Paul Lukas Movies

Samuel Bronston produced this extravagant blockbuster, shot in Super Technirama 70. Nominally directed by Nicholas Ray (who makes a brief appearance as the U.S. ambassador), Ray was taken off the film and replaced by the more pliable directorial touches of Andrew Marton. Charlton Heston stars as Maj. Matt Lewis, the leader of an army of multinational soldiers who head to Peking during the infamous Boxer Rebellion of 1900. As the film unfolds, the foreign embassies in Peking are being held in a grip of terror as the Boxers set about massacring Christians in an anti-Christian nationalistic fever. Inside the besieged compound, the finicky British ambassador (David Niven) gathers the beleaguered ambassadors into a defensive formation. Included in the group of high-level dignitaries is a sultry Russian Baroness (Ava Gardner) who takes a shine to Lewis upon his arrival at the embassy compound with his group of soldiers. As Lewis and the group conserve food and water and try to save some hungry children, they await the arrival of expected reinforcements, but the tricky Chinese Empress Tzu Hsi (Flora Robson) is, in the meantime, plotting with the Boxers to break the siege at the compound with the aid of Chinese recruits. ~ Paul Brenner, All Movie Guide

The mysterious death of a notoriously candid author provides the basis of this mystery. Investigators do not believe the suicide note found with his corpse. It seems the author had written a scandalous autobiography detailing his many affairs, with no regard to the feelings of the women involved. The police begin investigating these women and the story is told in flashback. It all began during a publisher's party for the author. Several of his ex-girl friends show up, and he entertains them. Afterward he returns to his study, but not before telling his butler that he plans to kill himself because life is simply too much to bear. It is the valet who suggests he leave a suicide note to protect the innocent. The distraught author does so and then fires the gun. Unfortunately, he only wounds himself. The butler runs in, sees an opportunity to at long last get revenge and finishes the job. He feels secure that he has committed the perfect crime. Unfortunately, he forgot about the second bullet embedded in the floor. Fortunately, the police find it and the butler gets his just desserts. ~ Sandra Brennan, All Movie Guide

In this sassy romantic comedy, Clive Brook plays Neil Dunlap, a lawyer who is heartbroken when his wife leaves him. Neil is out drowning his sorrows when he meets Pansy Gray (Ruth Chatterton), a high-spirited chorus girl. Neil and Pansy hit the town, and a brutally hung-over Neil wakes up the next day to discover that he and Patsy are now man and wife. Neil's immediate reaction is that he's made a horrible mistake, but he finds Pansy so sweet, and she seems to taken with him, that he doesn't have the heart to tell her he wants a divorce. Against the advice of family and friends, Neil tries to make the marriage work, and he struggles to remodel Pansy into a respectable lady. Anybody's Woman was directed by Dorothy Arzner, one of Hollywood's first (and only) successful female directors. ~ Mark Deming, All Movie Guide

On a trip from France to Allied-occupied Berlin, a group of travelers -- a mysterious and very secretive European woman (Merle Oberon), an American agricultural expert (Robert Ryan), a British educator (Robert Coote), a Soviet Army officer (Roman Toporow), and a French official (Charles Korvin) -- all cross paths in the cramped quarters of a military train. They discover that the notion of the "Allied forces" is breaking down amid their victory in the war; they neither like nor trust each other, nor each other's countries, except where the Germans are concerned, where they share a distrust. And then they cross paths with a German VIP who makes them wonder if they've got all of the Germans pegged right. A bomb goes off, killing their newfound acquaintance, and the suspicions start anew. The mystery surrounding the victim only deepens when they discover that he wasn't who he claimed to be -- and that the army isn't saying who he was. Ryan, Oberon, et al. soon find themselves up to their necks in unrepentant Nazis and militant German nationalists who have banded together against the occupiers to destroy any chance of success for a peace plan being put forward by a visionary German (Paul Lukas). They find Frankfurt a hotbed of sabotage and armed underground resistance, with the occupying armies seemingly caught flat-footed by the plotting in their midst, which includes murder and blackmail. Berlin Express is a spellbinding mix of action, suspense, and topical political intrigue, laced with idealism and a surprising degree of sophistication, a level a wit almost worthy of Graham Greene, and an eye for suspense worthy of Hitchcock. Indeed, the film could almost be considered director Jacques Tourneur's postwar equivalent to Hitchcock's Foreign Correspondent (1940). It also represents a fascinating cultural snapshot, depicting the very last moments of hope for peaceful relations with the Soviets that could be seen in American movies for decades. ~ Bruce Eder, All Movie Guide

