Francis McDonald Movies

The rugged Colorado Territory provides the setting for this epic Civil War-era western chronicle of a Southern rebel who sets off to join Captain Quantrill's raiders. Along the way, the rebel kills a Union supporter who had stolen the rebel's land. Unfortunately, he leaves a different Confederate to shoulder the blame. Fortunately, just before the falsely-accused is to get lynched, the rebel dashes up to save him. Not realizing his savior is also the one who got him into the fix, the grateful man takes the rebel to his isolated cabin to hide. There the rebel meets his new friend's fiancee. Things are fine until she learns the truth about the rebel. He takes off into the wilderness with the lovers in hot pursuit. They all end up lost and forced to seek shelter in a cave after the woman's hapless lover slips and breaks his leg. While delirium overtakes the injured man, romantic sparks fly between the rebel and the girl. One day, the rebel sees Quantrill's band and rides down to meet them. It is then that he discovers an awful truth and so rides off to set things right. The character of Captain Quantrill is based on an actual historical figure. ~ Sandra Brennan, All Movie Guide

Gene Autry is back in the saddle again, albeit North of the Border. Montana marshal Autry and another lawman pursue a bank robber into Canada. Teaming with a straight-arrow Mountie, Autry tracks down the criminal in the Canadian wilderness, taking time out once in a while to sing one of his host's national songs. Running 70 minutes, Gene Autry and the Mounties was promoted by Columbia Pictures as a western "special". While on location in Canada, the Autry unit decided to quickly make another film for next season's western schedule, and the result was Blue Canadian Rockies (52). ~ Hal Erickson, All Movie Guide

Errol Flynn is top-billed in Kim, but the title character is played by Dean Stockwell. The son of an Irish sergeant, young Kim wanders through the streets and hills of Colonial India, disguised as a native boy. Kim's adventures include an episode with a horse trader (Errol Flynn) who is actually a British secret agent; a sojourn with a holy lama (Paul Lukas) on a mysterious quest; and involvement with a plan to rid the Khyber Pass of Czarist Russian agitators. Kim had been in the planning stages since 1938 (those considered for the title role included Freddie Bartholomew and Mickey Rooney), but the property's catch-as-catch-can storyline, coupled with the changing political climate in postwar India, delayed production until 1949. While a great deal of Kim was filmed on location in India, some of the more complicated exterior sequences were lensed in Lone Pine, California. ~ Hal Erickson, All Movie Guide

Another of RKO's profitable Tim Holt western series, Rustlers costars Holt with his popular sidekick Richard Martin (as Chico Rafferty). Holt and Martin are arrested by sheriff Harry Shannon, who accuses them of being members of a vicious rustling gang. Actually Shannon is the head of the operation; he hopes to throw suspicion off himself by framing Our Heroes for the crime. Holt and Martin bust out of jail, prove their innocence, and fix Shannon's wagon. Rustlers was one of a handful of Holt westerns directed by Lesley Selander, later a minor favorite of auteur critics. ~ Hal Erickson, All Movie Guide

Lash LaRue stars as U.S. deputy, with Al "Fuzzy" St. John as his comic-relief deputy. Lash and Fuzzy are on the trail of El Sombre (Michael Whalen), a notorious bandit. Unbeknownst to everyone but the audience, El Sombre doubles as a kindly dentist named Jarvis. While trying to stem the villain's activities, Our Heroes rescue heroine Vicki (Noel Neill) from various perils. True to his name, Lash LaRue wields his bullwhip with deadly accuracy. Son of a Badman received better reviews than usual, by virtue of the clever screenplay by Ron Ormond and Ira Webb and the top-flight supporting cast. ~ Hal Erickson, All Movie Guide

The siblings of the title are Tim Holt and Steve Brodie. Holt is the good guy (after all, the film was part of Holt's RKO western series), while younger brother Brodie is the hotheaded troublemaker. The film offers a wealth of fistfights, gun duels and pursuits on horseback, as well as a dash of romance. Holt doesn't get a leading lady--at least not at first--but Brodie's fiancee is played by newcomer Virginia Cox. Brothers in the Saddle was the third Tim Holt vehicle to be directed by western specialist (and future minor cult figure) Lesley Selander. ~ Hal Erickson, All Movie Guide

The "Rose," we suppose, is Myrna Dell, because it sure as heck ain't leading man Steve Brodie. Brodie plays a US Army officer sent to Alaska to investigate reports of the appearance of a supposedly dead man. Upon arriving in the Great White North, Brodie locates his man (William Wright), a disgraced officer wanted for murder. A dog-sled race evolves into a life-and-death chase, but Brodie collars his quarry. Myrna Dell shows up principally to show a lot of decolletage in a saloon gal getup and to warble the film's only song. ~ Hal Erickson, All Movie Guide

