Dayton Lummis Movies

American actor Dayton Lummis was born in New York, but studied theatre in Los Angeles at the Martha Oatman School. His first professional engagement, at age 24, was with the Russell Stock Company, of Redlands, California; Lummis remained a regional actor until his Broadway bow in 1943. One of those actors whose face everyone remembers but whose name everyone forgets (one of his few billed roles was in Hitchcock's The Wrong Man [1956]), Lummis worked steadily if not prominently in films, most often in authoritative roles as aristocrats or politicians. The actor was better served by television, where he appeared in over 400 programs. Dayton Lummis was fairly anonymous when in modern dress, but came to life whenever decked out in a powdered wig or 19th century waistcoat; his adeptness at period roles made him indispensible during TV's western boom of the late '50s, and in fact Lummis had a regular costarring role as Marshal Andy Morrison on the 1959 oater Law of the Plainsman. ~ Hal Erickson, All Movie Guide
1956  
 
A Day Of Fury stars Jock Mahoney as town marshal Alan Burnett, whose life is saved by a stranger he meets on the trail. His rescuer turns out to be Jagade (Dale Robertson), a gunslinger just returned after years away, who finds when he gets into town that he can't abide the peace that has been settled between "his" people (i.e. the saloon-keepers, gamblers, etc.) and the righteous, "respectable" folk. Jagade stirs up trouble by persuading the saloon owners to open on Sunday, which they'd voluntarily stopped doing years ago. Suddenly, the peace that had settled over the town is broken, and gambling and other vices that had been in check rise anew, drawing in many of the respectable townsmen and women in the process -- some of the men can't resist the lure of a good high-stakes poker game or a pretty woman, and even the spinster schoolteacher finds herself drawn to Jagade's dark charisma. An escalating cycle of vice and violence unfolds in barely 24 hours; Burnett won't back Jagade down, partly because the man has broken no laws and also partly due to his gratitude to the gunman for saving his life. None of the townspeople can comprehend his inaction, however, and this soon jeopardizes not only his job as marshal and his safety, but also the well-being of his fiancée, Sharmon Fulton (Mara Corday), who was a saloon girl before she was brought out of that life and given a home with a respectable family. Soon Jagade loses control of what he's started, and the town begins to destroy itself in a cycle of guilt, anger, betrayal, murder, suicide, and lynch law.
~ Bruce Eder, All Movie Guide

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Starring:
Dale RobertsonMara Corday, (more)
1956  
 
"I waited there with a dead head sitting on a dead spine waiting for the crack of doom." This is how young businessman Mason Bridges (Robert Horton) describes his predicament when he is forced to participate in a high-stakes poker game with wealthy client Sam Klinker (Robert Middleton). Though Bridges had intended to play only a few hands, Klinker bullies him into staying in the game, raising the stakes all along the way. Ultimately, the fate of Bridges' business -- and indeed, his future career -- rests in a single poker hand. "Crack of Doom" is based on a story by journalist Don Marquis, best known for his whimsical "Archy and Mehitabel" pieces. ~ Hal Erickson, All Movie Guide

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1958  
 
Mr. Johnson (Edgar Stehli) claims to have had a vision of the serial strangler who is terrorizing the city. Unfortunately, no one will listen to Mr. Johnson: not the police, not his priest (Rusty Lane), not even his own wife (Edith Evanson). Besides, the cops already have a suspect in custody, and the case against the man seems airtight. But Johnson insists that his vision is accurate -- and tragically, it turns out to be just that. ~ Hal Erickson, All Movie Guide

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1956  
 
Who better to direct an affectionate spoof of Alfred Hitchcock's 1954 suspense classic Rear Window than Hitchcock himself? Babs Fenton (Mary Scott), a housewife with a highly fertile imagination, wonders just what is going on between Mr. and Mrs. Blanchard (Dayton Lummis, Meg Mundy) in the house next door. By and by, Babs becomes convinced that Mr. Blanchard has murdered his wife, and inveigles her own long-suffering husband John (Robert Horton) into playing detective. The clues, motive, and opportunity are all there -- but the outcome isn't quite what Babs had anticipated. ~ Hal Erickson, All Movie Guide

