Niall MacGinnis Movies

John Huston directed this cold war spy thriller (from a script by Walter Hill) concerning a British agent trying infiltrate the organization of a nefarious communist spy. Paul Newman is Joseph Reardon, a British secret agent commissioned by Mackintosh (Harry Andrews) to impersonate a jewel thief. When the police are tipped off about his diamond robbery, Reardon is arrested and shipped off to a high-security prison. At the prison, he meets a convicted Russian spy and the two are involved in a prison break, arranged by a mysterious group called the Scarperers. After the successful breakout, Reardon finds himself drugged and sent to Ireland. It turns out that the escapade was organized by Mackintosh in the hopes Reardon could infiltrate the Scarperers and gather information on the group's leader, Sir George Wheeler (James Mason), and prove him to be a Russian spy. ~ Paul Brenner, Rovi

When American agents in Moscow try to recover a stolen letter implicating America in an anti-Red China plot, they discover a hornet's nest of treason, double agents, murder, and betrayal. The plot has as many switchbacks as a Formula One racetrack, and a pad and paper to keep track of the agents and their code names wouldn't hurt. Still, The Kremlin Letter is an interesting espionage movie with some good performances. ~ Tana Hobart, Rovi

Volcano is the reissue title of the muddled disaster flick Krakatoa: East of Java. The name change was reportedly put into effect after thousands of filmgoers noted publicly that Krakatoa is west of Java. As might be expected, the story takes place in 1883, when the long-dormant volcano at Krakatoa erupted with A-bomb force. Since everyone knows what's coming, the filmmakers try to stir up suspense with a gratuitous subplot involving ship's-captain Maximilian Schell and his mutinous crew (a similar plot device had been used in a previous dramatization of the Krakatoa incident, 1953's Fair Wind to Java). The climactic special effects are spectacular enough to make the script, and the all-star cast (including Diane Baker, Brian Keith, Rossano Brazzi, and Sal Mineo), seem utterly superfluous. ~ Hal Erickson, Rovi

Set in first century England, The Viking Queen is a loose retelling of the legend of Boadicea (also sometimes known as Boudica), the queen of the native Britons, who were known as the Iceni. In the year 60 A.D., the Roman governor general Justinian (Don Murray) attempts to rule over the island from wisdom as well as strength, believing that winning over the hearts of the Iceni people will work better for the Empire than brutalizing them. He has help from his cultured advisor Tiberion (Niall MacGinnis), and finds an ally (and much more) in Salina (Carita), the daughter of the late King Priam (ilfred Lawson), who has been chosen to rule the Iceni. Together, Justinian and Salina attempt to share responsibility for ruling the island nation, and to make the laws and the tax system fairer for the Iceni -- they also discover that they actually love each other and want to marry. Their romance and their attempts at bringing more civilized rule are thwarted by treachery on both sides. Among the Iceni, the Druids, led by the high priest Maelgan (Donald Houston), oppose the Romans because their rites (involving human sacrifice) have been banned, and Maelgan wishes Salina to fulfill the destiny that he has prophesized for her: to take up arms against the invaders. The wealthy Iceni merchants, led by the procurer Osiris (Dennis Shaw), oppose Justinian because of the higher taxes that he has imposed on them. Among the Romans, Justinian's military commander, Octavian (Andrew Keir), doesn't care for diplomacy or persuasion, except at the point of a sword. Conspiracies abound in both camps, which leads to Justinian being called away, and, in his absence, Octavian destroys the treaty between the two peoples. Finally, Salina is forced to take up arms and lead her people in open revolt against the Romans. The two would-be lovers face each other in battle, where, in the achieving victory, Justinian learns precisely how fierce and proud a warrior and a queen Salina is. ~ Bruce Eder, Rovi

At a cancer research lab off the coast of Ireland, a group of scientists dies under mysterious circumstances. Before anyone notices their demise, the human and bovine inhabitants of the island's lone, tiny village begin to turn up dead -- with their bodies the consistency of tapioca pudding. Renowned bone doctors Brian Stanley (Peter Cushing) and David West (Edward Judd) are dispatched from the mainland to solve this medical mystery. West's rich-girl paramour, Toni Merrill (Carole Gray), bribes her way into the expedition by providing air transport. When daddy needs his plane back, the group becomes trapped on the isolated island just as the true extent of the science-run-amok menace becomes apparent. One of three films Hammer horror vet Terence Fisher lensed for small British outfit Planet Studios, Island of Terror was followed by Island of the Burning Doomed. ~ Brian J. Dillard, Rovi

