Jerry Lyden Movies

Could the death of a 12-year-old quadriplegic, who suffocated in his own home, have been deliberate? The suspects range from the dead boy's parents to his older sister. Once revealed, the perpetrator claims to have been an angel of mercy -- a statement which might actually be a smokescreen for a "thrill killing." Telecast April 24, 1998, "Burden" was one of the few Law & Order episodes to be seen on a Friday evening, rather than its customary mid-week time slot. ~ Hal Erickson, Rovi

An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, Rovi

Flamboyant window dresser Hollywood Montrose (Meshach Taylor) provides the link between this film and the original Mannequin after the departure of Kim Cattrall and Andrew McCarthy from the cast. Hollywood has now been promoted to the head of Prince & Company's Visual Display Department. He takes on a new assistant, Jason (William Ragsdale) who, in times past, was the dauphin of the kingdom of Hauptmann-Koenig. One thousand years ago, he lost his beloved Jessie (Kristy Swanson) when an evil sorcerer (Terry Kiser) turned her into a wooden icon, now known as the Enchanted Peasant Girl. As a tribute to Hauptmen-Koenig, the Enchanted Peasant Girl is being sent to Prince & Company for a window display. Jason awakens Jessie and the two get re-acquainted, having a millennium of things to catch up on. But the evil sorcerer, now reincarnated as Count Spretzle, arrives on the scene to take Jessie (and a prized necklace) and hop a flight for Bermuda, with Jason the only one who can stop him. ~ Paul Brenner, Rovi