Ken Lynch Movies

Supervised by Elliot Roosevelt, The Roosevelt Story is an odd, dogmatic combination of newsreel footage and low-key dramatizations. Opening with the funeral of President Franklin Roosevelt in April of 1945, the film flashes back to Roosevelt's privileged childhood, his marriage to cousin Eleanor, his WWI activities as Secretary of the Navy, his crippling bout with infantile paralysis, his political comeback in 1922, and his ultimate ascension to the White House in 1933. Scenes of FDR's New Deal in action are followed by his national leadership in the dark days of WWII, and his ultimate death by cerebral hemorrhage during his fourth term in office. All of this is narrated by a "typical" American cabdriver, played by Kenneth Lynch, who is supposed to be the Voice of the People. In a similar vein, "The Depression" is personified by actor Canada Lee, while "The Opposition" is represented by Ed Begley. Occasionally corny and obvious, The Roosevelt Story is overall a worthy tribute to one of the 20th century's most significant figures. ~ Hal Erickson, All Movie Guide

It has now become a film-review clich to preface a write-up for I Married a Monster From Outer Space with the cautionary "Don't be misled by the title." The fact remains, however, that this one of the better and more intelligent horror outings of the late 1950s. The "I" of the title is Marge Farrell (Gloria Talbott), who can't help noticing that her husband Bill (Tom Tryon) has been acting very strangely since their dark-and-stormy wedding night. For one thing, the formerly demonstrative Bill behaves listlessly, as though possessing no emotions whatsoever; for another, though he spends much of his free time at Grady's Bar, Bill never takes a drink (now that is weird!) It isn't long before Marge discovers that Bill, along with several of his male friends, have been taken over by aliens from the Andromeda Nebula, who have arrived on earth to replenish their species. There's only one flaw to this plan: the aliens are unable to procreate! Once the authorities are alerted, a posse of non-possessed men attack the alien spaceship, paving the way for the not-altogether-predictable finale. ~ Hal Erickson, All Movie Guide

Produced at Republic Studios during that western-film factory's twilight years, Man or Gun stars MacDonald Carey as a drifter named Maybe Smith. Before he gets a chance to say "Like sands through the hourglass...", Smith gets mixed up in the lives of several timorous townsfolk, who suffer the despotic excesses of a powerful ranching family. James Craig plays Pinch Corley, the meanest member of the clan (Admit it now: you've never seen any other movie with characters named Maybe and Pinch) The title derives from Maybe's quandary over whether to take on the Corleys with his fists or with his gun. Man or Gun takes its sweet time (79 minutes' worth) allowing Maybe Smith to work out his problem. ~ Hal Erickson, All Movie Guide

In this sensitive drama, a commercial artist is devastated by his tiny daughter's death and takes to drinking to numb the terrible pain. Soon he has become a full-blown alcoholic. His loving wife and caring doctor are unable to help. He wants to stop drinking, but he simply cannot until he meets another alcoholic who is also desperate to stop. Together, they support each other as they withdraw from the debilitating drug. Later the fellow founds an organization designed to help other drunks dry out by offering them the same kind of support he had. ~ Sandra Brennan, All Movie Guide

A distraught man named Carl (Gary Merrill) climbs onto a skyscraper ledge, apparently planning to jump off. Several police officials and psychiatrists show up hoping to talk Carl out of suicide, but he refuses to talk to them, and in fact won't even reveal the reason that he has decided to end it all. Only when Officer Barrett (Mark Richman) arrives on the scene does Carl explain that his wife has recently killed herself after cheating on him with a man named Steve -- but why is Barrett able to succeed where so many others have failed? ~ Hal Erickson, All Movie Guide

The plot and title of Unwed Mother are virtually one and the same. Betty (Norma Moore), the heroine, falls for the smooth line of patter delivered by no-good heel Dona (Robert Vaughan). Pretending to be a man of wealth, Dona convinces country gal Betty to give him her paychecks, promising to pay her back as soon as his inheritance comes through. He also assures her that he'll marry her when the time is right. When Betty becomes pregnant, she learns what the audience has known all along about the prevaricating Dona. After putting her child up for adoption, Betty has second thoughts, and thus spends the final reel chasing after the foster parents who've taken charge of her baby. Unwed Mother was originally released on a double bill with the equally unsubtle Joy Ride. ~ Hal Erickson, All Movie Guide

Paladin (Richard Boone) accepts a job from wealthy Sid Morgan (Denver Pyle), who claims he needs protection from outlaw Howard Gorman (Steve Gravers). While escorting Morgan and his young fiancee Stacy (Jacqueline Scott) to Silver City, Paladin confronts Gorman, who does indeed seem to have a vendetta against Morgan. Only too late does Paladin discover that he and Gorman have been maneuvered into a bloody showdown merely for Morgan's perverse amusement. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

