the widow of a former U.S. president who is well-known for her diplomatic and philanthropic work, and Doug has been in charge of her security force. But Tess tends to regard Doug less as a security officer and more as a domestic servant, like her chauffeur Earl (Austin Pendleton) or her nurse Frederick (Richard Griffiths). While Doug regards it as beneath his professional dignity to perform little chores around the house or bring Tess her breakfast in bed, she orders him to do so, and he's in no position to say, "no." Sometimes, Tess even refuses to obey Doug's security instructions, and should he argue his point too strongly, Tess will contact her close friend, the President of the United States, and ask him to give Doug a severe dressing down. So when Doug's three year hitch with Tess comes to an end, he asks to be given a more exciting and challenging assignment. However, Tess has other ideas; she's decided that she likes working with Doug, and she demands that his assignment be made permanent. Director Hugh Wilson also provides the voice of the President. ~ Mark Deming, All Movie Guide

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Starring:
Shirley MacLaineNicolas Cage, (more)
1993  
PG13  
Richard Harris and Robert Duvall star in this low-key drama concerning a hard-drinking former sea captain (Richard Harris) who befriends a shy retired barber (Robert Duvall). Though their polar-opposite personalities find the relationship slow going at first, roguish Frank (Harris) and gentle Walter (Duvall) soon develop a close friendship as they pass the days with conversation. As death looms near and their pasts seem to evaporate into the air with the passing of each day, the lonely souls find comfort in each other's company until their fragile friendship is shattered. When Frank insults a waitress (Sandra Bullock) with whom Walter harbors a protective friendship, Walter makes the decision to cut his ties with loutish Frank. Forced to reevaluate their friendship, the two lonely souls attempt to find meaning in their lives as their chances for connecting with the outside world grows ever more dim. ~ Jason Buchanan, All Movie Guide

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Starring:
Robert DuvallRichard Harris, (more)
1992  
PG13  
Todd Graff wrote the screenplay for this eccentric romantic comedy in the spirit of Moonstruck that exchanges pasta for matzo balls. The film takes place in Queens in 1969, where Pearl Berman (Shirley MacLaine) has just arrived back from the funeral of her husband. As her dysfunctional family kvetches in the living room, the dapper Joe Meledandri (Marcello Mastroianni) arrives. It seems that Joe has admired Pearl from afar for a number of years, ever since he met her husband in a bar and persuaded him to return to his wife. He invites Pearl for coffee, provoking the wisecrack from her mother (Jessica Tandy): "She got picked up at her own husband's funeral." As Pearl is wooed by Joe, she has to deal with her lonely, overweight daughter Bibby (Kathy Bates) and her prettier daughter Norma (Marcia Gay Harden), who suffers from such a lack of self esteem that she assumes the personalities of Marilyn Monroe, Jackie Kennedy, and Bonnie Parker. ~ Paul Brenner, All Movie Guide

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Starring:
Shirley MacLaineKathy Bates, (more)
1991  
PG  
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Albert Brooks wrote, directed, and stars in this philosophical comedy about a man having a hard time making a case for himself in the afterlife. When advertising executive Daniel Miller (Albert Brooks) finds himself in a fatal car crash minutes after taking delivery on a new BMW, he's whisked away to Judgment City, where the recently dead are put on a sort of trial to decide their fate. If in your time on Earth you were able to face your fears and learn from your mistakes, you get to move on to a life in a better world. However, if you didn't, you have to go back to Earth and try again. As he spends the next several days watching various episodes from his life, Daniel gets the impression he doesn't stand much of a chance of moving on -- and his representative, Bob Diamond (Rip Torn), seems to have little confidence in his case. In the meantime, he frequents Judgment City's many restaurants (where the food is delicious and you can eat all you want without gaining an ounce), pays a visit to the Past Life Pavilion, and meets Julia (Meryl Streep), who seems so kind, sweet, and noble that her advancement is practically assured. Daniel and Julia fall in love, but what's going to happen if they don't end up in the same place? Albert Brooks and Meryl Streep make a witty and engaging romantic team in Defending Your Life, and Shirley MacLaine appears in a highly appropriate cameo. ~ Mark Deming, All Movie Guide

