John Lund Movies

Actor-turned-director and producer Griffin Dunne (Practical Magic, Addicted to Love) teams up with scenarist Dirk Wittenborn for the slice-of-life ensemble drama Fierce People. As summer encroaches, 16-year-old Manhattanite Finn Earl (Anton Yelchin) would love nothing more than to trek off to South America and spend the year's sun-drenched months near the equator, embarking on thrilling adventures with his estranged archaeologist father, whom he's never met. Alas, the bonds of family rein in tight when Finn's booze- and coke-addled mother, the masseuse Liz (Diane Lane), cries out for help -- and, in the process, unwittingly gets Finn arrested. In a dramatic attempt to reverse circumstances and sort out the complications in both of their lives, Liz insists on taking custody of Finn for the summer. Both, she insists, will live in the home of one of her former massage clients, the aging billionaire Ogden C. Osborne (Donald Sutherland) -- with whom she may be amorously involved. Though Finn agrees begrudgingly at first, in time he finds the environment welcoming -- as he develops a crush on Ogden's gorgeous granddaughter (Kristen Stewart) and befriends Ogden's grandson. But when an unforeseen and shocking act of violence erupts, it estranges Finn and Liz from their posh surroundings and provides a sobering, harrowing reminder of the socioeconomic differences between the Earls and their new friends. ~ Nathan Southern, All Movie Guide

Hijinks and spyjinks lighten this effective comedy by Richard Murphy, based -- very loosely -- on an actual incident in World War II. The place is somewhere in the Pacific and the not-so-good ship USS Echo, captained by the comic Lt. Rip Crandall (Jack Lemmon), has a very specific assignment. The floating anachronism has to safely carry an Australian spy deep into enemy territory where he will be stationed to report on the Japanese fleet's activities. Since the Echo should have been dismantled and sold for its parts long ago, this assignment is not easy. As the military and its stereotypical traits are parodied with sophistication and sharp humor, the Captain and his motley crew do their best to successfully complete their mission. ~ Eleanor Mannikka, All Movie Guide

Some good performances overcome the scripted cliches in Dakota Incident. In the tradition of Stagecoach, the film offers a disparate group of travellers whose lives are imperiled when their coach heads deep into Indian territory. Linda Darnell plays Amy Clarke, the requisite you-know-what with a heart of gold. Dale Robertson costars as hard-bitten outlaw John Banner, who is willing to let a fellow passenger, bank clerk Carter Hamilton (John Lund), take the fall for a recent robbery. Ward Bond is Senator Blakely, whose "live and let live" policy regarding the Indians is a smokescreen for his corrupt activities. Regis Toomey is the obligatory drunk, here named Minstrel. And Whit Bissell is Mark Chester, the seemingly mild-mannered greenhorn who reveals hidden reserves of strength when the going gets rough. A clue as to who will survive the inevitable Indian attack is offered by the order of billing in the opening credits of Dakota Incident. ~ Hal Erickson, All Movie Guide

Produced by low-budget maven Bryan Foy, Battle Stations is a standard wartime melodrama with the usual assortment of cliches. John Lund plays Father Joe McIntyre, who is assigned as chaplain of an Essex-class aircraft carrier. Father Joe finds himself in conflict with the carrier's Captain (Richard Boone), a strict disciplinarian with little room for compassion. Among the chaplain's allies on board are tough-but-tender chief bos'un Buck Fitzpatrick (William Bendix), hotheaded sailor Chris Jordan (Keefe Brasselle), and young pilot Pete Kelly (William Leslie), whose doom is assured the moment he learns that he's about to become a father. The economies in Battle Stations extend to its opening-credit music, which has been lifted bodily from Max Steiner's score for The Caine Mutiny. ~ Hal Erickson, All Movie Guide

