Francis McDonald Movies

William Boyd once again dons the disguise of a fop in this average entry in the long-running "Hopalong Cassidy" western series. The masquerade helps Hoppy and sidekicks California Carlson (Andy Clyde) and Jimmy Rogers get to the bottom of some dirty dealings in the Texas town of Glenby. A vicious gang of night riders has been scaring local ranchers into selling out to J.K. Trimble (Russell Simpson), a supposedly upstanding citizen who has discovered that there is oil in them thar hills. Disguised as Boston lawyer James Corwin, Hoppy at first manages merely to antagonize girl rancher Virginia Curtis (Mady Correll) but then takes her into his confidence. The unexpected arrival of old foe Sam Nolan (Francis McDonald) becomes an even greater threat, however, but aided by the real Corwin (Nelson Leigh) and disgruntled Marshal Rowbottom (Bob McKenzie), Hoppy manages to corner Trimble and his gang after a fiery shootout in the desert. Filmed at Lone Pine, Kernville and Joshua Tree National Forest, Texas Masquerade was penned by Jack Lait, Jr., the screenwriting son of famous muckraking journalist and editor Jack Lait. ~ Hans J. Wollstein, All Movie Guide

This mystery is set upon the mighty Mississippi and within the dark bayous of Louisiana. Originally it was a 13- episode serial. ~ Sandra Brennan, All Movie Guide

Though it's not readily obvious from the title, Lumberjack is the 52nd entry in the long-running "Hopalong Cassidy" series. In this one, Hoppy (William Boyd) and his pals California (Andy Clyde) and Jimmy (Jimmy Rogers) come to the rescue of recently widowed Julie (Ellen Hall). It so happens that Julie has fallen heir to a valuable spread of timber property, meaning that any one of her business rivals could have been the murderer of her husband. Not only does Hoppy reveal the killer's identity, but he also moves heaven and earth to make sure that Julie's mortgage-lifting lumber shipment arrives at its destination on time. ~ Hal Erickson, All Movie Guide

At 54 minutes, Bar 20 is the shortest of the 1943 quota of Hopalong Cassidy pictures. William Boyd, Andy Clyde and George Reeves return to their series roles as Hopalong Cassidy, California Carson and Lin Bradley. Also on hand for villainous purposes is Victor Jory, who'd menaced Hoppy and his pals in the previous Cassidy flick Colt Comrades. The story concerns a gang of outlaws who've pilfered a cache of jewels in a stagecoach holdup. Unfortunately, they've also stolen Hoppy's cattle money, and that makes him reeeeeal mad. Two echoes from the silent-movie days are present in Bar 20; former leading lady Betty Blythe, and Dustine Farnum, the daughter of the late matinee idol Dustin Farnum and niece of veteran western player William Farnum. ~ Hal Erickson, All Movie Guide

Another of Universal's "pocket" musicals, Rhythm of the Islands is set in the South Seas, presumably far away from the shooting war. The nonsensical plotline finds hero Tommy (Allan Jones) posing as a native chief. Joan Holton (Jane Frazee), daughter of a millionaire (Ernest Truex), falls in love with Tommy, unaware that he's a charlatan. Tommy and his beachcomber pal Eddie (Andy Devine) encouraged Joan's attentions in order to close a big-business deal with her father; eventually, however, Tommy falls in love with the girl for real, and confesses his sham. The producers managed to pack five songs into the 60-minute running time, not to mention a couple of specialty numbers performed by The Step Brothers and The Horton Dancers. ~ Hal Erickson, All Movie Guide

In this drama, set during the gold-rush, an unsuccessful prospector prepares to leave Alaska. But first he has a grand, drunken send-off. During the celebration a lawman is killed. The prospector is the prime suspect, and so he escapes to keep from being arrested. While on the lam, he encounters a wealthy but avaricious Englishman who is planning on robbing and killing an aged sourdough who has just found a productive stream. After murdering the old prospector, the English cad begins threatening the prospector's daughter; she and the younger prospector flee across a dangerous frozen river to escape him. En route, the young man falls in love with her. He soon finds out that he did not kill the lawman. The two lovers lead long and happy lives soon after. ~ Sandra Brennan, All Movie Guide

In this drama, a young heiress finds trouble when she naively assumes control over some valuable timberlands. The trouble begins when a ornery lumberman endeavors to take advantage of her innocence by stealing all her trees. Fortunately, his plans are foiled by two of her workers. ~ Sandra Brennan, All Movie Guide