An American widower and his 18-year-old daughter live on a Caribbean houseboat. Romance and adventure ensue when they invite the bored nephew of a millionaire to leave his uncle's yacht and stay with them. Though there is an immediate spark between the girl and her new friend, romance is delayed by the arrival of the nephew's former business partner. Together, the two young men invest in an underwater treasure-hunting expedition that unfortunately only brings up a few skeletons. The disappointed nephew returns to his uncle's yacht and there realizes that he is in love with the girl. He returns to ask for the girl's hand. Her father is delighted, leaves the newlyweds to their honeymoon and sails his houseboat to a new place. ~ Sandra Brennan, Rovi

Based on the novel by John Le Carre, The Spy Who Came in from the Cold stars Richard Burton as a dispirited, end-of-tether British secret agent. He comes in from "the cold" (meaning he is pulled out of field operations) to act as a undercover man behind the Iron Curtain. To make his staged defection seem genuine, Burton goes on an alcoholic toot and is imprisoned and publicly humiliated. Once he has been accepted into East German espionage circles, Burton discovers that what he thought was his mission was a mere subterfuge--and that he's been set up as a pawn for an entirely different operation. Though Ireland and England "stand in" for East Berlin, Spy Who Came In From the Cold has the air of authenticity throughout, thanks in great part to the bleak black and white photography by Oswald Morris. The film was condemned as incomprehensible by those filmgoers accustomed to the simplistic melodramatics of James Bond; seen today, the double-crosses and double-double crosses seem all too clear and credible. ~ Hal Erickson, Rovi

The first episode of the British action/espionage television series Secret Agent is featured on Secret Agent 1. In this episode, secret agent John Drake (Patrick McGoohan) is introduced as he embarks on a special mission. ~ Stephen Thomas Erlewine, Rovi

Greek mythology is done up brown by the special-effects expertise of Ray Harryhausen in Jason and the Argonauts. Jason (Todd Armstrong), rightful heir to the throne of Thessaly, is spared from death through the intervention of the goddess Hera (Honor Blackman). The other celestial inhabitants of Mount Olympus watch in amusement as Hera surreptitiously aids Jason in his search for the Golden Fleece. Obstacles to this goal include a giant come-to-life statue named Talos, the screeching harpies plaguing blind prophet Phineas (Patrick Troughton), a set of huge clashing rocks, the seven-headed hydra, and an army of skeletons (this bravura climactic sequence assured Harryhausen's place in the hearts of 13-year-old boys of all ages). Supporting characters include Nancy Kovack as a pre-infanticide Medea and Nigel Green as a pacifistic Hercules. Bernard Herrmann's surging musical score was icing on the cake for this greatest of all Ray Harryhausen creations. ~ Hal Erickson, Rovi

The Devil's Agent is Peter Van Eyck in this economical espionager. A Viennese wine merchant, Van Eyck becomes the unwilling dupe for the Russians. In retaliation, he offers to become a double agent for the United States. The better-than-average cast includes Macdonald Carey, Christopher Lee, Billie Whitelaw, Marius Goring and Helen Cherry. Somewhat lost amidst the flashier James Bond clones of the late 1960s, The Devil's Agent holds up pretty well when seen today. ~ Hal Erickson, Rovi

In this drama, set after the end of WW II, a young man returns to his father's small Bavarian village and is dismayed to learn that he died after he married a young woman and escaped from the communists. The young man listens, but he believes there is more to the story, and so begins looking into it himself. He then discovers that an important scientist has exchanged places with his father. The woman and another are planning to sneak the doctor to the east, but the son intervenes and helps the scientist escape the country. ~ Sandra Brennan, Rovi

Herman Melville's short novel Billy Budd is adapted for the screen, distinguished by Robert Krasker's expressive black-and-white cinematography and Peter Ustinov's crisp direction. Terence Stamp is Billy Budd, a seaman forced to serve in the British Navy during the war between England and France in 1797. Billy looks upon all men as inherently good and, although his crewmates are initially skeptical about this sailor who appears too good to be true, he proves his mettle by his skills as a sailor and gains the respect of the crew -- all except for the ship's reviled master-at-arms John Claggert (Robert Ryan), who attempts to poison Billy's reputation by accusing him of instigating a mutiny. When the ship's captain, Edward Vere (Peter Ustinov), questions Billy about the charges, Billy reacts by striking Claggert, who falls over and dies from a blow on the head. A court-martial is called and Vere has to determine whether Billy should be hanged or acquitted. ~ Paul Brenner, Rovi

Father Carey (Nigel Patrick) is a priest who must decide whether or not an amnesia victim (Aldo Ray) is responsible for the murder of the alcoholic Irish writer Mulcahy (William Bendix) in this routine thriller. The question posed to Carey is whether or not the murderer acted on the word of God when the writer asked the Almighty to strike him dead. Father Carey comes to believe the killing was masterminded by Johnny's sweetheart Miss Floyd (Yvonne Mitchell). The small Irish village is put under public microscope with the murder and the sensational trial. ~ Dan Pavlides, Rovi