Reviled in his lifetime as a lunatic insurrectionist, Chief Crazy Horse has in recent years emerged as a Native American hero. In this off-beat western, unusual for its time in that it sympathetically presented the Native American viewpoint, Victor Mature plays the misunderstood Sioux leader while the treaty-breaking villain General Crook is played by James Millican (who had earlier portrayed an equally unsympathetic General Custer in Warpath). The battle of the Little Big Horn is staged with less bravura but more authenticity than in 1941's They Died With Their Boots On (a wildly inaccurate pro-Custer opus). Chief Crazy Horse falters only in its verbose dialogue sequences, wherein the native tongue of the Sioux seems to be Fluent Cliche. ~ Hal Erickson, All Movie Guide

All suspense in The Woman They Almost Lynched would seem to be dissipated by title, but director Allan Dwan holds the viewers spellbound throughout. Part of the tension arises from fact that there are two leading female characters: Kate Quantrill (Audrey Totter), wife of infamous Confederate raider Quantrill (Brian Donlevy), and Sally Maris (Joan Leslie), virginal sister of Kate's ex-lover, saloonkeeper Bitteroot Bill (Reed Hadley). Sally herself falls in love with Lance Horton (John Lund), ostensibly a mine foreman but actually a Southern spy. Rest assured that one of the two ladies is going to wind up with a noose around her neck for keeping "bad" company -- and that the other will somehow come to the rescue. ~ Hal Erickson, All Movie Guide

Two of the cast members from the 1950 western Broken Arrow, Jeff Chandler and Jay Silverheels, recreate their earlier roles in 1952's Battle at Apache Pass. Chandler plays temperate Indian leader Cochise, while Silverheels is the more explosive Geronimo. The film takes place several years before the events depicted in Broken Arrow, a time in which Cochise attempts to prevent war between his people and the white settlers. Though Cochise's wife dies at the hands of a bigoted cavalry officer and a crooked Indian agent, the stoic Native American continues to believe that a lasting peace is possible. Two years after Battle at Apache Pass, Jeff Chandler would again reprise the role of Cochise (this time as a dying old man) in Taza, Son of Cochise (54). ~ Hal Erickson, All Movie Guide

Noted Western director Budd Boetticher helmed this contemporary cowboy story. Tom Moody (John Lund) is a champion rodeo rider who sees real potential in newcomer Bart Eaton (Scott Brady). However, while Bart may have a knack for riding a bull, he's not much for loyalty, and he betrays his mentor by stealing Tom's girlfriend, Judy Bream (Joyce Holden). Tom wallows in self-pity until the death of his buddy Dan Bream (Chill Wills), a rodeo clown, forces him to rethink his life. For added realism, Boetticher incorporated genuine Western footage alongside staged sequences with his actors. ~ Mark Deming, All Movie Guide

Darling, How Could You is an amiable adaptation of James M. Barrie's stage perennial Alice-Sit- By-the-Fire. Joan Fontaine and John Lund head the cast as Alice and Robert Grey, who return to London from a five-year sojourn at the Panama canal, where Robert, a doctor, has tended to the sick. Upon arriving home, Mr. and Mrs. Grey must become reacquainted with their ever-growing children, especially precocious teenager Amy (Mona Freeman). Having just seen a play about an errant wife, Amy misinterprets the attentions paid to her mother by young physician Steve Clark (Peter Hanson), leading to a bottomless reserve of whimsically comic complications. Long unavailable to TV due to legal hassles with the Barrie estate, Darling, How Could You has since lapsed into public domain, and is now more available than ever. ~ Hal Erickson, All Movie Guide

This formula Esther Williams musical casts the star as Midwestern carnival swimmer Christine Duncan, in love with bandleader Dick Layn (Van Johnson). Attempting to smooth the course of romance for her friend Ellen Hallet (Paula Raymond), Christine makes a play for Ellen's wealthy boss Douglas J. Morrissen, Jr. (John Lund). Ellen wants to protect Douglas from fortune hunters, so Christine pretends to be a fortune hunter, so that he'll appreciate anew how much Ellen cares for him. Confused? So is Dick, who can't fathom Christine's bizarre behavior. If for nothing else, Duchess of Idaho is memorable as the "comeback" picture for dancing star Eleanor Powell, who has just as little to do as her fellow guest stars Lena Horne and (unbilled) Red Skelton. Watch for Amanda Gunsmoke Blake and Dick Sergeant Preston Simmons in supporting roles. ~ Hal Erickson, All Movie Guide

