William Lundigan Movies

When Zoë Akins' play The Old Maid (based on a novel by Edith Wharton) won the 1934-1935 Pulitzer Prize, the selection was roundly condemned by critics, who felt that Lillian Hellman's The Children's Hour was more deserving, but had lost because of its lesbian theme. Certainly, Akins' story of the relationship between two Southern cousins in the years between 1833 and 1854 is nothing spectacular. Delia Lovell marries James Ralston, leaving her old beau Clem Spender out in the cold. Delia's cousin Charlotte comforts Clem by spending the night with him. Charlotte becomes pregnant, secretly farming out her daughter, Tina, to another family. The years pass; Charlotte sets up a day nursery so that she may remain close to her daughter (still in the dark as to the true identity of her mother). Meanwhile, Charlotte has become engaged to Ralston's brother Joseph. The troublesome Delia, who discovers her cousin's secret, contrives to prevent Charlotte from marrying Joseph, then arranges to have Charlotte raise Tina as her niece rather than her daughter. More years pass; Tina regards Delia as her mama and Charlotte as just an "old maid." At Tina's wedding, Charlotte almost reveals the truth to her daughter, but.....It's all slick romance-magazine stuff, and hardly worthy of the Pulitzer. On the other hand, the film version of The Old Maid, starring Bette Davis as Charlotte and Miriam Hopkins as Delia, is a classic of its kind, and one of Davis' best vehicles. The story is given additional substance by moving the early scenes up to the time of the Civil War, making Clem Spender (George Brent) less of a cad by killing him off at Vicksburg, thus rendering it impossible for Clem to make an honest woman of Charlotte. From the vantage point of the 1990s, when film stars find it difficult to turn out more than one picture a year, it is incredible that The Old Maid was but one of four first-rate Bette Davis films to be released in 1939; the others were Dark Victory, Juarez, and The Private Lives of Elizabeth and Essex. ~ Hal Erickson, All Movie Guide

This landmark western -- which, along with Stagecoach, has often been credited with revitalizing what had become a stagnant genre -- stars Errol Flynn as Wade Hatton, a cattle man who arrives in the frontier community of Dodge City, which is overrun by footloose cowboys and outlaws. When Hatton helps Dodge City lawmen capture a gang of cattle rustlers led by Jeff Surrett (Bruce Cabot), he's asked to help guide a wagon train into town with his friends Rusty Hart (Alan Hale, Sr.) and Tex Baird (Guinn Williams). En route, an impulsive young cowpoke named Lee Irving (William Lundigan) needlessly fires off his pistol, sparking a cattle stampede that leads to his death. When Hatton and his men arrive in Dodge, they discover Surrett is once again at large, and his gang has taken over the city. Appointed the city's new sheriff, Hatton is determined to clean up the town and put the outlaws out of business. In his rare moments off duty, Hatton tries to win the affections of Abbie Irving (Olivia de Havilland), but she believes that Hatton is responsible for the death of her brother Lee; Hatton's habit of flirting with dance hall girl Ruby Gilman (Ann Sheridan) does nothing to improve her opinion of him. A solid box office hit, Dodge City was the first of a series of westerns for swashbuckling star Flynn; his next oater, Virginia City, followed in 1940. ~ Mark Deming, All Movie Guide

In this lively campus-set musical comedy, a budding entrepreneur nearly loses everything after his get-rich quick scheme to earn money selling "flunk" insurance his fellow students goes terribly awry. The plan was to sell the insurance for fifty cents a shot. In exchange, any policy-holder who flunks a test will get a ten dollar settlement. At first the young fresh fellow makes a mint, but then a particularly strict professor sees fit to flunk an entire class, all of whom are insured. Keep a sharp eye peeled for a young Alan Ladd in a bit part. ~ Sandra Brennan, All Movie Guide

James Whale's Wives Under Suspicion is remake of Whale's own 1933 production A Kiss Before the Mirror, with a few noticeable concessions for the more militant censors of 1938. District attorney Jim Stowell (Warren William) is convinced that every murder should be sentenced to the electric chair, regardless of motive or circumstances. He remains steadfast in this belief as he prosecutes an elderly professor (Ralph Morgan) for murdering his wife in a fit of jealous rage. But while relaxing at home one evening in the company of his lovely but somewhat neglected young wife Lucy (Gail Patrick), Stowell's own jealousy is aroused by Lucy's response to the innocent attentions of young family friend Phil (William Lundigan). As the days pass, Stowell cannot suppress his own urge to kill his wife and her supposed lover. An eleventh-hour plot twist prevents him from making the same mistake as the old professor-and also gives him a new perspective on the quality of mercy. ~ Hal Erickson, All Movie Guide

This harmless Universal musical comedy is worth having as one of the few filmed records of legendary Broadway comedian Jimmy Savo (his previous starrer, Once in a Blue Moon, is among the rarest of collector's item). The story proper is carried by Robert Wilcox and Nan Grey, cast as a pair of mismatched lovers who share a common interest in horse racing. Hero and heroine get mixed up in a shady get-rich-quick scheme, which threatens to turns disastrous but which ends up solving everyone's problems. Harry Davenport adds a touch of gentle pathos as a blind horseplayer. Jimmy Savo's pantomime turns and musical numbers were not up to his usual standard (at least that's what the critics said), but they play rather well when seen today, even though Savo's patented streak of healthy vulgarity had to be soft-pedalled for the screen. ~ Hal Erickson, All Movie Guide

Girl with Ideas was Universal Pictures' version of MGM's matchless Libeled Lady. Wendy Barrie plays a society girl miffed at the bad press she's been getting in a local newspaper. Unable to convince publisher Walter Pidgeon to cease and desist, Barrie takes her case to court. She wins not only the case but the newspaper itself, whereupon Pidgeon uses his sneakiest journalistic wiles to force new editor Kent Taylor into bankruptcy. Though plainly derivative of earlier heiress vs. editor epics, Girl with Ideas was praised for its originality by contemporary critics. ~ Hal Erickson, All Movie Guide

In this mystery, a railroad agent is blamed for a terrible train crash. Actually, just before the crash, the agent was trying to keep a gunman from hijacking the train. The agent then runs from the authorities. He ends up sheltered by an impoverished family whom he tries to help while conducting his own investigation into the crash. He soon reveals the culprit's true identity and brings him to justice. He also manages to keep a second train tragedy from occurring. ~ Sandra Brennan, All Movie Guide

A novel by Arthur Stringer was the source for this two-fisted Universal programmer. When a giant utility company begins building a dam in the Northwoods, feisty conservationist Heather McHale (Irene Hervey) battles tooth and nail to keep the land sacred. Impressed by her determination and grit, construction engineer Owen Merrill (Kent Taylor) falls in love with Heather. He's even willing to battle local bully-boy Doug McKenzie (William Lundigan) to defend the girl's honor, which is certainly worth defending. In a climax that may or may not meet with the approval of the EPA, Heather allows the project to go through when it's discovered that the dam will help preserve the local salmon population. ~ Hal Erickson, All Movie Guide

In this anti-Japanese WW II propaganda film, Japanese invaders attempt to raid Alaska and are totally obliterated. The trouble begins when a stranger visits a small town and tells them that the U.S. is going to be taken over by a powerful country. The story turns out to be true when the Japanese bomb Pearl Harbor. The town then rises up and slaughters a Japanese raiding party. ~ Sandra Brennan, All Movie Guide