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1953  
 
All I Desire an early exercise in Douglas Sirk Baroque, is set at the turn of the century. Long divorced from her husband Richard Carlson, itinerant actress Barbara Stanwyck returns to her home town to watch her daughter perform in a high school play. Stanwyck decides to turn over a new leaf and devote herself to the daughter she's never known. This she finds next to impossible, thanks to ugly small-town gossip attending her return. The film was obviously building up to an unhappy ending, but producer Ross Hunter intervened, tacking on an unbelievably upbeat denouement. This artistic outrage evidently didn't hurt Hunter's relationship with director Douglas Sirk, inasmuch as the two would continue to successfully collaborate in the future. All I Desire is based on a novel by Carol Brink. ~ Hal Erickson, All Movie Guide

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Starring:
Barbara StanwyckRichard Carlson, (more)
1963  
 
In this early '60s version of the oft-filmed fairy tale a prince is turned into a horrible wolf-beast by a wicked sorcerer who wants the throne for himself. At night, his beloved princess watches over him. ~ Sandra Brennan, All Movie Guide

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1960  
 
Three army deserters -- Sutton (Joe Maross, Tyler (Grant Williams), and Mertz (James Parnell) -- take refuge on the Ponderosa, beating Little Joe senseless. Outraged, the Cartwrights join a military posse under the command of relentless Captain Bolton (Chris Alcaide). The supporting cast includes Gloria Talbott as Nedda, Dayton Lummis as Colonel Metcalfe, and Sherwood Price as the Corporal. "Escape to the Ponderosa" was written by Robert E. Thompson and Bill Barrett and was first telecast on March 5, 1960. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreenePernell Roberts, (more)
1963  
 
While tracking down a gang of poachers, Ben Cartwright is shot and left for dead. Convinced that Ben is dead, his griefstricken sons head off in three different directions to bring their father's "murderer" to justice. Meanwhile, Ben recovers from his wounds and makes his way back to the Ponderosa, where he awaits his sons' return-if indeed, they do return. Robert H. Harris costars as Mr. Dormann, the man responsible for Ben's miraculous revovery. One of the best-ever Bonanza episodes, "The Legeacy" was written by Arthur Wilson, and first aired December 15, 1963. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreenePernell Roberts, (more)
1961  
 
Little Joe Cartwright is hauled into court, accused of murdering a pregnant girl named Mary Parson. The girl's father Jake (Crahan Denton) and her brothers all claim that Mary planned to elope with Joe on the night of her death, which is news to Joe. Helping to tighten the noose around the youngest Cartwright's neck is the prosecution's main witness: Joe's old friend John Hardner (Russell Collins). Morgan Woodward, Pat Michon and Dayton Lummis round out the supporting cast. First broadcast on May 6, 1961, "The Secret" was written by John Hawkins. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreenePernell Roberts, (more)
1953  
 
In late 1944, an American guerilla unit led by Capt. Matt Reardon (Edmond O'Brien) learns that a Japanese plane carrying Admiral Amara (Philip Ahn) has crashed in China, in warlord-held territory. Reardon and his men are placed under the command of Naval Intelligence officer Commander Bert Thompson (Barry Sullivan) and sent on a mission to ransom Amara -- who is not only the head of Japanese naval intelligence, but also one of the few ranking officers in the Japanese high command known to have questioned the wisdom of continuing the war -- treat his injuries, and bring him back into American hands. Apart from the instant dislike that Reardon takes to Thompson -- a staff officer with no jungle combat experience, who has spent most of the war working in diplomatic circles -- the mission is complicated by the large amount of emergency surgical gear, plus the doctor and his aides that Reardon has to get alive through the jungle, and this is made even worse by the fact that one of them is his surgical nurse, a woman (Jocelyn Brando). When Wu King (Leon Askin), the warlord with whom they're dealing, proves to be less than trustworthy, Reardon and Thompson have to come up with a way of getting past his larcenous nature and getting Amara out of China before the Japanese soldiers sent to rescue him arrive. In the end, the two officers discover that, though they may have gotten to this place by very different paths, they have the same goal -- and each is prepared to go as far as the other to see it through. ~ Bruce Eder, All Movie Guide

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Starring:
Edmond O'BrienBarry Sullivan, (more)
1959  
 
Add Compulsion to QueueAdd Compulsion to top of Queue
Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide

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Starring:
Orson WellesDean Stockwell, (more)
1954  
 
