Francis McDonald Movies

The Last Chance Inn, the main locality in this latter-day Hopalong Cassidy Western, certainly lives up to its name. A prospector has mysteriously disappeared after spending a night there and now Lucky Jenkins' (Rand Brooks) prospective "uncle-in-law," another guest, has vanished as well. Hopalong Cassidy (William Boyd) locates the missing man's body in a mine but when he returns with the sheriff, the dead man has performed yet another disappearing act. Just before retiring, in the same room previously occupied by the victims, Sheriff Thompson (Forbes Murray) reveals the name of his prime suspect: Larry Potter (Bob Gabriel), the outlaw brother of the inn's wheelchair-bound proprietor (John Parrish). But will the sheriff survive the night or disappear just like the previous occupants? Like so many of the Hopalong Cassidy Westerns, the oddly titled Dead Men Don't Dream was filmed on location at Lone Pine, CA. Leading lady Mary Tucker had previously acted under the moniker of Mary Ware. ~ Hans J. Wollstein, All Movie Guide

Saddle Pals hits a new low for Gene Autry's postwar Republic westerns, containing literally no action at all. Autry is drawn into the plot when he's given power of attorney in a property settlement involving his old pal (Sterling Holloway) and a gang of land swindlers. The pal then goes on an extended vacation, leaving Autry to sort things out. Though he doesn't display the business acumen that would eventually transform him into a real-life billionaire, Autry does manage to figure out that the swindlers are up to something dishonest. One of the more curious aspects of the film is the casting of traditional comedy-relief actor Sterling Holloway as the plot catalyst; he looks almost as uncomfortable as Autry. Fortunately, Autry's movie career would take an upswing the following year when he switched his base of operations from Republic to Columbia. ~ Hal Erickson, All Movie Guide

Although benefitting from the "Zorro" trademark, the title character of this Western serial is not the direct offspring of the legendary hero, but rather a distant relative assuming the role of masked avenger in order to prevent a corrupt politician from taking over the territory. Handsome supporting actor George Turner played Jeffrey Stewart, a discharged cavalry officer righting the wrongs of evil Roy Barcroft. Favorite B-Western and serial heroine Peggy Stewart provided romantic interest and the chapterplay also benefitted from the customary excellent special effects work by brothers Howard and Theodore Lydecker. Son of Zorro was released in 13 chapters and was followed two years later by Ghost of Zorro starring a pre-Lone Rider Clayton Moore. The slightly built George Turner was in all likelihood chosen for this serial in order to match stock footage of Linda Stirling in Zorro's Black Whip (1944). ~ Hans J. Wollstein, All Movie Guide

The third of four films bearing the title of The Perils of Pauline, this musical biopic purports to tell the life story of famed silent serial queen Pearl White. Right at the beginning, however, an introductory title informs the audience that what follows is merely "suggested" by incidents in White's life and career. Translation: The film is a fabrication from beginning to end, but an enjoyable one. Played on all four cylinders by Betty Hutton, White is introduced as a frustrated factory worker who aspires to become a dramatic actress. She joins a touring theatrical troupe managed by handsome but pompous Mike (John Lund), but fame and fortune elude her because she's unable to suppress her natural rambunctiousness. In desperation, White takes a job at a movie studio, where she promptly finds herself in the middle of a slapstick pie fight. With the help of bombastic director Mac (William Demarest), top-hatted villain portrayer Timmy (Billy De Wolfe), and imperious dramatics coach Julia (Constance Collier), Pearl soon becomes world-famous as the star of such cliffhanging, tied-to-the-railroad-tracks serials as The Perils of Pauline (hence the title of this film). At the height of her fame, she arranges for her theatrical mentor Mike to get a job as her leading man, forcing him to swallow his pride and admit that he's been in love with her from the moment he met her. A series of clichéd complications contrive to separate White and Mike, but he returns to her arms when she's seriously injured during a Parisian stage performance. A few fairly credible recreations of silent moviemaking techniques aside, The Perils of Pauline is wildly anachronistic and inaccurate (for one thing, Pearl White made most of her serials in New Jersey rather than Hollywood). As a musical comedy, however, the film passes muster, especially during the performance of such Frank Loesser tunes as "I Wish I Didn't Love You So" and "The Sewing Machine." As a bonus, the film rounds up several silent-movie veterans in cameo roles, including William Farnum, Chester Conklin, Jimmy Finlayson, Creighton Hale, Hank Mann -- and Paul Panzer, who played the sneering villain in the original 1914 Perils of Pauline. ~ All Movie Guide