After directing three of Universal's finest horror films, James Whale shifted gears with the elegant romantic comedy By Candlelight. Though quite miscast, Paul Lukas successfully conveys the role of Josef, ultra-dutiful valet to the libidinous Count Von Bommer (Nils Asther). Falling in love with Marie (Elissa Landi), whom he assumes to be a countess, Josef poses -- quite convincingly -- as his rakish master. The catch: Marie is herself a poseur, a mere maidservant to Count and Countess Von Rischenheim (Lawrence Grant, Dorothy Revier). Based on a play by Siegfried Geyer, By Candlelight is chock full of delightfully double-entendre pre-Code dialogue and dextrous directorial touches. ~ Hal Erickson, All Movie Guide

Adapted from a "drawn from life" novel by Sir Phillip Gibbs, Captured is the story of the men in a German POW camp during World War I. Amongst the allied prisoners are Leslie Howard and Douglas Fairbanks Jr. (British), and Paul Lukas (French). Adding to the dramatic intensity is the fact that both Howard and Fairbanks had been in love with the same aristocratic young woman before the war. Instead of serving up slam-bang action sequences, the film is more concerned with detailing the Hell of war and the despair of those who fight it. Not quite in the same league as La Grande Illusion or Stalag 17, Captured is nonetheless worth a second glance. ~ Hal Erickson, All Movie Guide

Bold for its time (just prior to World War II), Confessions of a Nazi Spy is an expose of a genuine Nazi espionage ring operating in the United States. Dedicated National Socialist Paul Lukas arrives in America to conduct Bund rallies and enlist German-Americans in the service of Hitler. His rabble-rousing speeches inspire a blue collar worker (Francis Lederer) to join a Bund, and then participate in spy activities. FBI agent Edward G. Robinson is assigned to investigate. Extracting a confession from the not-too-bright Lederer, Robinson traces the espionage activities to Lukas. The Nazi official's notoriety and his undesirability as a security risk compels the German secret police to kidnap Lukas and spirit him back to the Fatherland, presumably to face liquidation. The spy ring is rounded up, but Robinson realizes that this is only the beginning. Confessions of a Nazi Spy may seem dated today, but in 1939 it packed a real wallop, especially since most filmmakers of that era chose to ignore the Nazis lest they lose the valuable European market. ~ Hal Erickson, All Movie Guide

Deadline at Dawn represented not only the sole film directorial effort of Broadway's Harold Clurman, but also the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Clifford Odets. While on shore leave in New York, sailor Alex (Bill Williams) is slipped a doped-up drink by B-girl Edna (Lola Lane). When he awakens, Alex discovers that she has been murdered. Though he believes that he's the killer, our hero is talked into locating the actual miscreant by philosophical cab driver gus (Paul Lukas) and nightclub dancer June (Susan Hayward). Adapted from a novel by Cornell Woolrich, Deadline at Dawn leans towards pretentiousness at times, but is redeemed by the no-nonsense performance by Susan Hayward. ~ Hal Erickson, All Movie Guide