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Starring:
Albert BrooksMeryl Streep, (more)
1990  
PG  
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Set during the Cuban missile crisis, Waiting for the Light is an off-beat comic tale about a single mother of two (Teri Garr) who has just taken over a roadside cafe with her aunt (Shirley MacLaine), a former circus magician. MacLaine and the children pull a prank on her crotchety next-door neighbor, who is tricked into believing that the image he sees is actually an angel. Soon, the entire town believes an angel is living at Garr's diner, and eventually people come to the diner from miles around in hopes of seeing the angel. ~ Stephen Thomas Erlewine, All Movie Guide

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Starring:
Shirley MacLaineTeri Garr, (more)
1990  
R  
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Mike Nichols lends some comic structure to Carrie Fisher's best-selling confessional novel concerning a woman's struggles with drug addiction and mother-daughter rivalry (subjects Fisher admits to understanding all too well). Meryl Streep, in her most full-blown comic performance up to that point, plays Suzanne Vale, a popular movie actress well on her way to a Hollywood crack-up. Suzanne suffers from blackouts and memory lapses, and awakens in the beds of men she doesn't remember; she is a barely-functioning wreck on the set of her latest movie. When a coke dealer who delivers stops by her dressing room between takes, she swiftly finds herself being rushed to the hospital, suffering the effects of a narcotics bender. While in detox, Suzanne attempts to piece her life and career back together, but her confidence is shattered when her mother arrives at the rehab clinic -- Doris Mann, a famed film icon from the 1950s and 1960s (Shirley MacLaine). Doris is soon soaking up the adulation and applause of Suzanne's fellow recovering drug addicts. Upon Suzanne's release, she must compete with her mother for attention and fame as she tries to walk a thin line as a recovering drug abuser. ~ Paul Brenner, All Movie Guide

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Starring:
Meryl StreepShirley MacLaine, (more)
1989  
PG  
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The title refers to those seemingly frail Southern belles who survive any and all deprivations through whims of iron. Robert Harling's original stage play was set exclusively in a Louisiana beauty parlor where an all-female cast of characters laughed, cried and compared menfolk. The film expands the playing field by including scenes at picnics, hospitals and the like, and by visually depicting the males who never appeared in the stage version. Dolly Parton plays the goodnatured beauty-shop owner, while Shirley MacLaine is the cantankerous town eccentric, decked out in grungy overalls and speaking fluent Trash. Well-to-do Sally Field bravely endures several assaults to her sensibilities, not the least of which is the illness (and subsequent death) of daughter Julia Roberts. The performances are first-rate, with the possible exception of Daryl Hannah's overemphatic portrayal of a gawky hairdresser. The film stumbles a bit in its depiction of the male characters as fools and deadheads, and in the final overlong hospital scenes involving the comatose Roberts, which play like a road company version of Terms of Endearment. Otherwise, Steel Magnolias is a prime example of ensemble filmmaking, lovingly coordinated by director Herbert Ross. (Sidebar: Herbert Ross was reportedly rather rough on Julia Roberts, deriding her lack of experience. The rest of the female cast rallied around Roberts and told the director to lay off or pay the price). ~ Hal Erickson, All Movie Guide

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Starring:
Sally FieldDolly Parton, (more)
1989  
 
Actress and self-styled spiritual visionary Shirley MacLaine presents an "inner" workout for viewers who want to reduce the amount of daily stress they retain within their bodies. MacLaine introduces chakra work and provides guided meditations that prove to be very relaxing to some students. Onscreen colors and visual patterns are shown to help viewers let go of their worries and concentrate on soothing images. MacLaine advocates the value of these exercises designed to increase inner peace within each viewer's mind, body, and soul. ~ Elizabeth Smith, All Movie Guide