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Demetrius and the Gladiators was the sequel to The Robe, and though they were released several months apart, the films were shot at the same time. Based on characters originally conceived by Lloyd C. Douglas, the film stars Victor Mature as the title character, an ex-slave who embraced Christianity after being present at the Crucifixion. Thrown in jail for defending an elderly merchant from a sadistic Roman legionnaire, Demetrius is forced to attend gladiator school and fight in the arena for the amusement of the mad, debauched emperor Caligula (Jay Robinson, likewise repeating his performance in The Robe). The well-proportioned Demetrius attracts the attention of Messalina (Susan Hayward), the nymphomaniac wife of Caligula's would-be successor Claudius (Barry Jones). Briefly losing faith in Christ, Demetrius is saved from himself by the apostle Peter (Michael Rennie). Because of contractual complications, Demetrius and the Gladiators was released to television seven years before The Robe. ~ Hal Erickson, All Movie Guide

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Starring:
Victor MatureSusan Hayward, (more)
1954  
 
The scene is a dingy rooming house, where the body of a former vaudeville actress is found tied to a chair. The woman has been beaten to death, and Friday (ack Webb) and Smith (Ben Alexander) deduce that her killer wanted to find out what she kept in the huge trunk in the middle of her room. In an exceptionally well-directed scene, the detectives use "state of the art" electronic surveillance to get the goods on the two main suspects. This episode is adapted from the Dragnet) radio broadcast of March 22, 1951. ~ Hal Erickson, All Movie Guide

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1954  
 
Completed in 1953, Dragon's Gold was released by United Artists early the following year. John Archer (the father of present-day leading lady Anne Archer) stars as an insurance investigator, sent to China to locate a missing client. The official story is that the client stole $7 million from his employer, but Archer smells a rat. His olfactory senses are right on target: The supposed theft was actually a smokescreen, contrived by a Red Chinese general (Noel Cravath). Also intimately involved in the intrigue is Hillary Brooke, playing straight once more after several years' worth of TV work on The Abbott and Costello Show and My Little Margie. ~ Hal Erickson, All Movie Guide

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Starring:
John ArcherHillary Brooke, (more)
1955  
 
This Bowery Boys opus gets under way when Sach (Huntz Hall) is informed that he is heir to a fortune. Sach and his buddy Slip (Leo Gorcey) head to the mansion of the late Terwilliger Debussy Jones to sign the necessary legal papers. Here they discover that the rightful heir is young Terwilliger III (Ronald Keith), who is being cheated out of his legacy by crooked relative Stuyvesant Jones (Dayton Lummis) and his confederate Clarissa (Amanda Blake). After all sorts of slapstick complications, honesty prevails. Believe it or not, High Society earned an Academy Award nomination for "Best Original Story," all because the Academy confused this Bowery Boys endeavor with the big-budget Frank Sinatra/Bing Crosby/Grace Kelly musical of the same name. ~ Hal Erickson, All Movie Guide

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Starring:
Leo GorceyHuntz Hall, (more)
1953  
 
Add How to Marry a Millionaire to QueueAdd How to Marry a Millionaire to top of Queue
A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, All Movie Guide

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Starring:
Betty GrableMarilyn Monroe, (more)
1953  
 
Hoping to audition for an upcoming movie musical, Lucy (Lucille Ball) practices an energetic jitterbug number with professional dancer Arthur "King Cat" Walsh. The rehearsal gives Ricky (Desi Arnaz) a splitting headache, necessitating a visit to the eye doctor (Shepard Menken). The trouble begins when the doctor decides that Lucy is the one who needs treatment. Thus, he applies eyedrops that temporarily blur Lucy's vision -- just when she is poised to audition with Ricky, Fred (William Frawley), and Ethel (Vivian Vance) in an elaborate "Varsity Drag" routine. ~ All Movie Guide

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Starring:
Dayton LummisShepard Menken, (more)
1954  
 
Lucy (Lucille Ball) takes it upon herself to write a novel titled "Real Gone With the Wind." Ricky (Desi Arnaz), Fred (William Frawley), and Ethel (Vivian Vance) are none too pleased to find that Lucy has based her main characters on them ("Nicky Nicardo," "Ethel Nurtz," etc.), and they try to burn the manuscript, to no avail. Then, much to everyone's amazement, a publisher evinces interest in Lucy's masterpiece -- or at least that's how it seems to the euphoric Lucy. However, as often happens on this show, things don't quite turn out as expected. ~ All Movie Guide

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Starring:
Dayton LummisPierre Watkin, (more)
1962  
 
