William Lundigan Movies

Girl with Ideas was Universal Pictures' version of MGM's matchless Libeled Lady. Wendy Barrie plays a society girl miffed at the bad press she's been getting in a local newspaper. Unable to convince publisher Walter Pidgeon to cease and desist, Barrie takes her case to court. She wins not only the case but the newspaper itself, whereupon Pidgeon uses his sneakiest journalistic wiles to force new editor Kent Taylor into bankruptcy. Though plainly derivative of earlier heiress vs. editor epics, Girl with Ideas was praised for its originality by contemporary critics. ~ Hal Erickson, All Movie Guide

In this mystery, a railroad agent is blamed for a terrible train crash. Actually, just before the crash, the agent was trying to keep a gunman from hijacking the train. The agent then runs from the authorities. He ends up sheltered by an impoverished family whom he tries to help while conducting his own investigation into the crash. He soon reveals the culprit's true identity and brings him to justice. He also manages to keep a second train tragedy from occurring. ~ Sandra Brennan, All Movie Guide

A novel by Arthur Stringer was the source for this two-fisted Universal programmer. When a giant utility company begins building a dam in the Northwoods, feisty conservationist Heather McHale (Irene Hervey) battles tooth and nail to keep the land sacred. Impressed by her determination and grit, construction engineer Owen Merrill (Kent Taylor) falls in love with Heather. He's even willing to battle local bully-boy Doug McKenzie (William Lundigan) to defend the girl's honor, which is certainly worth defending. In a climax that may or may not meet with the approval of the EPA, Heather allows the project to go through when it's discovered that the dam will help preserve the local salmon population. ~ Hal Erickson, All Movie Guide

In this anti-Japanese WW II propaganda film, Japanese invaders attempt to raid Alaska and are totally obliterated. The trouble begins when a stranger visits a small town and tells them that the U.S. is going to be taken over by a powerful country. The story turns out to be true when the Japanese bomb Pearl Harbor. The town then rises up and slaughters a Japanese raiding party. ~ Sandra Brennan, All Movie Guide

In this lively campus-set musical comedy, a budding entrepreneur nearly loses everything after his get-rich quick scheme to earn money selling "flunk" insurance his fellow students goes terribly awry. The plan was to sell the insurance for fifty cents a shot. In exchange, any policy-holder who flunks a test will get a ten dollar settlement. At first the young fresh fellow makes a mint, but then a particularly strict professor sees fit to flunk an entire class, all of whom are insured. Keep a sharp eye peeled for a young Alan Ladd in a bit part. ~ Sandra Brennan, All Movie Guide

James Whale's Wives Under Suspicion is remake of Whale's own 1933 production A Kiss Before the Mirror, with a few noticeable concessions for the more militant censors of 1938. District attorney Jim Stowell (Warren William) is convinced that every murder should be sentenced to the electric chair, regardless of motive or circumstances. He remains steadfast in this belief as he prosecutes an elderly professor (Ralph Morgan) for murdering his wife in a fit of jealous rage. But while relaxing at home one evening in the company of his lovely but somewhat neglected young wife Lucy (Gail Patrick), Stowell's own jealousy is aroused by Lucy's response to the innocent attentions of young family friend Phil (William Lundigan). As the days pass, Stowell cannot suppress his own urge to kill his wife and her supposed lover. An eleventh-hour plot twist prevents him from making the same mistake as the old professor-and also gives him a new perspective on the quality of mercy. ~ Hal Erickson, All Movie Guide

This harmless Universal musical comedy is worth having as one of the few filmed records of legendary Broadway comedian Jimmy Savo (his previous starrer, Once in a Blue Moon, is among the rarest of collector's item). The story proper is carried by Robert Wilcox and Nan Grey, cast as a pair of mismatched lovers who share a common interest in horse racing. Hero and heroine get mixed up in a shady get-rich-quick scheme, which threatens to turns disastrous but which ends up solving everyone's problems. Harry Davenport adds a touch of gentle pathos as a blind horseplayer. Jimmy Savo's pantomime turns and musical numbers were not up to his usual standard (at least that's what the critics said), but they play rather well when seen today, even though Savo's patented streak of healthy vulgarity had to be soft-pedalled for the screen. ~ Hal Erickson, All Movie Guide