Dana Andrews -- in one of the best performances of his career -- plays Logan Stuart, a bold, ambitious general store and freight company owner based in the mining settlement of Jacksonville, OR, in 1856. He and his best friend, local banker and express company owner George Camrose (Brian Donlevy), share an attraction for young, beautiful Lucy Overmire (Susan Hayward). However, that's all the two men share -- Stuart sees life in the Oregon territory as a challenge, to be worked out and overcome with thought and time, with the opportunity to build something lasting and significant in the process. Camrose only sees the opportunity to get rich fast and live easy, and he's addicted to gambling at the local saloon. What no one knows is that he's been doing his gambling with the gold dust that the miners have left on deposit in his vault -- and he's been losing. He wants to get out of the territory, to someplace like San Francisco, and plans to take Lucy away. Stuart, by contrast, is as much a frontiersman as a businessman, and so much a part of the community and so trusted and liked that he might even be a potential political leader, if he ever had the time and the willingness to settle down and stay put. He finds consolation over his loss of Lucy in an engagement to Caroline Marsh (Patricia Roc), a daughter of an Englishman who came to Oregon only to see her father killed by Indians, who lives with the homesteading family of Ben Dance (Andy Devine) and his wife (Dorothy Peterson) and their children. Out of friendship, and also a little guilt over the fact that he would love to be engaged to Lucy, Stuart gives Camrose the money to get even, but Camrose can't resist one last card game, and not only loses what Stuart gave him, but the gold dust of one miner -- who shows up unexpectedly in town that night, planning on getting his dust the next day. When the man turns up drowned, Camrose is accused of murder; Stuart stands by his friend, but he's found guilty and the miners, led by hot-headed young Johnny Steele (Lloyd Bridges), plan on hanging him, and shooting anyone who tries to get in the way. But before his fate can be settled, an Indian war starts over the killing of a young Native American woman, and the lives of every white settler in and around Jacksonville are suddenly endangered. There's all of that, plus four songs (including "Old Buttermilk Sky") from Hoagy Carmichael (who does a great acting job), all convincingly woven into the drama along with one of the music legend's best acting performances. ~ Bruce Eder, All Movie Guide

Country-western star Roy Acuff heads the cast of the modest Republic musical Night Train to Memphis. Taking time off from his musical duties, Acuff tries to patch up a feud between a family of hillbillies and a railroad company. Complicating matters is the fact that Roy's brother Don (Allan Lane) has sided with the family against the railroad, all the while romancing Constance (Adele Mara), daughter of train executive Stevenson (Joseph Crehan). For those not interested in bucolic backwoods comedy, the film offers several "funny" African American stereotypes, including Nicodemus Stewart (who later played "Lightnin" on TV's Amos N Andy) and Nina Mae McKinney (who once played the leading role in King Vidor's Hallelujah). Night Train to Memphis was produced by Dorrell and Stuart McGowan, of Death Valley Days fame. ~ Hal Erickson, All Movie Guide

Horror films were not Republic Pictures' forte, as one can see while watching the stylish but pedestrian Catman of Paris. Carl Esmond stars as Charles Reigner, an amnesia victim who may or may not be fiendish "Catman" who has been cutting a homicial swath throughout Gay Paree. Essentially a Jeckyll-Hyde story, the film borrows a page from Oscar Wilde's anco 7 Argentina's first 1946 release, Christina stars screen favorite Zully Moreno as the title character. It's the old saw about the country lass who finds herself cast adrift in the Big City. She finds brief happiness in the arms of wealthy Esteban Serador, but he turns out to be a cad and a bounder. To no one's surprise, Moreno is rescued by hometown sweetheart Alberto Closas, who has remained faithful through it all. Very standard stuff, Christina coasts by on the appeal of Zully Moreno, who seems much too intelligent to be mouthing the inane dialogue she is given. ~ Hal Erickson, All Movie Guide

If Grecian storyteller Aesop really did exist, he was most likely a black slave. He wasn't an Austrian actor with an Egyptian name, but that's who played him in A Night in Paradise. Turhan Bey portrays the fable-spouting Aesop, who tries to escape his bondage by disguising himself as an old man. It is at the lavish court of King Croesus that the greyed-up Aesop first meets luscious Grecian princess Merle Oberon. The low-born talespinner is smitten, and determines to win the princess for his very own. Moral: If Universal buys a novel by George S. Hellman titled The Peacock's Feather, transforms it into a picture called A Night in Paradise, and appoints onetime Abbott and Costello cohort Arthur Lubin as director, you know what you're in for. ~ Hal Erickson, All Movie Guide