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Nathan Juran, director of The Seventh Voyage of Sinbad, tries to make the magic happen again on a much more attenuated budget in Jack the Giant Killer. Torin Thatcher, another Sinbad alumnus, plays a wicked wizard who kidnaps toothsome-princess Judi Meredith. Kerwin Mathews, still another veteran of Sinbad, plays Jack, who rescues Meredith and promises to escort her to safety. Stop-motion animator Jim Danforth creates several fire-breathing perils along the same lines as Ray Harryhausen's special effects in Sinbad; happily, Danforth emulates the Harryhausen style without stooping to imitation. Prominent among the supporting actors is Don Beddoe as an impish genie. In the recently reissued prints of Jack the Giant Killer, most of the original voices have been dubbed over, and incongruous musical numbers added. ~ Hal Erickson, All Movie Guide

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Starring:
Kerwin MathewsJudi Meredith, (more)
1953  
 
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Joseph L. Mankiewicz directed this exquisite version of William Shakespeare's play. Louis Calhern is Julius Caesar, whose conquests have enabled him to rise to the status of Roman dictator. But his ascent to almost God-like status has given pause to influential members of the Roman Senate. Chief among them is Cassius (John Gielgud), who is troubled by Caesar's popularity and dictatorial status. Convinced that Caesar's assassination would be the best thing for Rome, he conspires with Casca (Edmond O'Brien) and the influential Brutus (James Mason) to plot Caesar's murder. Despite dark omens, Caesar walks confidently into the Roman Senate, where he is stabbed to death by the conspirators. His companion Marc Antony (Marlon Brando) is shocked and runs to the corpse of his beloved friend. He agrees to support Brutus while an unruly mob gathers in front of the Senate doors, having heard rumors of Caesar's assassination. Brutus convinces the mob that Caesar's death was for the good of Rome, preventing him from forming a monarchy. Then Antony appears, determined to destroy the conspirators; he delivers a speech that subtly damns the assassins. With the mob against them, the conspirators are forced to flee Rome and Antony organizes an army against them. ~ Paul Brenner, All Movie Guide

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Starring:
Marlon BrandoJames Mason, (more)
1952  
 
Not up to the classic 1935 presentation, this is still an excellent adaptation of Victor Hugo's epic novel. The familiar characters of Valjean and Javert and the agonies of injustice are all portrayed convincingly against a backdrop of 18th century France. ~ Tana Hobart, All Movie Guide

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Starring:
Michael RennieDebra Paget, (more)
1954  
 
Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan holds out the hope that he'll be able to clear his name, but even his loyal wife Ruthie (Dorothy Malone) doesn't believe this will ever happen. Filmed on location in Los Angeles and Malibu, Loophole nevers loosens its grip on the viewer for a single second. ~ Hal Erickson, All Movie Guide

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Starring:
Barry SullivanCharles McGraw, (more)
1953  
 
Filmed in 3D, Man in the Dark stars Edmond O'Brien as Steve Rawley, a man with a past. Thing of it is, Rawley knows nothing about that past: a former gangster, he underwent an operation that not only altered his appearance, but also wiped out all criminal tendencies--not to mention all memory of his past misdeeds. Rawley is kidnapped by his former mob cohorts, who demand that he cough up the $130,000 that he salted away during his gangster days. Audrey Totter co-stars as Peg Benedict, who loves Rawley for what he is, not what he was. Man in the Dark is a remake of the 1936 Ralph Bellamy vehicle The Man who Lived Twice. ~ Hal Erickson, All Movie Guide

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Starring:
Edmond O'BrienAudrey Totter, (more)
1957  
 
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The painfully true story of welterweight boxing champion Barney Ross is detailed in Monkey on My Back. Cameron Mitchell stars as Ross, whose meteoric ring career is interrupted when he joins the Marines at the outset of WWII. A highly decorated hero, Ross contracts malaria oversees and is given morphine to assuage the pain. By the time he returns to the states, Ross is a confirmed drug addict. Before he can rise to the top again, he must hit rock bottom and his descent into the hell of narcotics dependency is graphically illustrated (so much so that the film was almost denied a Production Code seal). Though a cured Barney Ross served as technical advisor for Monkey on My Back, he ended up suing the producers for defamation of character -- and lost. ~ Hal Erickson, All Movie Guide

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Starring:
Cameron MitchellDianne Foster, (more)
1970  
PG  
Moonfire was shot almost entirely out of doors, which was supposed to enhance the realism but which makes the film look all the more like a home movie. Charles Napier plays a trucker who is sucked into a blackmail plot by sinister forces. Ex-boxer Sonny Liston is given special billing as "The Farmer," but a better designation would have been "The Mumbler." Richard Egan, who has top billing, looks as though he was available for only half a day--and late in the day at that. Even the color processing looks cheap in the sublimely forgettable Moonfire. Nice trucks, though. ~ Hal Erickson, All Movie Guide

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