Jean-Pierre Léaud Movies

Titled after the name of a little girl's dress size, the coming-of-age drama 36 Fillette follows a couple days in the life of 14-year-old Lili (Delphine Zentout), whose physically mature features contrast with her immature adolescent angst. Away from her home in Paris, she is painfully bored during a summer vacation in a windy little campground near the resort town of Biarritz. She's stuck with her emotionally unavailable parents (Adrienne Bonnet and Jean-Francois Stevenin) and older brother J.P. (Stephane Moquet). After some blatant begging on her part, J.P. eventually agrees to take her out to a disco. They don't have a car, so they hitch a ride from the middle-aged Maurice (Etienne Chicot), who is out cruising in his sports car. Maurice and J.P. go to a disco, but Lili is too young to get in. She spends the evening at a café talking to the celebrity musician Boris Golovine (Jean-Pierre Leaud), but she agrees to meet Maurice for a date at midnight. After much pleading with the doorman, Lili is allowed in to the disco where she dances with Maurice. Eventually, she leaves the club with him and spends the evening in his fancy hotel room. 36 Fillette was written and directed by Catherine Brelliat, who adapted the screenplay from her own semi-autobiographical novel. ~ Andrea LeVasseur, All Movie Guide

Louise (Elizabeth Bourgine) is a young woman working at a publishing house who develops an unusual affection for submitted manuscript. She breaks up with Serge (Philippe Leotard), the printer who loves her. Louise tells the heartbroken Serge she has fallen in love with the author whom she has never met or even seen. She travels to New York to hunt down the elusive author and ends up in a remote farmhouse in Vermont, where she is greeted by Norma (Anna Massey), the mother of the elusive author. The two women wait for his return in this psychological drama that later becomes a thriller. ~ Dan Pavlides, All Movie Guide

In a standard tale of intrigue and foul play, Michel Sauvage (Lambert Wilson) has just gotten away with murder and is now marrying rich heiress Ariane (Ingrid Held) in hopes of taking all she's worth. Unfortunately for Michel, the murder victim's hard-fisted, tippling neighbor Madam Krantz (Danielle Darrieux in a great comic performance) has just blown into Paris with the intention of tracking down the killer. On one hand, Michel has to defend himself from her prying, and on the other, protect his wife's fortune from the increasingly attractive and avaricious Helene, Ariane's half-sister (Dominique Sanda). ~ Eleanor Mannikka, All Movie Guide

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and even death (The Green Room). Of lesser notice in this documentary is the life of the man himself. There are some scenes of his receiving an award or two and some interview footage, but nothing extensive. ~ Eleanor Mannikka, All Movie Guide

This anthology is comprised of six vignettes made by different Noveau Vague filmmakers. Each short film centers on a different aspect of Parisian life. The films and their directors include: J'ai Faim, J'ai Froid by Chantal Akerman; Place Clichy by Bernard Dubois; Rue Fontaine by Philippe Garrel; Rue Du Bac by Frederic Mitterand; Paris Plage by Vincent Nordon, and Canal Saint-Martin by Philippe Vernault. ~ Sandra Brennan, All Movie Guide

The time is WW II in the Emilia-Romagna countryside in Italy, and an American pilot's plane has just broken down near the farmhouse of a middle-aged widow, Francesca (Mariangela Melato) and her three young daughters. The widow has recently come back to her family's land and is picking up where she left off with long-lost friends and neighbors. The downed pilot, Ray (Anthony Franciosa), finds a safe refuge in the widow's farmhouse -- he needs a place to hide until the war ends and it is safe for him to join his military unit. Ray's presence brings out the wild dreams Francesca and her daughters and friends have had about a magical America, a country celebrated in song and dance -- not just in American films, but right there in the farmhouse and its vicinity. Ray is regaled with hearty interpretations of "Pennies from Heaven" and "Jeepers Creepers", and the neighbors and daughters have a riotous good time with the dancing and singing. In-between the light-hearted portrayal of America and its image, Francesca begins to fall in love with Ray, while suffering her own personal anguish as she tries to hide the death of her husband from her three daughters by saying he is in America. ~ Eleanor Mannikka, All Movie Guide

In a deliberately erratic and disjointed fashion, this film follows the adventures of Bernard (Jean-Pierre Leaud). A young man from the provinces, he makes his pilgrimage to Paris and seeks adventure while living on a barge. ~ Clarke Fountain, All Movie Guide

Known to English-speaking audiences as Day for Night, La nuit américaine was director François Truffaut's loving and humorous tribute to the communal insanity of making a movie. The film details the making of a family drama called "Meet Pamela" about the tragedy that follows when a young French man introduces his parents to his new British wife. Truffaut gently satirizes his own films with "Meet Pamela"'s overwrought storyline, but the real focus is on the chaos behind the scenes. One of the central actresses is continually drunk due to family problems, while the other is prone to emotional instability, and the male lead (Truffaut regular Jean-Pierre Leaud) starts to act erratically when his intermittent romance with the fickle script girl begins to fail. In addition to all this personal drama, the film is besieged by technical problems, from difficult tracking shots to stubborn animal actors. The inspiration for future satires of movie-making from Living in Oblivion to Irma Vep, La nuit américaine was considered slight by some critics in comparison to earlier Truffaut masterworks, but it went on to win the 1973 Oscar for Best Foreign Film. ~ Judd Blaise, All Movie Guide

Among the great François Truffaut films, Two English Girls is likely the least known. Its story of a romantic triangle inevitably invites comparison to Truffaut's Jules and Jim, and not surprisingly, as both are based on novels by Henri-Pierre Roche (the only two novels Roche authored). Truffaut regular Jean-Pierre Leaud is Claude, the Frenchman who on a turn-of-the-century trip to Wales with his mother meets the Brown sisters, Anne (Kika Markham) and Muriel (Stacey Tendeter). Anne is a sculptress and more outgoing than Muriel, who is a teacher. Over the next 20 years, affections between Claude and the sisters shift, but consummation of any romantic feelings is often blocked by distance, a pair of very strong-willed mothers, and the conventions of the time. Claude becomes an art critic, and the trio each has to express blocked passions in his or her work. Disappointed by the mild reception that greeted the original version of the film, Truffaut determined to restore over 20 minutes of footage to the film, a project he completed just before he died in 1984. The posthumously released, full-length version rounds out the characters and their motives and makes Two English Girls worthy of comparison to The 400 Blows, Jules and Jim, and Day for Night in the Truffaut filmography. ~ Tom Wiener, All Movie Guide

This disturbing story of religious and political confusion in Latin America finds the CIA trying to infiltrate rebels loyal to a puppet government. A local guerilla fighter is tortured by a priest and his cronies who take sadistic pleasure in the torment of their victims. A blonde woman loyal to a shadowy operative is stripped naked, thrown in a cage and crucified by the sinful and sadistic spiritual scum. The guerilla eventually escapes to exact revenge on the enemy. ~ Dan Pavlides, All Movie Guide