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1988  
PG13  
Shirley MacLaine is Madame Sousatzka, an aging piano instructor of Russian extraction. Entrenched in a dilapidated London rooming house, the Madame gives lessons only to the most gifted. She does not stop at mere instruction; Sousatzka insists that her pupils conduct their lives in the same genteel, cultured manner in which she was raised. Her prize student at the moment is an East Indian teenage boy (Navin Chowdhry), who forms a strong and loving bond with the old woman. Director John Schlesinger occasionally cuts away from the Madame and her pupil to allow comic space for the other tenants in Ashcroft's building, including an erstwhile songstress (Twiggy) and a gay osteopath (Geoffrey Baydlon). Navim Chowdhry's mother is played by Shabana Azmi, an important star of Indian films. ~ Hal Erickson, All Movie Guide

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Starring:
Shirley MacLaineNavin Chowdhry, (more)
1988  
 
This video presents the accounts of well-known personalities, including Shirley MacLaine and Dennis Weaver, of their belief in reincarnation. The celebrities talk about the use of hypnosis to experience past life regressions. Believers claim that learning about prior lives has resulted in a greater understanding of the present life, and the lessons the soul is trying to master. The program looks at independent corroboration of some remembered lifetimes. ~ Rose of Sharon Winter, All Movie Guide

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1987  
 
Actress/author Shirley MacLaine described her 1983 book Out on a Limb as the tale of her "personal spiritual quest." In this two-part TV-movie adaptation of the book, MacLaine plays herself, meeting the emotional challenge of passing 40 by entering into an affair with a Socialist member of the House of Commons (fictionalized as "Gerry Stamford" and played by Charles Dance). She also forms a unromantic but deep friendship with an unusual fellow (John Heard) who introduces her to the metaphysical world. Also in the cast are Anne Jackson as feminist Bella Abzug, and real-life "trance channellers" Kevin Ryerson and Sture Johanssen. Part two of this fascinating project finds MacLaine seeking further answers to the riddle of life in the Peruvian Andes. Out on a Limb premiered on January 18 and 19, 1987. ~ Hal Erickson, All Movie Guide

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Starring:
Shirley MacLaineCharles Dance, (more)
1985  
G  
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Nine years after his last compilation of musical-movie highlights (That's Entertainment, Part II), producer Jack Haley Jr. offers another enjoyable nostalgia-fest, That's Dancing. Unlike his earlier films, which were confined to the output of MGM, That's Dancing offers vignettes from the best of Warner Bros. (the Busby Berkeley extravaganzas, On Your Toes), RKO (Fred Astaire and Ginger Rogers), 20th Century-Fox (The Nicholas Brothers, Carmen Miranda), Universal (1969's Sweet Charity) and United Artists (the "Cool" number from West Side Story). There are also highlights from the top musicals of the 1970s and 1980s, which with such rare exceptions as Saturday Night Fever (1977) can't hold a candle to Hollywood's vintage songfests. Host/narrators Gene Kelly, Sammy Davis Jr., Mikhail Baryshnikov, Liza Minnelli and Ray Bolger help put the clips in their historical perspective, though all five stars seem tired and unenthusiastic. The real money scene in That's Dancing is Ray Bolger's "wind" dance, which was cut from the final release print of The Wizard of Oz (1939). In answer to the excellent audience response to this vintage sequence, Haley's next compilation, That's Entertainment III (1995), incorporated several such "lost" musical gems from the MGM vaults. ~ Hal Erickson, All Movie Guide

