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Francis McDonald Movies

Blessed with matinee idol looks, an athletic physique, and a generous supply of talent, Francis J. McDonald entered films in 1912 after brief stage experience. A popular leading man of the teen years, McDonald segued into villainous characterizations in the 1920s, notably as the title character in Buster Keaton's Battling Butler (1926). He remained busy during the talkie era, primarily as a mustachioed heavy in "B" westerns and a featured player in the films of Cecil B. DeMille. Francis J. McDonald was at one time the husband of the "ever popular" Mae Busch. ~ Hal Erickson, Rovi
1965  
 
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Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie's great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie's record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie's own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate's long-suffering flunkey Max, Keenan Wynn as Leslie's faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer's The Sweetheart Tree. The Great Race was dedicated to "Mr. Laurel and Mr. Hardy". ~ Hal Erickson, Rovi

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Starring:
Jack LemmonTony Curtis, (more)
 
1964  
 
Scheming Harvey Scott (Tom Tully) has managed to regain control of his mining company while his nephew Rick (Henry Brandt) was in Acapulco, recuperating from an accident. To make certain that Rick doesn't return to the States to restake his claim on the company, Harvey orders his nephew's lovelorn niece Joanna (Anne Whitfield) to keep him occupied in Mexico. Eventually Rick tumbles to this scheme and heads to LA for a showdown. But when Harvey is killed, Rick is nowhere to be found--and Perry Mason (Raymond Burr) finds himself defending poor Joanna on a murder charge. ~ Hal Erickson, Rovi

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1959  
 
While on the road to Denver, gallant Bart (Jack Kelly) rescues the beautiful Linda Burke (Joanna Moore) from a runaway horse. Upon reaching his destination, Bart discovers that Linda has helpfully sent word that he is a topnotch gambler. And apparently that's not all Linda has told the townsfolk; before the episOde is half over, our hero has been framed for murder. Watch for Stacy Keach Sr., father of the contemporary character actor (and creator of the classic radio series Tales of the Texas Rangers), in a supporting role. ~ Hal Erickson, Rovi

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1959  
 
The lush romanticism of director Frank Borzage (Seventh Heaven, Street Angel) is subsumed by the plodding reverence of producer Rowland V. Lee's screenplay (co-written with Howard Estabrook), based on the best-selling novel by Lloyd C. Douglas. Howard Keel stars as a stalwart Simon-Peter, the apostle of Christ called "the fisher of men" and the "Rock" upon whom the Christian Church was founded. The film, on the surface, deals with Simon-Peter's conversion from a self-sufficient fisherman to a believer in the inspirational teachings of Christianity. Simon-Peter also serves the needs of the real story: how Simon-Peter succeeds in joining together two lovers from the other side of the tracks. John Saxon is Voldi, an Arab prince who wants to follow in his father's footsteps as the chief of an Arab tribe and marry his beloved, Fara (Susan Kohner). But Fara, wants to see her father, Herod Antipas (Herbert Lom), dead for the misery he has inflicted upon her mother -- abandoning her for the lustful Herodias (Martha Hyer). When Voldi and Fara hear the teachings of Christ, they realize that their love must be put in abeyance to their Christian beliefs. ~ Paul Brenner, Rovi

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Starring:
Howard KeelSusan Kohner, (more)
 
1959  
 
The business partnership of Harry Bright (R.G. Armstrong) and Chuck Clark (William H. Wright)--and their lifelong friendship--comes to an abrupt end when Chuck marries the much-younger Margaret Roper (Nan Leslie). Harry regards Margaret as nothing but a cheap gold-digger, and is not too careful about telling everyone what he thinks of her. As a result, Harry is arrested when Margaret turns up murdered. Taking Harry's case, Perry (Raymond Burr) soon finds that there are quite a few people who like to have seen Margaret dead. Stafford Repp, aka "Chief O'Hara" on the 1960s version of Batman, appears in a small role. ~ Hal Erickson, Rovi

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1958  
 
Saga of Hemp Brown gets under way when the title character (Rory Calhoun) is court-martialed and booted from the Cavalry. Brown is accused of permitting his men to walk into a deadly ambush; he knows he's innocent, and he spends the rest of the picture tracking down the real culprit. Joining a travelling medicine show, Brown falls in love with pretty snake-oil peddler Mona Langley (Beverly Garland). She is instrumental in helping Brown corner the mastermind behind the ambush (whose identity must remain secret in this paragraph). As a western, Saga of Hemp Brown is more of the same; the film's greatest strength is the unstressed rapport between stars Rory Calhoun and Beverly Garland. ~ Hal Erickson, Rovi

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Starring:
Rory CalhounBeverly Garland, (more)
 