Legion of Lost Flyers is a typically action-packed entry in Universal's Richard Arlen-Andy Devine series (if one can call a group of thematically unconnected B-pictures a "series"). This time, heroes Loop Gillian (Arlen) and Beff Brumley (Devine) are, respectively, a pilot and mechanic for an Alaskan air freight service. The main plotline concerns Loop's efforts to absolve himself of blame for a recent plane crash in which several civilians were killed. He also finds time to romance heroine Paula (Anne Nagel), whose purpose in the picture is never clearly defined: like Mount Everest, she's simply "there." A pre-stardom Jack Carson plays the obligatory "lucky" pilot whose luck runs out, while Carson's vaudeville partner Dave Willock also plays a supporting role. Comedy-relief eskimo Edith Mills may seem offensive to today's ethnically sensitive viewers. ~ Hal Erickson, All Movie Guide

In this sequel to 1936's Three Smart Girls, Deanna Durbin is back as the most precocious of a sister trio: the other girls are Nan Grey and Helen Parrish (replacing the first film's Barbara Read. Three Smart Girls dealt with the girls' efforts to reunite their parents. In the sequel, Durbin pokes her turned-up nose into the affairs of her older sisters, hoping to find suitable husbands for them. The musical highlight is Durbin's rendition of the old wedding-day standard "Because," which resulted in a bestselling record. In 1939, Deanna Durbin could have appeared in a film version of a seed catalogue and still make scads of money for Universal Studios. ~ Hal Erickson, All Movie Guide

Sigrid Gurie, the Swede from Brooklyn who in 1938 was touted as Sam Goldwyn's answer to Garbo, was taking whatever work she could get in 1939. Forgotten Woman casts Gurie as a woman unjustly sent to prison. Four years go by before the DA unearths new evidence that proves her innocence. But first, the guilty party must be rounded up--and that's no walk in the park, since the miscreant is an influential gangster. Forgotten Woman ran its course, made back its cost, then became the Forgotten Movie. ~ Hal Erickson, All Movie Guide

In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?

The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide

This slightly laundered remake of the 1932 courtroom classic The Mouthpiece stars George Brent as brilliant but unprincipled DA Steve Forbes, a character based on legendary lawyer William Fallon. After railroading an innocent boy into the electric chair, Forbes goes on a bender, then cynically builds up a new practice as a criminal attorney. His underhanded legal tactics cause a rift between Forbes and his idealistic younger brother Johnny (William Lundigan), despite the fact that it was Steve's income that enabled Johnny to finish law school. Angered that his brother has enabled big-time gangster J.B. Roscoe (Richard Barthelmess) to continually elude the law, Johnny turns in damning evidence to the FBI. On Roscoe's orders, Steve frames Johnny on a murder charge, but reforms his ways in the nick of time. Based on a play by Frank J. Collins, The Man Who Talked too Much was remade in 1955 as Illegal, with Edward G. Robinson in the lead. ~ Hal Erickson, All Movie Guide

Officially, America had no intention of entering the Second World War in 1940: Why, then, were there so many "preparedness" pictures like The Fighting 69th? This film, based on the experiences of military priest Father Duffy (Pat O'Brien), is set during World War I. The US 69th division was a national guard contingent comprised of Irish Americans, who fought with the Rainbow Division in the years 1917-1918. Into this Hibernian stronghold comes cocky Jerry Plunkett (Jimmy Cagney), a streetwise tough who is certain that he can lick the Germans single-handedly. But during his first taste of real combat, Plunkett turns coward and inadvertently reveals the 69th's position. Held responsible for the deaths of his companions, Plunkett is sentenced to a firing squad. Thanks to a conveniently dropped bomb that levels the stockade in which he is held, Plunkett redeems himself on the battlefield by sacrificing his life to save his fellow soldiers. The beauty of James Cagney's star performance is that he is as thoroughly convincing as a "yellow belly" as he is a hero. In addition to father Duffy, the real-life personages depicted in The Fighting 69th include future OSS leader Wild Bill Donovan (George Brent) and poet Joyce Kilmer (Jeffrey Lynn). Other Irish "regulars" include Alan Hale, Frank McHugh, Dennis Morgan, and Sammy Cohen. ~ Hal Erickson, All Movie Guide