Roman Paul Movies

Director Ari Folman's animated, quasi-documentary Waltz With Bashir follows the filmmaker's emotional attempt to decipher the horrors that unfolded one night in September of 1982, when Christian militia members massacred more than 3,000 Palestinian refugees in the heart of Beirut as Israeli soldiers surrounded the area. Folman was one of those soldiers, but nearly 20 years after the fact, his memories of that night remain particularly hazy. After hearing an old friend recall a vivid nightmare in which he is pursued by 26 ferocious dogs, Folman and his friend conclude that the dream must somehow relate to that fateful mission during the first Lebanon War. When Folman realizes that his recollections regarding that period in his life seem to have somehow been wiped clean, he travels the world to interview old friends and fellow soldiers from the war. Later, as Folman's memory begins to emerge in a series of surreal images, he begins to uncover a truth about himself that will haunt him for the rest of his days. ~ Jason Buchanan, All Movie Guide

Said (Kais Nashef) is a young Palestinian living in Nablus, and working as a mechanic. He gets his friend Khaled (Ali Suliman) a job, but the hot-tempered and impulsive Khaled quickly loses it. Suha (Lubna Azabal), a pretty, well-traveled young woman and the daughter of a well-known "martyr," brings her car in to be fixed, and flirts with Said. He's clearly interested in her, so much so that he continues to think of her when he's approached later that day by Jamal (Amer Hlehel), who tells him that he's been selected for an important mission, a suicide bombing in Tel Aviv, and that Khaled will be joining him, as they had requested. That night, Jamal stays with Said at his mother's (Hiam Abbass) house, while another man stays with Khaled. Said sneaks off during the night to bring Suha her car keys, and has a brief discussion with her about her father's death, and what options the Palestinians have in their dealings with Israel. Said doesn't tell her the real reason for his visit: he's saying goodbye. The next morning, as scheduled, Said and Khaled are given neat haircuts and suits. They each make a video explaining to their families why they've chosen this path. Explosives are strapped on, and they are warned that trying to remove the belts themselves will result in detonation. When they're brought to a hole in the fence surrounding Nablus, they are intercepted by Israeli troops. Khaled and Said flee, and get separated. Said is left on his own. Paradise Now was co-written and directed by Hany Abu-Assad (Rana's Wedding, Ford Transit). A hit on the festival circuit, it was selected for inclusion in the 2005 New York Film Festival by the Film Society of Lincoln Center. ~ Josh Ralske, All Movie Guide