A woman is torn between a comfortable lie and the painful truth in this drama. After she is abandoned by her unfaithful boyfriend Stephen Morely (Lyle Bettger), Helen Ferguson (Barbara Stanwyck) discovers that she's pregnant, and she has no choice but to go home to her family. Shortly after boarding the train, Helen meets Hugh and Patrice Harkness (Richard Denning and Phyllis Thaxter), a recently married couple who are travelling to visit Hugh's parents, who have yet to met his bride. Patrice, who is also with child, strikes up a conversation with Helen, and allows her to try on her beautiful wedding ring. Moments later, the train becomes involved in a terrible accident in which Hugh and Patrice are killed; because she was still wearing Patrice's ring, Helen is mistaken for the late Mrs. Harkness by Hugh's parents (Jane Cowl and Henry O'Neill), and is taken home with them as she recovers and has her baby. Helen begins to feel a part of the family until Stephen arrives, demanding money to keep her true identity a secret. No Man of Her Own was remade in 1996 as the comedy Mrs. Winterbourne. ~ Mark Deming, All Movie Guide

My Friend Irma was supposed to be a straightforward adaptation of the popular radio sitcom of the same name. The film's focus therefore was supposed to be on air-headed Irma Peterson (Marie Wilson), her levelheaded roommate, Jane Stacy (Diana Lynn, taking over from the radio series' Cathy Lewis), and their various romantic misadventures. But the audience tended to ignore Irma, Jane, and the others in favor of two movie newcomers: Dean Martin and Jerry Lewis, cast respectively as would-be singer Steve Laird and dumb-dumb restaurant employee Seymour. Having risen to the top of the heap in the nightclub world, Martin and Lewis were discovered for films by producer Hal Wallis, who decided to test the boys out in secondary roles in an established property. Wallis felt that while Martin had potential as a singing star, Lewis was hopelessly inept as an actor. As the whole world knows by now, it was Lewis who ended up as the team's main attraction with his own inimitable brand of wacko humor. Even as early as Irma, Lewis manages to dominate every scene he's in, often by sheer force of will. Pretty soon, the viewer has forgotten the gossamer-thin plot (Irma's Runyonesque boyfriend, Al, played by John Lund, tries to promote Dino into stardom) and is waiting anxiously to get back to Jerry. When time came for the 1950 sequel, My Friend Irma Goes West, virtually the entire plot revolved around Martin and Lewis, with the official "stars" relegated to supporting roles. Like Marie Wilson, several of the My Friend Irma cast members were holdovers from the radio series, including Hans Conried as Professor Kropotkin. Felix Bressart had originally been slated to play Kropotkin on film, but when he died during shooting, Conried was brought in to complete his scenes (Bressart can still be glimpsed in a few medium and long shots). ~ Hal Erickson, All Movie Guide

A man who dreams of seeing the future discovers the horrible burden that it can carry in this film noir suspense story. Suicidal Jean Courtland (Gail Russell) is prevented from killing herself by her fiancée Elliot Carson (John Lund). When they consult psychic John Triton (Edward G. Robinson), he confesses that he used his powers to bring on her death. Years ago, Triton was a phony mentalist in a vaudeville act, but he began seeing genuine visions of the future, most of which portended tragic results. After a premonition of the death of his wife Jenny (Virginia Bruce) in childbirth, a terrified Triton went into hiding for five years; upon his return, he discovered that his wife had married Whitney (Jerome Cowan) shortly after John was declared dead...and she died giving birth. Years later, Jenny's child grew up to be Jean Courtland, and when Triton receives a vision of Whitney's death in a plane wreck, he rushes to California in hopes of stopping fate. However, he's foreseen a tragic future for both Jean and Whitney and is afraid of the agony that awaits them. The Night Has a Thousand Eyes was adapted from a novel by Cornell Woolrich. ~ Mark Deming, All Movie Guide