1958  
 
In this western, an embittered cavalry sergeant must take over his regiment after their commanding officer is killed during an ambush. To save them, he leads the troop through Apache territory because it is the quickest way to reach the fort. The members of the regiment do not trust their new leader's reasoning. They suspect he is taking them through the restricted territory so that he can get revenge upon the Apaches who killed his wife and kids several years ago. The troop find themselves suffering a series of increasingly deadly attacks. Many die, until the soldiers, believing that the sergeant has lost his mind, rebel and kill him. ~ Sandra Brennan, Rovi

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Starring:
Joel McCreaForrest Tucker, (more)
 
1958  
 
Roy Carter (Scott Marlowe) will hang for murder unless Paladin (Richard Boone) can reach the prison in time with news that another man has confessed. Even so, the prison's vengeful warden refuses to enact a stay of execution. It takes the combined efforts of Paladin and prison chaplain Robert April (John Larch) to see that justice is done. Without giving away the ending, it can be noted that the character of Roy Carter would reappear in a later episode, enacted on that occasion by Clu Gulager. ~ Hal Erickson, Rovi

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1957  
 
In this western, a good man becomes an outlaw after his stagecoach mail business falls to the faster railroad mail. To save his livelihood, the fellow literally attempts to derail his competitor. ~ Sandra Brennan, Rovi

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1957  
 
Lensed in Republic's widescreen Naturama process, this modest little western would seem to be better suited to a standard-ratio screen. After a four-year absence, Johnny Shattuck (Ben Cooper) returns home to find that ex-rustler Dean Cannary (Jim Davis) has his eyes on the Shattuck family farm. To force Johnny off the property, Cannary has fenced off a formerly accessible water hole. Unable to best Cannary through legal means, Johnny reluctant prepares for a one-on-one showdown. Top billing in Duel at Apache Wells is bestowed upon Anna Maria Alberghetti, making her first dramatic, nonsinging film appearance. ~ Hal Erickson, Rovi

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Starring:
Anna Maria AlberghettiBen Cooper, (more)
 
1957  
 
George Montgomery stars in Pawnee as Paul, a white man raised by Indians. Upon attaining adulthood, Paul finds himself rejected by both the Pawnee tribe and the white community. He manages to attain a job as a wagon train scout, but even in this position of respect and authority he is treated with hostility and suspicion. When Wise Eagle (Ralph Moody), the Pawnee chief who raised Paul as his own son, dies, the tribe is taken over by Paul's lifelong enemy Crazy Fox (Charles Horvath). Thus, when the wagon train is attacked by Indians, Paul has no qualms about aligning himself with the passengers. Featured in the cast as Dancing Fawn is Charlotte Austin, the cult-favorite star of such horror cheapies as The Man Who Turned to Stone. ~ Hal Erickson, Rovi

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Starring:
George MontgomeryBill Williams, (more)
 
1957  
 
Martha Bradford (Nancy Gates) was blissfully unaware that her husband Joe (Bruce Cowling) is leading a double life until she meets a woman named Rita (Doris Singleton), who insists that she is Mrs. Joe Bradford. Soon afterward, Joe is found murdered, and Rita's fingerprints are found at the scene. The dilemma facing Perry Mason (Raymond Burr): did his client Martha kill Joe, or is Wife Number Two the guilty party--or neither of the above? This episode is based on a 1944 novel byPerry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

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1956  
 
The Bowery Boys--Slip (Leo Gorcey), Sach (Huntz Hall) et. al.--are suckered into buying a uranium mine near the western town of Panther Pass. Though the boys find none of the precious mineral, a gang of bad guys, led by Ron Haskell (Harry Lauter), are led to believe that mine is valuable. The crooks try to chase our heroes off their property, but before long the tables are turned, and the film wraps up with a zany jeep pursuit. Director Edward Bernds and screenwriter Elwood Ullman reuse several old Three Stooges gags in Dig That Uranium, including the poker game routine from the Stooges' Out West (1947). The film's best bit is an extended parody of High Noon, replete with really slow bullets. Incidentally, the doofus who sells the boys the uranium mine in the opening scene is none other than Carl "Alfalfa" Switzer. Filmed at Iverson's Ranch in the San Fernando Valley, Dig That Uranium was the final "Bowery Boys" outing for Bernard "Louie Dumbrowski" Gorcey, who died in a traffic accident shortly after filming was completed. ~ Hal Erickson, Rovi

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Starring:
Leo GorceyHuntz Hall, (more)
 
