Oliver Macgreevy Movies

The phenomenon of Tales from the Crypt seems to have no endings, only changes. This successful pun-filled style of presenting ironic horror tales had its beginnings in William Gaine's E.C. comic series. At one time, outlandish E.C. Comics were at the heart of a national furor over the "evils" of comic books, which were thought to lead to moral degeneracy. The big comic-book publishers were frightened into freezing E.C. out of their distribution network, which killed the business. This British movie was based on the Tales from the Crypt series, which spawned several subsequent movies (and many imitators), at least one television series, and a whole new wave of comic books. Released in 1972, this movie has five episodes based on Gaines' stories, each introduced by Sir Ralph Richardson as the eerily cheery Crypt Keeper. His comedic approach to the role was misunderstood at the time, as reviewers expected a more solemn approach to horror. In "All Through the House," Santa Claus is someone to avoid. In "Reflection of Death" it takes some people a while to realize the truth about themselves. In "Poetic Justice" death cannot prevent one man's revenge. The episode "Blind Alley" demonstrates a new use for razor blades. "Wish You Were Here" cautions against taking native artifacts lightly (among other things). Among the stars featured are Peter Cushing, Joan Collins and Patrick Magee. ~ Clarke Fountain, All Movie Guide

Anthony Hopkins stars in this convoluted adventure yarn, scripted by Alistair MacLean. Hopkins is Philip Calvert, a water-logged James Bond. Calvert plays a naval secret-service agent who is assigned to find out why millions of pounds of gold bullion are being stolen under the noses of the British government. Calvert begins his investigations in the bleak Scottish Highlands. Posing as marine biologists, Calvert and his partner Hunslett (Corin Redgrave) find something fishy and hostile among the Scottish inhabitants. They also suspect that the rich and smooth Greek tycoon Sir Arthur Skouras (Jack Hawkins), who lays anchor off the coast in his luxury yacht, may be the culprit behind the pirating of the gold bullion. Calvert and Hunslett look to be wrapping up the case, but then Charlotte (Nathalie Delon) appears. Supposedly Sir Arthur's wife, she ends up dropping her guard and agrees to help Calvert in the retrieval of the gold. ~ Paul Brenner, All Movie Guide

Mae West was never permitted to make a film version of her bawdy historical romp Catherine Was Great, yet this British adaptation of George Bernard Shaw's Great Catherine made it to the screen. Where is the justice in this? Anyway, Jeanne Moreau braves it through the nearly unplayable role of Catherine, mother of All the Russias, while Peter O'Toole and Zero Mostel struggle manfully to breathe life into the proceedings. The plot has something to do with Prince Patiomkin's efforts to splice Catherine with Captain Edstaston, thus assuring that the queen's reign will be a happy one. The Captain would rather dally with Claire (Angela Scoular) and spends the rest of the running time escaping the queen's wrath. Throughout Great Catherine, Shavian wit is given short shrift in favor of 2-reeler slapstick. ~ Hal Erickson, All Movie Guide

Having been kidnapped and drugged after resigning his position, a British intelligence agent (Patrick McGoohan) awakens in the Village (a mysterious, Orwellian community). Now known as Number Six, he is expected to provide information to the enigmatic Number Two (Guy Doleman) if he ever hopes to escape the Village and return home. Things take an even more perplexing turn when Cobb (Paul Eddington), an old friend of Number Six, suddenly shows up...and just as suddenly kills himself. In one of her last appearances, (Virginia Maskell) guest-stars as "the Woman." "The Arrival" was co-written by series producer David Tomblin and George Markstein. This inaugural episode of The Prisoner first aired in England on October 1, 1967, and in America on June 1, 1968. ~ Hal Erickson, All Movie Guide

In this holiday tale three London urchins find adventure as they struggle to bring a Christmas tree across town to a hospital. ~ Sandra Brennan, All Movie Guide

A British movie originally entitled Licensed to Kill, this is a satire on the James Bond brand of spy which has a bumbling agent attempting to foil the Russian acquisition of a Swedish anti-gravity formula. ~ Tana Hobart, All Movie Guide

In this medical drama, a doctor loses his medical license after his addiction to drugs is discovered. Trouble ensues when he sees an ex-Nazi who is secretly leading the local drug ring. The police get wind of the operation and destroy it. The Nazi is killed too. Meanwhile the doctor overcomes his addiction and regains his license. ~ Sandra Brennan, All Movie Guide

Dot (Rita Tushingham) is a girl who marries motorcycle maven Reggie (Colin Campbell) to escape her parents' influence. The marriage gets off to a rocky start and completely slides downhill after the honeymoon is plagued by bad weather. Dot refuses to have anything to do with household responsibilities and cooks only canned beans. Reggie loses interest in sex with Dot because of her actions, and after moving in with his grandmother, he begins to hang around Pete (Dudley Sutton). The two friends ride their motorcycles and begin to spend even more time together, and eventually Reggie realizes that Pete is a homosexual. Dot tells Reggie she is pregnant in an attempt to get him back -- with no result, but when Reggie comes home to find his wife in bed with another man, he decides to go off to sea with Pete. Pete leaves Reggie shaken and alone when he goes off with a group of sailors out to satisfy their same-sex lust. The film was controversial at the time of its initial release. ~ Dan Pavlides, All Movie Guide