Jorge Luke Movies

Two men tempt fate and risk losing relationships with their women in this uneven low-budget comedy. The men incur the feminine wrath of their partners when they spend their time drinking, bowling, and flirting with floozies. The women retaliate by going out on the town to make the men jealous. The film title is taken from a popular song performed by Franco and Emmanuel. ~ Dan Pavlides, Rovi

Despite the fact that most of the westerns made at this time (early '70s) were "deconstructionist" westerns, which either spoofed or subverted the themes of this genre, occasionally a traditional western got filmed. The Revengers is a traditional western. John Benedict (William Holden) returns to his ranch, only to find all his cattle stolen and his family murdered. He vows to exact revenge on Tarp (Warren Vanders), the varmint who did this to him. He recruits a treacherous gang of convicts, bribing the warden for their release, and makes his move. When the attack fails, the convicts aren't interested in making another try. Instead, they shoot him and, leaving him for dead, head off to follow their own concerns. On her way to a new landholding, Elizabeth (Susan Hayward) stumbles upon the injured man, and nurses him back to some semblance of health. She begs him to drop his revenge plan, but he resumes his quest, receiving unexpected help along the way from Hoop (Ernest Borgnine), one of the renegade ex-convicts. ~ Clarke Fountain, Rovi

In yet another slick, formulaic Charles Bronson vengeance film (they would continue until the actor was in his mid-70s, still playing the morally insulted friend/husband/lover), Bronson is Holland, an assassin for hire who has just come out of retirement to finish off a Guatemalan thug by the name of Moloch (Joseph Maher). Moloch tortures and terrorizes the good guys and is protected by a misguided American government agency -- though nothing can stop Holland once he starts killing his way to the chief villain. No one except the wife of one of Moloch's victims -- and perhaps a few viewers now and again -- raises any questions about Holland's trail of corpses. ~ Eleanor Mannikka, Rovi

In this western, an angry widow and her son ride out to get the men who killed her husband. ~ Sandra Brennan, Rovi

While Salvador wasn't Oliver Stone's first film (a pair of offbeat horror stories preceded it), it defined his style of fiercely dramatic, politically oriented filmmaking, staked out his territory as one of the major directors of the 1980s and 1990s, and remains one of his strongest works to date. Veteran photojournalist Richard Boyle (James Woods) has been taking his camera to the world's trouble spots for over 20 years; while he does good work, Boyle's fondness for booze and drugs, and his colossal arrogance, have given him a reputation that's left him practically unemployable. Broke and with no immediate prospects, Boyle and his buddy Doctor Rock (Jim Belushi), an out-of-work disc jockey, head to El Salvador, where Boyle is convinced that he can scare up some lucrative freelance work amidst the nation's political turmoil. However, when Boyle and Rock witness the execution of a student by government troops just as they enter the country, it becomes clear that this war is more serious than they were expecting. Increasingly convinced that El Salvador is a disaster starting to happen, Boyle eventually decides that it's time to get out; but he has fallen in love with a woman named Maria (Elpidia Carrillo), and he doesn't want to leave her behind. James Woods gives one of his best performances as Boyle; and the passion of Stone's message, aided by the power of its truth (the film is based on actual events), propels the film forward. ~ Mark Deming, Rovi

Ritmo, Traicion y Muerte 2 concerns the frustrated wife of a deeply religious man who attempts to find some sexual release outside of the marriage. However her choice of men results in her becoming involved in a series of murders and lies. ~ Perry Seibert, Rovi

Carlos Munoz (Julio Alvarado) is a former drug dealer who emerges from prison after serving four years in this predictable anti-drug propaganda drama. He is horrified to learn that his little brother became addicted and is now in an asylum. Carlos opens an electronics repair shop and vows to turn his life around. He helps the street kids, battles his former drug-dealing buddies, and falls in love with the local teacher Elena Sandoval (Helena Rojo). ~ Dan Pavlides, Rovi

This wacky buddy comedy was the fifth in a series of Hollywood remakes of films by French director Francis Veber, none of which were box office successes. Sheila Kelley is Valerie Highsmith, an heiress who, despite her family's wealth, suffers from horribly bad luck. On a vacation to Mexico, she takes a fall, causing amnesia, then is mugged and kidnapped for ransom. When her father (Sam Wanamaker) becomes frustrated with the failed attempts of a detective, Ray Campanella (Danny Glover) to find his daughter, he teams a very reluctant Ray with Eugene Proctor (Martin Short), an accountant whose bumbling bad luck is even worse than Valerie's. The theory is that perhaps two such incredibly unlucky people will act like magnets, with Eugene leading Ray to Valerie's location. Although Ray finds Eugene irritating, the unlikely partners eventually begin making surprising progress in the case, despite Eugene's never-ending screw-ups and pratfalls. ~ Karl Williams, Rovi

In this cautionary tale, based on a novel by Luis Spota, the travails of four "wetbacks" are told. These men have left their homes throughout Mexico in order to sell their labor north of the Border in the U.S. Along the way, one dies while crossing the Rio Grande, another is deported, a third is killed, and the remaining one suffers horribly while working in the U.S. Indeed, such illegal Mexican immigrants are routinely abused and roughed-up, in addition to being poorly paid for back-breaking labor. However, in this movie at least, the lead characters are not particularly admirable people, as they are prepared to rob the only person who shows them kindness. This is clearly a movie with one simple, overriding theme for its intended viewers: no matter what, stay at home in Mexico. ~ Clarke Fountain, Rovi

American and Venezuelan foreigners try to steal coveted seeds from a rubber-tree plantation in this action-adventure saga. They battle crocodiles, Indian attacks, slave revolts, and a director who insisted on putting disco music to a 19th-century setting. The two heroes are hidden by a concubine who seeks vengeance against her cruel plantation owner. A rape scene appears to have been added merely for exploitation value. ~ Dan Pavlides, Rovi

A Spanish language film about revenge as weilded by three racially diverse men. ~ Rovi