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Starring:
Gene KellySammy Davis, Jr., (more)
1984  
PG  
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(Burt Reynolds) as J.J. McClure takes off across the country again in this rickety sequel to Cannonball Run. A sheik has offered $1,000,000 to the first driver to reach a destination in Connecticut from Redondo Beach, California, inspiring J.J. and others to go for the gold. With cameos from more name performers than any dozen films together, (Frank Sinatra and the rat pack, Telly Savalas, Susan Anton, Shirley MacLaine, Jackie Chan, Sid Caesar, Marilu Henner, Catherine Bach, etc., etc., etc.), the movie becomes a pastiche and is executed as though no rehearsals were required, or ever happened. A disparate group of people racing to get a lot of money was first successfully exploited in It's a Mad, Mad, Mad, Mad World, a much better film, and with just as many cameos, in fact. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Burt ReynoldsDom DeLuise, (more)
1983  
 
Part of the Kultur Video Dance Series, Baryishnikov: The Dancer and the Dance is a 1982 film produced by London Weekend Television. This documentary explores the life of Mikhail Baryshnikov from his childhood in Russia to his fame in the US as artistic director of the American Ballet Theater. Includes excerpts from performances, rehearshal footage, and interviews with Royal Ballet dancer Antoinette Sibley. Also includes the complete ballet Configurations, featuring by the American Ballet Theatre with Marianna Tcherkassky. First performed and filmed at the Brooklynm Academy of Music in 1981. Choreographed by Choo San Goh with the music of Samuel Barber (Concerto for Piano & Orchestra Opus 38). ~ Andrea LeVasseur, All Movie Guide

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1983  
PG  
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Terms of Endearment covers three decades in the lives of widow Aurora Greenway (Shirley MacLaine) and her daughter Emma (Debra Winger). Fiercely protected by Aurora throughout childhood, Emma runs into resistance from her mother when she marries wishy-washy college teacher Flap (Jeff Daniels). Aurora is even more put out at the prospect of being a grandmother, though she grows a lot fonder of her three grandkids than she does of her son-in-law. Flap proves that Aurora's instincts were on target when he enters into an affair with a student (Kate Charleson). Meanwhile, Emma finds romantic consolation with an unhappily married banker (played by John Lithgow, who registers well in a rare "nice guy" performance). As for Aurora, she is ardently pursued by her next-door neighbor, boisterous astronaut Garrett Breedlove (Jack Nicholson). After 75 minutes or so of pursuing an episodic, semi-comic plotline, the film abruptly shifts moods when Emma discovers that she has terminal cancer. Terms of Endearment won Academy Awards for Best Picture, Best Director and Best Screenplay for TV veteran James L. Brooks making his first feature film, Best Actress for MacLaine, and Best Supporting Actor for Nicholson. It was followed by a sequel, The Evening Star (1996), which again featured MacLaine as Aurora. ~ Hal Erickson, All Movie Guide

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Starring:
Debra WingerShirley MacLaine, (more)
1980  
R  
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Middle-aged angst is the catalyst for this drama about an older married couple who join up with younger partners. When Karen Evans (Shirley MacLaine) discovers that her husband Adam (Anthony Hopkins) has been dallying around with young co-ed Lindsey Rutledge (Bo Derek), she is furious. She fights back by starting up an affair with young Pete Lachapelle (Michael Brandon) and pretending to tolerate her husband's pecadillos. Adam is selfish and arrogant, a typical college professor stereotype. The odd couples decide to take off for a skiing holiday in Vermont during which their relationships will be tested. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Shirley MacLaineAnthony Hopkins, (more)
1980  
PG  
Susan Sarandon gives a sprightly performance in this sex farce involving couples swapping mates. Shirley MacLaine is Evelyn, a doctor, who is spending some quality time horseback riding when she is spotted by Greg (Stephen Collins), who is driving his sports car. Greg looks at her a bit too long and crashes the car, and since Evelyn is a doctor, she feels free to ride up to the prone Greg and rip off his pants. Soon the two are having an affair behind the backs of Greg's TV weather-girl lover Stephanie (Susan Sarandon) and Evelyn's workaholic husband, Walter (James Coburn). When Walter finds out about the affair from Stephanie, the two decide to reciprocate and engage in an affair of their own. ~ Paul Brenner, All Movie Guide