1956  
 
Raw Edge is a modest Universal western from the peak of the double-feature era. Rory Calhoun plays a rancher whose "equal opportunity" hiring policies backfire. Calhoun learns that several of his ranch hands plan to kill him and take over the property. The treacherous employees further intend claim Calhoun's widow-to-be (Yvonne de Carlo) along with the ranch. Mara Corday plays the other woman in Calhoun's life: Can she, or anyone else in this picture, be trusted? While the plotline of Raw Edge has its esoteric moments, the film is brought down to earth by the perfunctory direction of John Sherwood. ~ Hal Erickson, Rovi

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Starring:
Rory CalhounYvonne De Carlo, (more)
 
1956  
 
Thunder over Arizona was the second Republic feature to be lensed in the shortlived Naturama widescreen process. Running a compact 75 minutes, the film is motivated by greed. The hero of the proceedings is Tim Mallory (Skip Homeier), an easygoing cowboy who is mistaken for a notorious gunman. Before he can clear up the misunderstanding, Tim has fallen in with group of corrupt local officials, who intend to wrest control of a valuable silver mine from its rightful owner, pretty Fay Warren (Kristine Miller). For a while, it seems as though the "good guy" is actually one of the villains, but appearances are deceiving. The film's subtext-that lust for wealth can destroy the souls of otherwise decent people-is cleverly if unsubtly woven into the proceedigns. ~ Hal Erickson, Rovi

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Starring:
Skip HomeierKristine Miller, (more)
 
1956  
G  
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Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, Rovi

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Starring:
Charlton HestonYul Brynner, (more)
 
1955  
 
While John Ford and Howard Hawks received all the critical plaudits, Lesley Selander quietly went about his business directing some of the best westerns of the 1950s. In Selander's Shotgun, deputy sheriff Clay (Sterling Hayden) embarks upon a long, vengeful journey to track down Thompson (Guy Prescott), the man responsible for his boss' murder. Packing a sawed-off, double-barrelled shotgun for this purpose, Clay also carries a rifle and sixgun for such "lesser" threats as marauding Indians. Rescuing half-breed Abby (Yvonne de Carlo) from certain death, Clay takes her along on his manhunt, and later the two travellers are joined by bounty hunter Reb (Zachary Scott), who intends to get to Thompson first to collect the reward on the fugitive's head. Naturally, a bitter romantic triangle arises involving Clay, Abby and Reb, but this is briefly set aside when Thompson is finally cornered. ~ Hal Erickson, Rovi

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Starring:
Sterling HaydenZachary Scott, (more)
 
1955  
 
Aging Indian Chief Okatee (Ralph Moody) is in danger of being exiled by his tribe because of his inability to bring rain to his drought-stricken people. Superman (George Reeves) lends a helping hand by guiding Okatee through a grueling gauntlet--a test of strength and courage--that will enable him to maintain his power. And as for the rain? Well, fear not: Superman may have something up his sleeve to solve that problem as well. ~ Hal Erickson, Rovi

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1954  
 
Three Hours to Kill is a "message" Western that manages to entertain without preaching. Jim Guthrie (Dana Andrews), unjustly accused of murder, is forced out of town by an angry mob. After several tough years living off the land, Guthrie returns to clear his name. Fearing that Guthrie is out for blood, the townsfolk arrange a "necktie party." The one person who might show some compassion is ex-fiancée Laurie Mastin (Donna Reed), who'd been left pregnant by Guthrie and had married another man on the rebound. But Laurie's brother was the murder victim, so she's just as determined to rid the world of Guthrie as everyone else. With the help of sympathetic Chris Plumber (Dianne Foster), Guthrie traps the real murderer. The mentality of mob rule is exposed for all its ugliness in Three Hours to Kill, ironic in that real-life Hollywood had been governed by mob pressure to enforce the Blacklist during the same period. ~ Hal Erickson, Rovi

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Starring:
Dana AndrewsDonna Reed, (more)
 
1954  
 
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Randolph Scott is tall in the saddle once more in the Scott-Brown production Ten Wanted Men. The star is cast as John Stewart, who attempts to establish law and order on his vast Arizona spread without resorting to violence. Less peacefully inclined is Stewart's chief rival Wick Campbell (Richard Boone), who believes that might is right. To this end, Campbell recruits the services of hired gun Frank Scavo (Leo Gordon) and eight other pluguglies to drive all competition out of the territory. Jocelyn Brando costars as the woman in Stewart's life, while Donna Martell plays Campbell's much-abused mistress. Also registering well is Skip Homeier as Stewart's resentful nephew, who'd rather be anywhere else but Arizona. Ten Wanted Men might have been better had Budd Boetticher handled the direction instead of the competent but pedestrian H. Bruce Humberstone. ~ Hal Erickson, Rovi

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Starring:
Randolph ScottJocelyn Brando, (more)
 
