Phyllis Lyons Movies
Shot in 33 days, this $9.6 million biographical drama of behind-the-scenes interactions within the Rat Pack group of Frank Sinatra (Ray Liotta), Dean Martin (Joe Mantegna), and Sammy Davis Jr. (Don Cheadle) is set against the political backdrop of the '60s, establishing links of singers, gangsters, actors, and politicans (sometimes brushing shoulders in the same rooms). The film also explores Sinatra's relationship with John F. Kennedy (William Peterson). Deciding to support Kennedy, Sinatra patches up his feud with Peter Lawford (Angus Macfadyen), since Lawford's wife, Pat (Phyllis Lyons) is JFK's sister -- and a Sinatra-Kennedy friendship soon follows. However, when Joe Kennedy (Dan O'Herlihy) decides Sinatra's nightclub, mob and commie connections are a no-no for JFK, the patriarch's interference angers Sinatra. Meanwhile, Sammy Davis Jr. enters into an interracial liaison with May Britt (Megan Dodds), and the dynamics of the situation are visualized in an imaginative musical fantasy sequence in which Davis sees himself singing and dancing for an unresponsive line of white supremacists. Broadway's Savion Glover stepped in with the film's choreography. Substitute singers featured the voice of Michael Dees for Sinatra and Mantegna duplicating Dino. Also covered here are the events that led to the filming of Ocean's Eleven (1960). For an actual Rat Pack stage performance, see The Rat Pack Captured (1965). Filmed in LA, the TV movie premiered August 22, 1998 on HBO. ~ Bhob Stewart, Rovi
- Starring:
- Ray Liotta, Joe Mantegna, (more)
- 1997
In their efforts to elude Jamie's (Helen Hunt) baby shower, Paul (Paul Reiser) and Ira (John Pankow) pile into the van owned by Ira's right-hand man, Marvin (Jeff Garlin), and drive off for parts unknown. At first, it seems as if the fugitive trio will be able to get in some good old-fashioned male bonding. Alas, Paul's quirky sense of humor lands everyone in big, big trouble. ~ Hal Erickson, Rovi
The compilation film If These Walls Could Talk consists of three short films that each deal with the controversial issue of abortion. Although each of the stories is set in a different decade, the unifying element (aside from the subject matter) is that all three transpire in the same house. The first story stars Demi Moore as the widow of a soldier killer in combat. She becomes pregnant and does not feel it would be morally appropriate to have the baby. Because it is the '50s, she must attempt to secure an illegal abortion. The second story, set in the '70s, stars Sissy Spacek as a mother of a struggling family. Having successfully raised four children on a meager income, Spacek's character must now decide if she should seek an abortion after finding out she is expecting a fifth. The final story takes place in the '90s. Anne Heche portrays a grad student who crosses protestors' picket lines in order to consult a doctor (Cher) about having an abortion. The first two parts, "1952" and "1974," were directed by Nancy Savoca, and the last part, "1996," was helmed by Cher, in her directorial debut. If These Walls Could Talk aired originally on HBO. ~ Perry Seibert, Rovi
- 1995
When Benton (Eriq La Salle) breaks his hand in a parking-lot fracas, Carter (Noah Wyle) must replace him in surgery. Greene (Anthony Edwards) is forced to mediate in the ongoing battle of wills between Lewis (Sherry Stringfield) and Weaver (Laura Innes), and also tends to the needs of an elderly, abandoned woman (Celia Kushner). And outside the walls of the ER, paramedic Shep (Ron Eldard) again puts his life on the line. This ER episode originally aired on the same evening that the heavily promoted ABC series Murder One debuted, leading observers to wonder which series would pull the biggest audience (guess who won). ~ Hal Erickson, Rovi
- 1995
- PG13
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The brief, illicit love affair between an Iowa housewife and a post-middle-age free-lance photographer is chronicled in this powerful romance based on the best-selling novella by Robert James Waller. The story begins as globetrotting National Geographic photographer Robert Kincaid journeys to Madison County in 1965 to film its lovely covered bridges. Upon his arrival, he stops by an old farmhouse to ask directions. There he encounters housewife, Francesca Johnson, whose spouse and two children are out of town. Thus begins their four-day affair, a liaison that fundamentally changes them both. Later Francesca chronicles the affair in a diary which her flabbergasted grown children read; never would they have expected their mother to be capable of the passion she experienced with Kincaid. ~ Sandra Brennan, Rovi
- Starring:
- Clint Eastwood, Meryl Streep, (more)
- 1993
- PG13
Based on a true event, this is the account of the Buttafuoco couple, whose names were splattered all over the media in the early '90s after the alleged teen-aged playmate of Mr. B., Amy Fischer (who claimed it was Mr. B's will), shot Mrs. B in the head (though the latter miraculously lived). This particular perspective claims that Amy acted of her own free will and Mr. B never had an affair with her (only vaguely flirted) nor did he in any way encourage her to make an attack on his wife. CBS paid the Buttafuocos $300,000 for their story. ~ Kristie Hassen, Rovi
- Starring:
- Alyssa Milano, Jack Scalia, (more)
- 1993
Made for television, the two-part, four-hour Love, Honor and Obey: The Last Mafia Marriage is the true story of "mob wife" Rosalie Profaci Bonanno, here played by Nancy McKeon. Inasmuch as the teleplay is based on Ms. Bonanno's memoirs, it is perhaps understandable that she casts herself as an innocent bystander in the ongoing saga of Mafia activity in the United States, totally ignorant (at least at first) as to how her father Joe Profaci (Tomas Milian) and his chief mob rival Joseph Bonanno (Ben Gazzara) support themselves and their families. It is further suggested that Rosalie is completely in the dark concerning the mob connections of her husband Bill (Eric Roberts), Joe Bonanno's son; after all, how could anything be amiss when the Pope Himself calls to congratulate the bride and groom? Ultimately Rosalie sees the light when her husband enters a war against opposing mob families, and is subsequently thrown in prison. The rest of the story chronicles how Rosalie struggles to escape the onus of "Mafia princess", seeking out honest, mainstream work to take care of herself and her children. Love, Honor and Obey: The Last Mafia Marriage originally aired Mary 23 and 25, 1993 on CBS. ~ Hal Erickson, Rovi