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Starring:
Shirley MacLaineJames Coburn, (more)
1979  
PG  
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Having lived his life as the gardener on a millionaire's estate, Chance (Peter Sellers) knows of the real world only what he has seen on TV. When his benefactor dies, Chance walks aimlessly into the streets of Washington D.C., where he is struck by a car owned by wealthy Eve Rand (Shirley MacLaine). Identifying himself, the confused man mutters "Chance...gardener," which Eve takes to be "Chauncey Gardiner." Eve takes him to her home to convalesce, and because Chance is so well-dressed and well-groomed, and because he speaks in such a cultured tone, everyone in her orbit assumes that "Chauncey Gardiner" must be a man of profound intelligence. No matter what he says, it is interpreted as a pearl of wisdom and insight. He rises to the top of Washington society, where his simplistic responses to the most difficult questions (responses usually related to his gardening experience) are highly prized by the town's movers and shakers. In fact, there is serious consideration given to running Chance as a presidential candidate. Both a modern fable and a political satire, Being There was based on the novel by Jerzy Kosinski and costars Melvyn Douglas, who won a Best Supporting Actor Oscar as Eve's aging power-broker husband. ~ Hal Erickson, All Movie Guide

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Starring:
Peter SellersShirley MacLaine, (more)
1977  
PG  
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One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York ballet company stops in Oklahoma City for a performance. Having dropped her career for marriage and motherhood, Deedee envies prima ballerina Emma's limelight life; aging Emma, realizing that her days as a star are numbered, wishes that she had the fulfillment of a family like Deedee's. Tensions simmer when Deedee's talented teenage daughter, Emilia (Leslie Browne), moves to New York to join Emma's company. As Emma maternally bonds with Emilia, and Emilia falls in love with womanizing dancer Yuri (Mikhail Baryshnikov), Deedee feels that she's losing her place even as a mother. After Emilia's triumphant debut, Deedee's and Emma's resentments boil over into an all-out catfight that ends when they realize they can unite in happiness for Emilia's future. Splitting the desires to nest and to work between two characters, Ross and writer Arthur Laurents reveal the difficulty faced by women in a world of expanding options. As in Michael Powell's and Emeric Pressburger's seminal ballet film The Red Shoes (1948), dancing and a personal life don't mix, even as the films display ballet's seductive power here in the gracefully integrated numbers by dance stars Browne and Baryshnikov. Despite reservations about its melodramatic aspects, The Turning Point earned box-office success and eleven Oscar nominations (but no wins). Even if its wife/work struggle seems a bit old-fashioned, Deedee's and Emma's final bond suggests that the next generation may not have the same regrets. ~ Lucia Bozzola, All Movie Guide

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Starring:
Anne BancroftShirley MacLaine, (more)
1975  
 
At the invitation of the mainland Chinese government, Shirley MacLaine took a contingent of seven American women of multiple races, ages and socioeconomic levels to China for a tour. Accompanied by government guides, these personable women toured Beijing, Shanghai, Canton and Hangchow. Among the highlights: a Caesarian childbirth under acupuncture anaesthesia, farms, homes, schools, and day-care centers. Clearly a propaganda piece, various outrageous claims by officials are made for the wholesomeness of Chinese life. Nonetheless, the film is well-photographed and the individuals involved in the tour are personable and charming. ~ Clarke Fountain, All Movie Guide

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1973  
 
This is a very personal documentary about women's liberation by the poet and novelist Sandra Hochman. Against the backdrop of the 1972 Republican and Democratic Presidential conventions, she reminisces about her own life, interviews many notable figures in political life and in the women's liberation movement, and makes satirical jabs at the male establishment. The fact that the media largely ignored the vice-presidential bid of Shirley Chisolm serves as a good illustration of how far the movement has yet to go. The documentary ends with shots of Hochman tap dancing around national monuments in Washington, D.C. ~ Clarke Fountain, All Movie Guide