It's hard to believe that Wild Bill Hickok Rides is a Warner Bros. picture-and harder still to believe that Constance Bennett deigned to star in the film. Wavering uncomfortably between comedy and drama, this patchwork western features Bruce Cabot as Wild Bill Hickok, who on this occasion goes on the warpath against despotic land baron Harry Farrel (Warren William). When Hickok's rancher friend is lynched by Farrel's flunkeys, the fur-and bullets-really start to fly. Constance Bennett does her best to convincingly portray gambling-hall proprietress Belle Andrews, but it's an impossibly written role. Critic Bosley Crowther of the New York Times summed the whole thing up in a terse single sentence: "Will be remembered as the one in which a Bennett sister slummed. ~ Hal Erickson, All Movie Guide

Warren William is back as suave thief-turned-sleuth Michael Lanyard, alias the Lone Wolf, in Columbia's The Lone Wolf Keeps a Date. Freshly arrived at the Miami airport after a sojourn in Havana, Lanyard and his general factotum Jamison (Eric Blore) rescue beautiful Pat Lawrence (Frances Robinson) from a pair of hooligans. It turns out that the thugs were after the satchelful of ransom money carried by Pat, with which she hopes to rescue a kidnapped millionaire. Invetibly, the money is stolen, leading Lanyard and Jamison on a merry chase all through Miami and its environs. Along the way, Lanyard tries to spring Pat's boyfriend Scotty (Bruce Bennett), who's been thrown in jail because the authorities think he was responsible for the kidnapping. In the final scenes, Lanyard exposes the genuine miscreant, and also unearths an insidious fraud scheme. ~ Hal Erickson, All Movie Guide

In addition to being a fine Western in its own right, this film served to introduce perhaps Hollywood's oddest romantic couple: the gruff but lovable Wallace Beery and the tart but lovable Marjorie Main. Beery plays "Reb" Harkness who, with his Mexican pal Pete (Leo Carrillo), is almost caught red-handed attempting to rob a train carrying General Custer (Paul Kelly) and the cavalry. Double-crossed by his partner and with the cavalry in hot pursuit, Reb escapes to Wyoming where he finds shelter on a ranch belonging to orphaned Lucy Kinkaid (Anne Rutherford) and her kid brother Jimmy (Bobs Watson). The local ranchers are battling an unscrupulous empire builder, Buckley (Joseph Calleia), and Reb is involuntarily dragged into the feud. When plain-speaking blacksmith Mehitabel (Marjorie Main) loses her brother to Buckley's bullets, Reb takes matters into his own hands, and with the help of Custer's men, he manages to end Buckley's reign of terror. Casting plain-looking, twangy Marjorie Main as Beery's leading lady was a stroke of genius. The two actors complimented each other to the nth degree, and Main was seen as a worthy replacement of the late Marie Dressler. As a result, the former stage actress (Dead End) was put under a seven-year contract by MGM, who co-starred her with Beery in Barnacle Bill (1941), The Bugle Sounds (1941), Jackass Mail (1942), Rationing (1944), and Bad Bascomb (1946). Wyoming, which also benefitted from fine performances by Henry Travers as a sly sheriff and Stanley Fields as Buckley's chief henchman, was filmed on location at Jackson Hole, Wyoming, and the Grand Tetons National Park by a director, Richard Thorpe, who had worked in the Western field since the silent days. ~ Hans J. Wollstein, All Movie Guide

In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?

The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide

Angry natives or a beautiful widow -- which poses the greater threat? Keith Brandon (Douglas Fairbanks Jr.) is an archeologist leading a team of researchers -- Richardson (Vincent Price), Loren (Alan Hale), Forrester (George Sanders), and Scott (John Howard) -- who are exploring the jungles of South America in search of Inca artifacts. The scientists discover they are not welcome when Richardson is felled by a poisoned dart, and a difficult situation is made all the more complicated when Stephanie (Joan Bennett), Richardson's wife, appears unannounced to pay her husband a visit. Stephanie must join Brandon's party as they make their way through the wilderness, with angry and armed natives surrounding them on all sides, and in the midst of the tension and danger, both Brandon and Forrester discover they're attracted to to Stephanie, leading to a dangerous rivalry among the crew. Green Hell would turn out to be the last feature film completed by the noted and idiosyncratic horror director James Whale; while he was credited with another film, They Dare Not Love, Whale in fact backed out of the project before shooting was finished. ~ Mark Deming, All Movie Guide