William Lundigan Movies

Based on the lives of big-band stars Tommy and Jimmy Dorsey, this biographical chronicle begins with their childhood in an industrial Pennsylvania town. Encouraged in their musical talents by their father, the Dorsey brothers' sibling rivalry proves to be a stumbling block until the their father's death gives them the momentum they need to rise to fame, and they are eventually considered to be among the best bandleaders of the swing era. Appearances by Charlie Barnet, Art Tatum, and Bob Eberly jazz up the musical numbers, featuring such songs as "Green Eyes," "Everybody's Doin' It", "Marie," and "I'll Never Say Never Again." ~ Iotis Erlewine, All Movie Guide

The third of MGM's Dr. Kildare series to dispense with the services of Dr. Kildare (Lew Ayres), Dr. Gillespie's Criminal Case stars crusty old Lionel Barrymore in the title role. The first half of the film concerns Gillespie's efforts to expedite the romance of Army sergeant Orisin (Michael Duane) and Marcia Bradburn (Donna Reed), with the help of doctors Red Adams (Van Johnson) and Lee Wong How (Keye Luke). The closing reels lapse into melodrama when Gillespie is kidnapped by mentally unstable convict patient Roy Todwell (John Craven) and his gang. In addition to new MGM contractees Van Johnson and Donna Reed, Dr. Gillespie's Criminal Case gave a boost to young star-in-the-making Margaret O'Brien. Like most of the later films in the series, this one is hampered a bit by its excessive length. ~ Hal Erickson, All Movie Guide

Another graduate of MGM's short-subject department, director David Miller proved he had what it took to helm a feature film for the studio in Sunday Punch. The harmless but diverting story concerns the rivalry, in and out of the ring, between prizefighters Ken Burke (William Lundigan) and Olaf Jensen (Dan Dailey Jr.). Both boxers are sweet on showgirl Judy Galestrum (Jean Rogers), and in fact it was for the love of Judy that shy, oafish Olaf quite his janitorial job to become a pugilist. When Olaf realizes that it's Ken whom Judy truly loves, he does the "right thing" by sending Ken off to dreamland during an important match, thereby encouraging the latter to give up boxing and return to his medical studies. The best aspect of Sunday Punch is the performance of Dan Dailey Jr., whose portrayal of a simpleminded Swede is convincing without ever lapsing into stereotype or condescention. ~ Hal Erickson, All Movie Guide

Incredible as it may seem, rambunctious 18-year-old Andy Hardy (Mickey Rooney) finally makes it to college in Andy Hardy's Double Life. Just as he did at Carvel High School, Andy majors in "girls" at college, at one point finding himself engaged simultaneously to two different coeds. On a more serious note, Andy has his first major row with his father Judge Hardy (Lewis Stone) over such vital matters as money and poor grades. But in keeping with the "honor thy parents" edicts of MGM head-man Louis B. Mayer, the plot manages to reunite father and son in the final footage, with Andy respectfully bowing to the wisdom of the good gray judge. Much of Andy Hardy's Double Life is a showcase for MGM's new swimming star Esther Williams, as cute as all get out in a two-piece bathing suit. ~ Hal Erickson, All Movie Guide

MGM's "Andy Hardy" series continued to rake in the bucks with its 12th entry, The Courtship of Andy Hardy. The story takes off when Judge Hardy (Lewis Stone) tackles an unpleasant divorce case. Feeling that the root of the estranged couple's problem is the debilitating shyness of their daughter Melodie (Donna Reed), the Judge asks his son Andy (Mickey Rooney) to help the girl become more popular with her contemporaries. At first balking at the assignment, Andy agrees to instruct Melodie in the social graces at Carvel High School. As a result, Melodie falls in love with Andy, which causes a major personality transformation in him. One of the more treacly "Andy Hardy" episodes, The Courtship of Andy Hardy coasts along on the charm of its young stars. ~ Hal Erickson, All Movie Guide

By 1941, Wallace Beery was pretty much confined to playing two characters: The reprobate with the heart of gold, or the old-line martinet who resents the incursions of progress. In The Bugle Sounds, Beery opted for characterization #2, playing entrenched Cavalry sergeant Hap Doan. Accustomed to horses and horsemen, Sgt. Doan has a great deal of trouble adjusting themselves to those newfangled armored cars and tanks that the modern Army has introduced to his troops. By the time he's seen the error of his ways and entered the 20th century, old Hap has somehow gotten himself mixed up with enemy saboteurs. The secondary love interest in The Bugle Sounds is handled by William Lundigan and Donna Reed, while Wally Beery is offered a more mature amour in the form of boisterous Marjorie Main. ~ Hal Erickson, All Movie Guide

