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James MacDonald Movies

James MacDonald made an enormous contribution to Walt Disney studios by creating the largest, most complete library of sound effects in cinema. Such effects included blowing and growling through the glass chimney of a kerosene lamp to create grizzly bear noises to using dried peas in a barrel to emulate a heavy downpour. Though not the first to use coconuts to mimic the sound of moving horses, he was one of the few to insure that Disney horses always had four beats per gallop instead of the three typically heard in other less meticulously made films. MacDonald was discovered by Walt Disney while working as a drummer aboard a cruise ship. In addition to providing sound effects, MacDonald was also a talented voice artist and in 1946 became the voice of Mickey Mouse. In the early '80s, MacDonald selected Wayne Allwine to be his successor. Though he passed away in 1991, MacDonald can still be seen performing his fascinating craft via video displays at Disney-MGM Studios in Florida. ~ Sandra Brennan, Rovi
1979  
PG  
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An ambitious sci-fier from the Disney folks, The Black Hole takes place in the future. A quintet of space travelers stumble across a "black hole." Not wishing to be sucked into the void, the crew prepares to flee, but stops long enough to investigate a mysterious space vessel near the entrance of the hole. Manning this craft is mad scientist Dr. Hans Reinhardt (Maximillian Schell), who intends to explore the black hole in hopes of finding the universe's energy source. The cast includes Anthony Perkins, Robert Forster, Yvette Mimieux, and others. The Black Hole marked one of the Disney company's first PG-rated films. ~ Hal Erickson, Rovi

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Starring:
Maximilian SchellAnthony Perkins, (more)
 
1977  
G  
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Two fantasy novels by Margery Sharp were combined for in the Disney animated feature The Rescuers. The title characters are a pair of mice, Bernard and Miss Bianca. A little girl named Penny has been kidnapped by Miss Medusa. When the human law enforcement officials fail to locate the child, Bernard and Miss Bianca take over with the help of several colorful animal companions. In classic Disney tradition, the comedy element is offset by moments of genuine terror. Voices are provided by Bob Newhart (Bernard), Eva Gabor (Miss Bianca), Geraldine Page (Madame Medusa), Jim "Fibber McGee" Jordan, John McIntire, George "Goober" Lindsay, Joe Flynn (who died in 1974, not long into the four-year production), and a host of others. It scored at the box office, more than compensating for the $8 million investment and the half-decade of work it took to complete the film. In fact, The Rescuers remains one of the most popular of the Disney cartoon films produced after the death of Uncle Walt. A heavily-computerized sequel, The Rescuers Down Under, appeared in 1990. ~ Hal Erickson, Rovi

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1951  
G  
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This Disney feature-length cartoon combines the most entertaining elements of Lewis Carroll's Alice in Wonderland and Through the Looking Glass. Chasing after the White Rabbit, who runs into view singing "I'm Late! I'm Late!," Alice falls down the rabbit hole into the topsy-turvy alternate world of Wonderland. She grows and shrinks after following the instructions of a haughty caterpillar, attends a "Very Merry Unbirthday" party in the garden of the Mad Hatter and the March Hare, stands in awe as the Cheshire Cat spouts philosophy, listens in rapt attention as Tweedledum and Tweedledee relate the story of the Walrus and the Carpenter (a sequence usually cut when Alice is shown on TV), and closes out her day with a hectic croquet game at the home of the Red Queen. The music and production design of Alice in Wonderland is marvelous, but the film is too much of a good thing, much too frantic to do full honor to the whimsical Carroll original, and far too episodic to hang together as a unified feature film. One tactical error is having Alice weep at mid-point, declaring her wish to go home: This is Alice in Wonderland, Walt, not Wizard of Oz! Its storytelling shortcomings aside, Alice in Wonderland is superior family entertainment (never mind the efforts in the 1970s to palm off the picture as a psychedelic "head" film). ~ Hal Erickson, Rovi

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Starring:
Kathryn BeaumontEd Wynn, (more)
 
1950  
G  
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Cinderella was Walt Disney's return to feature-length "story" cartoons after eight years of turning out episodic pastiches like Make Mine Music and Three Caballeros. A few understandable liberties are taken with the original Charles Perrault fairy tale (the wicked stepsisters, for example, do not have their eyes pecked out by crows!) Otherwise, the story remains the same: Cinderella, treated as a slavey by her selfish stepfamily, dreams of going to the Prince's ball. She gets her wish courtesy of her Fairy Godmother, who does the pumpkin-into-coach bit, then delivers the requisite "be home by midnight" warning. Thoroughly enchanting the prince at the ball, our heroine hightails it at midnight, leaving a glass slipper behind. The Disney people do a terrific job building up suspense before the inevitable final romantic clinch. Not as momentous an animated achievement as, say, Snow White or Fantasia, Cinderella is a nonetheless delightful feature, enhanced immeasurably by the introduction of several "funny animal" characters (a Disney tradition that has held fast into the 1990s, as witness Pocahontas), and a host of a sprightly songs, including "Cinderelly," "A Dream is a Wish Your Heart Makes," and -- best of all -- "Bibbidi Bobbidi Boo." ~ Hal Erickson, Rovi

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Starring:
Ilene WoodsEleanor Audley, (more)