Roll on Texas Moon was the first of 26 Roy Rogers vehicles directed by fast-action specialist William Witney. The plot concerns a deadly feud between cattle ranchers and sheepherders, with the villains playing both ends down the middle. Working on behalf of the cattlemen, Rogers tries to avoid an all-out range war, finding time to champion the cause of gorgeous sheep rancher Jill Delaney (Dale Evans). Dennis Hoey, best known for his portrayals of the thick-witted Lestrade in Universal's "Sherlock Holmes" series, is rather surprisingly cast as the main heavy. While the musical content of Roll on Texas Moon is as omniprescent as ever, the "thrill" content is considerably heightened by the expert contributions of William Witney. ~ Hal Erickson, All Movie Guide

Though Alfred Hitchcock's Notorious was produced by David O. Selznick's Vanguard Films, Selznick himself had little to do with the production, which undoubtedly pleased the highly independent Hitchcock. Ingrid Bergman plays Alicia Huberman, who goes to hell in a handbasket after her father, an accused WWII traitor, commits suicide. American secret agent Devlin (Cary Grant) is ordered to enlist the libidinous Alicia's aid in trapping Alexander Sebastian (Claude Rains), the head of a Brazilian neo-Nazi group. Openly contemptuous of Alicia despite her loyalty to the American cause, Devlin calmly instructs her to woo and wed Sebastian, so that that good guys will have an "inside woman" to monitor the Nazi chieftain's activities. It is only after Alicia and Sebastian are married that Devlin admits to himself that he's fallen in love with her. The "MacGuffin" in this case is a cache of uranium ore, hidden somewhere on Sebastian's estate. Upon discovering that his wife is a spy, Sebastian balks at eliminating her until ordered to do so by his virago of a mother (Madame Konstantin). Tension mounts to a fever pitch as Devlin, a day late and several dollars short, strives to rescue Alicia from Sebastian's homicidal designs. Of the several standout sequences, the film's highlight is an extended love scene between Alicia and Devlin, which manages to ignite the screen while still remaining scrupulously within the edicts of the Production Code. In later years, Hitchcock never tired of relating the story of how he and screenwriter Ben Hecht (who was nominated for an Oscar) fell under the scrutiny of the FBI after electing to use uranium as a plot device -- this before the bombing of Hiroshima and Nagasaki. A huge moneymaker for everyone concerned, Notorious remains one of Hitchcock's best espionage melodramas. In 1992, Notorious was remade for cable television; it goes without saying that the original is vastly superior. ~ Hal Erickson, All Movie Guide

An interesting idea falls somewhat flat in this average Allan Lane Western, in which the young sister (Twinkle Watts) of a returning World War II veteran learns about the experiences of their grandfather just after the Civil War. Having served with Texas Cavalry, Jim Christie (Allan Lane) returns home to Corpus Christi only to be falsely accused of murdering a local commissioner. Escaping, our hero teams up with three desperadoes, Rocky (Tom London), Spade (Kenne Duncan), and Steve (Bob Wilke), and together they rob a stagecoach. But Jim takes umbrage to Spade's harassment of a female passenger and vows to go straight. That, however, is easier said than done and Jim's past is revealed by nasty saloon owner Wade Larkin (Roy Barcroft), whose reign of terror Jim has attempted to prevent. After beating Larkin at his own game, Jim is all set to give himself up to Marshal Dan Adams (Ed Cassidy) when the loyal Steve takes a shot at the lawman. The quick-thinking Jim takes the bullet instead and his heroism is awarded with a full pardon. After learning the story of Corpus Christi Jim, the modern day Captain James Christie (also Allan Lane) is made an honorary Captain of the Texas Rangers by the Governor of the State of Texas. Corpus Christi Bandits was the second to last entry in Allan Lane's initial Western series for Republic Pictures. ~ Hans J. Wollstein, All Movie Guide

In this western, Red Ryder tries to be a good example for a young man who idolizes his father, an outlaw. The boy wants to follow in his father's footsteps when the hero intervenes. ~ Sandra Brennan, All Movie Guide

Bill Elliot is back as Red Ryder in Cheyenne Wildcat. Also back are Ryder's perennial cohorts Little Beaver (Bobby Blake, later Robert Blake of Baretta fame) and the Duchess (Alice Fleming). When not pummeling the bad guys, Ryder is the reluctant apex of a love triangle. It's formula stuff all the way, socked across with ingenuity by director Leslie Selander. Cheyenne Wildcat is especially fun to watch during the finale, when Republic's battery of stunt experts take over. ~ Hal Erickson, All Movie Guide