The Great Mr. Nobody is an easygoing classified ad salesman, appropriately nicknamed Dreamy (Eddie Albert). All Dreamy wants out of life is to own a boat and drift aimlessly across the ocean in the company of his good pal Skipper (played by Alan Hale-ironically the father of Gilligan's Island's "Skipper" Alan Hale Jr.) Only one problem: Dreamy is bereft of cash, and is constantly in danger of losing his job because he continues to reserve the best of the classifieds which cross his desk for his unemployed friends. Our hero's saving grace is that he is a veritable fountain of surefire moneymaking ideas; now all he needs is someone to listen. 16-year-old Joan Leslie was obviously being groomed for bigger things when she costarred with Eddie Albert in this low-pressure B picture. ~ Hal Erickson, All Movie Guide

In this crime drama, a remake of Heat Lightning(1931), a robber kills a bank teller during a robbery and then takes his wife, who believes he is a traveling businessman, on the road with him as he flees. He is eventually captured and sentenced. Meanwhile his wife returns to running a motel and gas station with her sister. Her drab daily existence changes dramatically when her husband escapes from prison three years later and forces her to protect him. In the end, he is finally captured by the dogged cop who has been pursuing him. ~ Sandra Brennan, All Movie Guide

In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?

The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide

This slightly laundered remake of the 1932 courtroom classic The Mouthpiece stars George Brent as brilliant but unprincipled DA Steve Forbes, a character based on legendary lawyer William Fallon. After railroading an innocent boy into the electric chair, Forbes goes on a bender, then cynically builds up a new practice as a criminal attorney. His underhanded legal tactics cause a rift between Forbes and his idealistic younger brother Johnny (William Lundigan), despite the fact that it was Steve's income that enabled Johnny to finish law school. Angered that his brother has enabled big-time gangster J.B. Roscoe (Richard Barthelmess) to continually elude the law, Johnny turns in damning evidence to the FBI. On Roscoe's orders, Steve frames Johnny on a murder charge, but reforms his ways in the nick of time. Based on a play by Frank J. Collins, The Man Who Talked too Much was remade in 1955 as Illegal, with Edward G. Robinson in the lead. ~ Hal Erickson, All Movie Guide

Officially, America had no intention of entering the Second World War in 1940: Why, then, were there so many "preparedness" pictures like The Fighting 69th? This film, based on the experiences of military priest Father Duffy (Pat O'Brien), is set during World War I. The US 69th division was a national guard contingent comprised of Irish Americans, who fought with the Rainbow Division in the years 1917-1918. Into this Hibernian stronghold comes cocky Jerry Plunkett (Jimmy Cagney), a streetwise tough who is certain that he can lick the Germans single-handedly. But during his first taste of real combat, Plunkett turns coward and inadvertently reveals the 69th's position. Held responsible for the deaths of his companions, Plunkett is sentenced to a firing squad. Thanks to a conveniently dropped bomb that levels the stockade in which he is held, Plunkett redeems himself on the battlefield by sacrificing his life to save his fellow soldiers. The beauty of James Cagney's star performance is that he is as thoroughly convincing as a "yellow belly" as he is a hero. In addition to father Duffy, the real-life personages depicted in The Fighting 69th include future OSS leader Wild Bill Donovan (George Brent) and poet Joyce Kilmer (Jeffrey Lynn). Other Irish "regulars" include Alan Hale, Frank McHugh, Dennis Morgan, and Sammy Cohen. ~ Hal Erickson, All Movie Guide

Legion of Lost Flyers is a typically action-packed entry in Universal's Richard Arlen-Andy Devine series (if one can call a group of thematically unconnected B-pictures a "series"). This time, heroes Loop Gillian (Arlen) and Beff Brumley (Devine) are, respectively, a pilot and mechanic for an Alaskan air freight service. The main plotline concerns Loop's efforts to absolve himself of blame for a recent plane crash in which several civilians were killed. He also finds time to romance heroine Paula (Anne Nagel), whose purpose in the picture is never clearly defined: like Mount Everest, she's simply "there." A pre-stardom Jack Carson plays the obligatory "lucky" pilot whose luck runs out, while Carson's vaudeville partner Dave Willock also plays a supporting role. Comedy-relief eskimo Edith Mills may seem offensive to today's ethnically sensitive viewers. ~ Hal Erickson, All Movie Guide

In this sequel to 1936's Three Smart Girls, Deanna Durbin is back as the most precocious of a sister trio: the other girls are Nan Grey and Helen Parrish (replacing the first film's Barbara Read. Three Smart Girls dealt with the girls' efforts to reunite their parents. In the sequel, Durbin pokes her turned-up nose into the affairs of her older sisters, hoping to find suitable husbands for them. The musical highlight is Durbin's rendition of the old wedding-day standard "Because," which resulted in a bestselling record. In 1939, Deanna Durbin could have appeared in a film version of a seed catalogue and still make scads of money for Universal Studios. ~ Hal Erickson, All Movie Guide