Jana Lund Movies
- 1962
In this drama, high-school sweethearts elope while still in school, and later have a second ceremony to please their parents. When reality sets in, the new husband abandons his dream of becoming a doctor to become a mechanic. They then move into the father of the bride's home where he lays down strict rules. When the groom gets involved with auto thieves, trouble ensues until both sets of in-laws team up to send him to college where he belongs. ~ Sandra Brennan, All Movie Guide
- 1958
In this violent drama, a young juvenile delinquent gets into more trouble when he gets involved with a gang that steals auto parts and resells them on the black market to pay for their beer parties. It looks as if he might actually turn his life around after he meets a good-hearted woman, when he decides to run a final game of chicken against a juvenile delinquent girl who gets killed in the ensuing crash. The terrified boy then takes his girlfriend and splits. He is later shot-down by the police. Later the authorities learn that the boy was set upon his crooked path by policemen who beat him when he was younger. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Bakalyan, June Kenney, (more)
- 1958
A good girl goes bad in the face of peer pressure in this exploitation outing from the late '50s. The girl is new in town and before her first day of school is over finds herself face-to-face with a scary group of juvenile delinquent girls with dangerously conical breasts, and bad attitudes to spare. They demand she join their group, but she hesitates. Later she asks the nice college boy who jerks sodas at the local malt shop for his opinion. Of course he tells her to stay away, but soon the lure of popularity grows too strong and she joins the gang. She has great fun being a hooliganette. Unfortunately, the fun turns deadly serious when the gangs leader gets killed. Good campy fun. ~ Sandra Brennan, All Movie Guide
- Starring:
- Yvonne Lime, Brett Halsey, (more)
- 1958
Two men have been committing robberies throughout Los Angeles. Friday (Jack Webb) and Smith (Ben Alexander) have a single solid clue to go on: One of the bandits has huge feet--and he wears a pair of distinctively fancy cowboy boots. Joby Baker delivers another of his patented Dragnet portrayals as a young man with big problems. ~ Hal Erickson, All Movie Guide
- 1958
This is one of the more off-beat entries into the Frankenstein sub-genre, in that it features the original Creature, Boris Karloff (who really hams it up) playing the disfigured grandson of the famed mad baron in a style that combines gothic horror with the awe and fear created by the newly dawned atomic age. The story begins in the title year and finds Victor the III living in the ancestral castle and strapped for the cash he needs to resurrect his grandfather's experiments. He needs a fortune because this time he wants to use atomic power to bring the monster to life. To scare up the needed cash, he lets a television crew come to his famous digs to shoot a show. He ends up getting a lot more than money from the cast and crew and eventually he succeeds in creating a brand-new Creature. Unfortunately, the monster proves to be as volatile as his predecessors, and tragedy for both master and creature ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Boris Karloff, Tom Duggan, (more)
- 1957
Loving You was the most autobiographical of all Elvis Presley's movies, and, not coincidentally, features the most naturalistic, easygoing performance of his early career. He plays Deke Rivers, a truck driver with a penchant for singing and a raw animal magnetism where women are concerned. He attracts the business interest of publicity agent Glenda Markle (Lizabeth Scott), who sees a potential gold mine in Deke. She hires him to appear with a band that she handles, fronted by aging country & western singer Tex Warner (Wendell Corey), who used to be romantically involved with Glenda and is now a client. Pretty soon he's pulling in bigger crowds and generating more excitement than Tex did during his best days (which drives the older singer to start drinking again), but also a lot more controversy, too. Deke is so provocatively sexual a presence on-stage that some citizens in the southern and border states where the band is working think that what he does is immoral. Girls can't keep away from him, their boyfriends despise what he symbolizes, and their parents are aghast, even as concert promoter Carl Meade (James Gleason) smells a fortune to be made from this boy. Glenda parlays these disputes and a ban on one of Deke's performances into a national television event. Amid all of this, Deke reveals the private, vulnerable side that no one ever knew -- that he's not even Deke Rivers (it was a name he took off a gravestone), but an orphan named Jimmy Tompkins, and that he's never had a home. He also reveals that he's attracted to Glenda, mistaking (with her encouragement) her interest in his talent with a personal involvement, but he's also drawn the the band's female singer, Susan Jessup (Dolores Hart), who could genuinely love him, and offers him a caring family of her own that would accept him. Deke and Glenda's conflicts are eventually straightened out, and Deke gets to say his piece and sing his music on network television. ~ Bruce Eder, All Movie Guide
- Starring:
- Elvis Presley, Lizabeth Scott, (more)
- 1956
Coming off of a hit New York gig, successful rock & roll crooner Arnie Haines (Alan Dale) realizes he and his bandmates are weary from the grind of two years of steady gigs. They tell their manager (DJ Alan Freed, playing himself) they're taking a break and return to the small town where they started, Mellonville (state unspecified, but it looks like central Pennsylvania). Upon arriving, however, Haines finds himself denounced by the mayor (Pierre Watkin) as a bad influence on the teenagers and banned from any public performances. That would suit him fine -- he and the boys wanted the summer off -- but their local teenage fans can't abide the repressive atmosphere, and then nationally syndicated columnist Arlene MacLaine (Fay Baker), visiting Mellonville, attacks Haines and rock & roll in her column, threatening the whole music business. Arlene's comely daughter, Francine (Patricia Hardy), urges Arnie to fight back and convince her mother that rock & roll is harmless fun. Toward that end, with help from the sympathetic mayor (George Cisar) of the next town, Arnie and Freed organize an all-star show that includes Little Richard, the Treniers, and Bill Haley & His Comets. Everything goes according to plan until one petty, jealous girl (Jana Lund) nearly starts a riot when Arnie rejects her advances. Then it's up to Francine and her acting troupe friends to help Arnie and Alan Freed make one last pitch for rock & roll. Though Don't Knock the Rock has more plot and characters than most movies of this type, and it did reflect an actual serious controversy that was growing at the time (and not just in the South), it is really just lighthearted fun. Its real appeal lay in the singing and dancing, not only by some top rock & roll talent of the day (Bill Haley is great, Little Richard and his band are amazing, and the Treniers are dazzling), but also by the dancers portraying ordinary teenagers having fun. Photographer Ben Kline gets all of his camera angles spot on, so that the movie, though no classic, is a visual and musical delight a half century later. And just to show where the film's heart really lies, producer Sam Katzman and director Fred Sears (who were old enough to be "squares") replace "The End" at the final frame with a more nonchalant (and topical) "Dig You Later." ~ Bruce Eder, All Movie Guide
- Starring:
- Bill Haley, Alan Dale, (more)