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1972  
R  
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In this supernatural thriller, Norah Benson (Shirley MacLaine) is a wealthy woman living in Manhattan who keeps a close and protective eye on her brother Joel (Perry King), who has a flat in a rough section of the East Village. Joel is a frequent guest at Norah's home and loves her two children, but when he begins acting strangely and playing too rough with the kids, she wonders if something is wrong. When Norah doesn't hear from Joel for several days, she stops by his apartment to see if he's all right, just as he's being led away by police after attacking the custodian in his building. At first Norah and Joel's doctors think that drugs may be to blame, but when Joel's girlfriend Carrie (Lisa Kohane) is found murdered and beheaded, Norah learns that Joel has become involved with Santeria, a religion that mixes voodoo with Catholicism, and his interest in Santeria has brought him in contact with Tonio Perez (Jose Fernandez), a suspected serial killer. The Possession of Joel Delaney features an original score by Joe Raposo, best known for his very different work as a songwriter on the children's TV series Sesame Street. ~ Mark Deming, All Movie Guide

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Starring:
Shirley MacLainePerry King, (more)
1971  
 
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Frank D. Gilroy's adaptation of Paula Fox's novel Desperate Characters stars Shirley MacLaine as Sophie, a freelance book translator who leads a comfortable life in Brooklyn with her lawyer husband Otto (Kenneth Mars). Because of their crumbling marriage and the threatening presence of urban dangers like crime and vandalism, the couple are living a paranoid, scared existence. The film chronicles their emotional and psychological state through a series of interactions with each other and like-minded friends. ~ Perry Seibert, All Movie Guide

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1970  
PG  
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Director Budd Boetticher wrote the story upon which this comic Western was based. Clint Eastwood stars as Hogan, a tough cowboy who rescues a woman, Sara (Shirley Maclaine) as she's about to be attacked by a trio of rapists. Surprised to learn that his new traveling companion is a nun, Hogan agrees to escort her to a camp occupied by anti-French revolutionaries. It turns out that neither of this pair is what they claim to be: Hogan is to scout out a French military garrison for a future attack, while Sara is actually a prostitute masquerading as a nun. After Hogan spies Sara smoking cigars and drinking whiskey, he begins to figure out she's not a bride of Christ, and the two team up with the Juaristas to destroy the French fortifications. ~ Karl Williams, All Movie Guide

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Starring:
Shirley MacLaineClint Eastwood, (more)
1969  
 
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Shirley MacLaine plays Charity Hope Valentine who, despite her job at a seedy dime-a-dance joint, is an incurable optimist. Charity never stops looking for true love and never seems to look for it in the right places. We first see her in the company of Charlie (Dante DiPaolo), a slimeball who steals her purse and pushes her into the Central Park pond. Next she stumbles into a one-night stand with Vittorio Vidal (Ricardo Montalban), an egotistical movie star; this comes to nothing when Vittorio's contrite girlfriend Ursula (Barbara Bouchet) comes calling, forcing Charity to spend the night hiding in the closet. Desperate to escape the dance hall, Charity heads to an employment agency, where a bureaucratic clerk (Alan Hewitt) informs her that she has no qualifications. Unhappily, Charity heads for the elevator, where she becomes trapped with the very shy -- and very claustrophobic -- Oscar Lindquist (John McMartin). Once they've gotten out of the stalled elevator, Charity begins dating Oscar, never telling him of her checkered past or her sordid dance-hall job. Oscar eventually finds out but assures her that it doesn't matter. However, at the engagement party held at the dance hall, Oscar's puritanical streak emerges. He walks out on Charity, leaving her alone and heartbroken once more. With the help of a group of flower children (among them Bud Cort and Kristoffer Tabori), Charity is able to pick herself up and start living "Hopefully Ever After." Sweet Charity was adapted from the 1965 Broadway musical of the same name, which in turn was inspired by the 1957 Fellini flick Nights of Cabiria. ~ Hal Erickson, All Movie Guide

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Starring:
Shirley MacLaineJohn McMartin, (more)

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