1953  
 
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Randolph Scott makes his 3-D debut in the stereoscopic western Stranger Wore a Gun. This time, Scott plays Jeff Travis, a former spy for Quantrill's Raiders. When he heads to Arizona to start life anew, Travis finds that his reputation has preceded him: crooked Jules Mourret (George Macready) hires him to monitor a series of gold shipments, in preparation for a major robbery. Eventually, Travis falls in love with Shelby Conroy (Joan Weldon), daughter of freight-line operator Jason Conroy (Pierre Watkin), and decides to turn honest. That won't be easy: in addition to the surly Mourret, Travis must deal with such formidable movie heavies as Alfonso Bedoya, Lee Marvin and Ernest Borgnine. Also on hand is Claire Trevor, in a soft-pedalled variation of her role in John Ford's Stagecoach. Stranger Wore a Gun was directed by Andre DeToth, whose previous foray into 3D had been the box-office smash House of Wax. ~ Hal Erickson, Rovi

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Starring:
Randolph ScottClaire Trevor, (more)
 
1953  
 
Bandits of Corsica was also released as The Return of the Corsican Brothers. Bearing only the faintest resemblance to the Alexandre Dumas original, the film stars Richard Greene in the dual role of good brother Mario and his evil twin Lucien. Mario leads his fellow Corsicans in a revolt against the despotic Jonatto (Raymond Burr). Meanwhile, Lucien beats his brother's time at home by making love to his brother's wife (Paula Raymond). He also intends to see Mario dead, even though he feels his brother's pain--literally--at every juncture. Way down near the bottom of the cast list was Clayton Moore, who was between episodes of TV's The Lone Ranger. ~ Hal Erickson, Rovi

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Starring:
Richard GreenePaula Raymond, (more)
 
1952  
 
Lesley Selander took time off from his directorial duties on Tim Holt's RKO western series to helm the Monogram oater Fort Osage. Rod Cameron stars as frontier scout Tim Clay, assigned to guide a wagon train through Indian territory. Clay knows that he's in for a lot of trouble because of the treaty-violating activities of white criminals Pickett (Morris Ankrum) and Keane (Douglas Kennedy). Fortunately for the hero, Pickett and Keane double-cross each other somewhere along the line, weakening their ability to foment an all-out Indian attack. Jane Nigh co-stars as the in-the-dark daughter of one of the villains. Fort Osage was produced by Walter Mirisch, who later graduated to such big-budgeters as West Side Story and The Great Escape. ~ Hal Erickson, Rovi

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Starring:
Rod CameronJane Nigh, (more)
 
1952  
 
The original title for Rancho Notorious was Chuck-a-Luck, which is also the title of the soundtrack ballad (written by Ken Darby) which unifies the plotline, à la High Noon. Frontiersman Vern Haskell (Arthur Kennedy) wanders throughout the West in search of the man who robbed and murdered his fiancée. He is told that he'll probably find the culprits at Chuck-a-Luck, a combination horse ranch and criminal hideout overseen by saloon chanteuse Altar Keane (Marlene Dietrich). To gain entrance to Chuck-a-Luck, Haskell poses as an escaped prisoner. Keane warns him that the ranch has only one rule: "Don't ask questions." Still, he has ways of finding things out. Haskell is compelled to keep up his charade when the dirty denizens of Chuck-a-Luck plan a big bank holdup, but this has the result of exposing the killer of his girl. Director Fritz Lang had a rough time with RKO head Howard R. Hughes, who insisted upon making changes in the film that might have hurt it irreparably. The biggest argument centered over the title; Hughes complained that no one overseas would understand the meaning of Chuck-a-Luck, whereupon Lang riposted sarcastically that "I'm sure that everyone will understand Rancho Notorious." One of the principal villains was Lloyd Gough, but you'd never know it from the opening titles; Hughes, incensed that Gough had refused to testify at the HUAC "witch hunt," ordered that the blacklisted Gough's name be removed from the credits. ~ Hal Erickson, Rovi

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Starring:
Arthur KennedyMarlene Dietrich, (more)
 
1952  
 
It's always a pleasure to see ace western director Leslie Selander in action, and Riders of Vengeance is no exception. Originally released as The Raiders, this Universal programmer stars Richard Conte as a miner who leads an expedition of his compatriots to the California Gold Rush. Crooked Morris Ankrum sets about to cheat Conte and his friends out of their claims. The good guys stage a counteroffensive with the help of Mexican miner Richard Martin. Viveca Lindfors once more brings intelligence and charm to a two-dimensional role. Watch for future Gunsmoke star Dennis Weaver as "Logan". ~ Hal Erickson, Rovi

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Starring:
Richard ConteViveca Lindfors, (more)