For some reason, whenever Universal used the word "Gal" in a film's title, Yvonne de Carlo usually headed the cast. In Gal Who Took the West, de Carlo plays Lillian Marlowe, an New York songstress who heads Thataway. She becomes the romantic bone of contention between the feuding O'Hara cousins, Grant (John Russell) and Lee (Scott Brady). The hostilities boil over into an all-out range war, and federal troops are summoned. Can Lillian succeed where other, better-armed negotiators have failed. The lighthearted nature of Gal Who Took the West is underlined by staging the film in flashback, as related by a pair of toothless old codgers (Clem Bevans and Houseley Stevenson). ~ Hal Erickson, All Movie Guide

Samson and Delilah is Cecil B. DeMille's characteristically expansive retelling of the events found in the Old Testament passages of Judges 13-16. Victor Mature plays Samson, the superstrong young Danite. Samson aspires to marry Philistine noblewoman Semadar (Angela Lansbury), but she is killed when her people attack Samson as a blood enemy. Seeking revenge, Semadar's younger sister Delilah (Hedy Lamarr) woos Samson in hopes of discovering the secret of his strength, thus enabling her to destroy him. When she learns that his source of his virility is his long hair, Delilah plies Samson with drink, then does gives him the Old Testament equivalent of a buzzcut while he snores away. She delivers the helpless Samson to the Philistines, ordering that he be put to work as a slave. Blinded and humiliated by his enemies, Samson is a sorry shell of his former self. Ultimately, Samson's hair grows back, thus setting the stage for the rousing climax wherein Samson literally brings down the house upon the wayward Philistines. Hedy Lamarr is pretty hopeless as Delilah, but Victor Mature is surprisingly good as Samson, even when mouthing such idiotic lines as "That's all right. It's only a young lion". Even better is George Sanders as The Saran of Gaza, who wisely opts to underplay his florid villainy. The spectacular climax to Samson and Delilah allows us to forget such dubious highlights as Samson's struggle with a distressing phony lion and the tedious cat-and-mouse romantic scenes. ~ Hal Erickson, All Movie Guide

In this provocative drama, a stern hard-liner judge commits euthanasia to save his terminally ill wife from further suffering. He decides to kill her by driving the both of them off a cliff. He succeeds in ending her pain, but unfortunately he survives and ends up turning himself in with a full confession. Now it is up to his brilliant lawyer to defend him. He not only justifies the old judge's actions, he also proves that the wife took a fatal dose of poison before getting in the car; therefore she committed suicide. The judge is freed and returns to his courtroom where he oversees his cases with considerably more sympathy and understanding than he did before. ~ Sandra Brennan, All Movie Guide

In this the final Hopalong Cassidy Western, Hoppy (William Boyd), California Carlson (Andy Clyde), and Lucky Jenkins (Rand Brooks) search for the leaders of a counterfeiting ring after receiving a tip from an anonymous source whose signature is a pencil sketch of a comet. In Silver City, they help Nora Murray (Elaine Riley), her brother Sid (William Leicester), and ailing sister-in-law Mary (Joan Barton) get a room at the inn despite the misgivings of hotel (and town) owner Ora Mordigan (James Craven). The latter, needless to say, is the instigator of the counterfeiting scheme, which he operates from the Silver Belle Mine founded by John Murray (Herbert Rawlinson), Nora and Sid's long-lost father. The old man, an engraver by trade, has been kept a virtual prisoner for years, forced to print fake U.S. and Mexican money for Mordigan and his henchmen. With the assistance of undercover Mexican investigator DeLara (Albert Morin) and "the Comet," a local doctor (Joel Friedkin), Hoppy manages to rescue the old man and capture the entire gang. ~ Hans J. Wollstein, All Movie Guide

Regarded by some film buffs as the best of director Leslie Selander's many westerns, Panhandle stars Rod Cameron as an ex-lawman turned gunslinger. He hopes to bury his past and homestead in Texas, but his plans change when his newspaper-reporter brother (John Champion) is killed. Reluctantly, Cameron buckles on his gun belt and heads out for retribution against crooked gambler Reed Hadley. Making his screenwriting debut, Blake Edwards (who also coproduced the film and played a small supporting role) does his best to steer free of cliches, structuring his script in the manner of the detective stories Edwards had been churning out for radio. No mere B picture, Panhandle was permitted to unspool at an "A" length of 84 minutes. To further assure audience approval, Blake Edwards rewrote the ending, in which hero Rod Cameron had originally been killed off. ~ Hal Erickson, All Movie Guide