A man claiming to be Australian Bishop Arthur Mallory (Vaughn Taylor) arranges a reunion between orphanage alumnus Carol Delaney (Rebecca Welles) and her millionaire grandfather Charles Burroughs (Carl Benton Reid. Shortly thereafter, Burroughs is murdered and Carol is arrested for the crime. While preparing Carol's defense, Perry Mason (Raymond Burr) unearths some disturbing information about the so-called Bishop. This episode is based on a 1936 novel by Earl Stanley Gardner, which was previously adapted (and considerably rewritten!) as a 1937 theatrical feature with Donald Woods as Mason. ~ Hal Erickson, All Movie Guide

Pork Chop Hill was based on the eyewitness essays of ex-soldier S. L. A. Marshall. The film is set during the Korean "police action." While diplomats argue pointlessly over the shape of the negotiation tables at Panmunjon, United Nations troops bleed and die. Lieutenant Gregory Peck leads a 135-man unit on the attack of the Chinese-held Pork Chop Hill. When reinforcements finally arrive, only 25 of Peck's men survive (and they aren't the usual survivors we've come to expect from earlier, cliché-ridden war films). Among the American troops are such dependable performers as Harry Guardino, Woody Strode, Rip Torn, Barry Atwater, George Peppard, Robert Blake and Martin Landau. Former cowboy-star Bob Steele also shows up briefly as an American general. According to director Lewis Milestone, Pork Chop Hill was cut by nearly twenty minutes because the wife of star Gregory Peck felt that her husband made his first entrance too late into the picture. True or not, the film does show signs of post-production tampering, with flashes of several excised scenes showing up under the main title credits. ~ Hal Erickson, All Movie Guide

Based on the best-selling novel by Robert Traver (the pseudonym for Michigan Supreme Court justice John D. Voelker), Anatomy of a Murder stars James Stewart as seat-of-the-pants Michigan lawyer Paul Biegler. Through the intervention of his alcoholic mentor, Parnell McCarthy (Arthur O'Connell), Biegler accepts the case of one Lt. Manion (Ben Gazzara), an unlovable lout who has murdered a local bar owner. Manion admits that he committed the crime, citing as his motive the victim's rape of the alluring Mrs. Manion (Lee Remick). Faced with the formidable opposition of big-city prosecutor Claude Dancer (George C. Scott), Biegler hopes to win freedom for his client by using as his defense the argument of "irresistible impulse." Also featured in the cast is Eve Arden as Biegler's sardonic secretary, Katherine Grant as the woman who inherits the dead man's business, and Joseph N. Welch -- who in real life was the defense attorney in the Army-McCarthy hearings -- as the ever-patient judge. The progressive-jazz musical score is provided by Duke Ellington, who also appears in a brief scene. Producer/director Otto Preminger once more pushed the envelope in Anatomy of a Murder by utilizing technical terminology referring to sexual penetration, which up until 1959 was a cinematic no-no. Contrary to popular belief, Preminger was not merely being faithful to the novel; most of the banter about "panties" and "semen," not to mention the 11-hour courtroom revelation, was invented for the film. Anatomy of a Murder was filmed on location in Michigan's Upper Peninsula. ~ Hal Erickson, All Movie Guide

Seven Ways from Sundown is a well-wrought western by director Harry Keller, starring Audie Murphy in the title role (his character's "first" name is the same as the title). Young "Seven" is a talented but novice Texas Ranger who is in the process of learning the tricks of the trade from veteran Ranger Sergeant Hennessey (John McIntire). The two are currently hunting down the flamboyant outlaw Jim Flood (Barry Sullivan), crafty enough not only to elude them, but to take a surprise offensive against them as well. In the end, it will take all of "Seven's" abilities to capture the wanted criminal. ~ Eleanor Mannikka, All Movie Guide

When a notorious criminal escapes from the state prison, Mayberry sheriff Andy Taylor (Andy Griffith) and his deputy, Barney Fife (Don Knotts), offer their assistance in tracking down the fugitive. Though the state troopers initially laugh off the bucolic Andy and Barney (especially after Barney not only allows the crook to slip through his fingers, but also gets bound and gagged for his troubles), they soon learn to appreciate Andy's uncanny ability to outguess and outsmart the outlaw. When this episode was originally broadcast on October 10, 1960, the TV Guide listings suggested that the fugitive was none other than town drunk Otis Campbell (Hal Smith), an error the magazine would not make in the future. As a further trivia note, this is the episode which established that Barney is Andy's cousin. "The Manhunt" was written by Jack Elinson and Charles Stewart. ~ Hal Erickson, All Movie Guide