In this highly acclaimed adaptation of Sinclair Lewis' novel, Walter Huston plays Sam Dodsworth, a good-hearted, middle-aged man who runs an auto manufacturing firm. His wife Fran (Ruth Chatterton) is obsessed with the notion that she's growing old, and she eventually persuades Sam to sell his interest in the company and take her to Europe. He agrees for the sake of their marriage, but before long Fran has begun to think of herself as a cosmopolitan sophisticate and thinks of Sam as dull and unadventurous. Craving excitement, Fran begins spending her time with other men and eventually informs Sam that she's leaving him for a minor member of royalty. While in Italy, Sam runs into Edith Cortright (Mary Astor), an attractive widow whom he first met while sailing to Europe. Edith seems to understand Sam in a way his wife does not, and they fall in love. However, Sam impulsively breaks off their relationship, only to discover in her absence just how deeply he cares for her. Dodsworth was nominated for seven Academy Awards, including Best Picture, Best Actor (Walter Huston), and Best Supporting Actress (Maria Ouspenskaya), though only art director Richard Day walked away with an Oscar. ~ Mark Deming, All Movie Guide

Anyone who believes that the career of silent screen idol John Gilbert ended because his voice has too high for the talkies hasn't seen this marvelously black comedy. In perhaps his best performance of the sound era (with his supporting role in 1934's The Captain Hates the Sea running a close second), Gilbert plays a rogue who can get away with just about anything because of his charisma and charm -- and his voice suits his character perfectly. Karl (Gilbert) is a chauffeur who goes to work for a Viennese Baron and Baroness (Reginald Owen) and Olga Baclanova) on the day that two of their servants -- head butler Albert (Paul Lukas) and maid Anna (an astonishingly lovely Virginia Bruce) -- are being wed. Almost immediately Karl creates havoc in the household -- he flirts with the innocent, susceptible Anna, blackmails the Baroness, who is having an affair, and seduces the middle-aged head cook, Sophie (Bodil Rosing), only so he can get his hands on her life savings. In spite of his wickedness, there is something magnetic about Karl, and Anna -- who is vaguely dissatisfied with her loving but dogmatic husband -- finally succumbs. But all of his schemes inevitably backfire on him and after Albert gets Sophie's money back, he gladly tosses Karl out of the Baron's mansion. The next we see of him, he is c harming his way into yet another chauffeur position (hinting at a potential sequel that, unfortunately, never came). Gilbert, who wrote the story four years earlier, originally had an appropriately macabre ending -- after a brutal fight, Albert drowns Karl in a vat of wine. When he first came up with the idea, Gilbert had wanted Erich Von Stroheim to direct. By 1932, this was out of the question (MGM mogul Louis B. Mayer had little use for Stroheim). Instead, the highly capable Monta Bell was given the job -sadly, it was one his last directing assignments. During the shoot, Gilbert and Virginia Bruce fell in love and they were married in August, 1932, the month that the film was released. ~ Janiss Garza, All Movie Guide

Officially based on a novel by Margaret Carpenter, Experiment Perilous would seem to be more inspired by MGM's psychological thriller Gaslight. Set at the turn of the century, the film stars Hedy Lamarr as Allida, the beautiful young wife of an elderly "gentleman" named Nick (Paul Lukas). Treating his wife like a possession, Nick keeps her a virtual prisoner in their London town house, cutting off all contact with the outside world. The situation is exacting a terrible emotional toll on Allida and her stepson Alec (George N. Neise). Enter kindly psychiatrist Huntington Bailey (George Brent), who takes it upon himself to free Allida and Alec from the despotic control of the insanely jealous Nick. The film's "money scene" is a frenzied gun battle in an aquarium, replete with shattered glass, gushing water and floundering fish; this sequence would be imitated ad nauseum in such future films as Lethal Weapon (1988) and Mission: Impossible (1996). ~ Hal Erickson, All Movie Guide

Elvis Presley stars as Mike Windgren, a former trapeze artist who's suffered from vertigo ever since accidentally dropping his partner during a performance. Working as a lifeguard/entertainer at an Acapulco resort, Mike falls in love with social director Margarita Dauphine (Ursula Andress). With her help, he overcomes his fear of heights in a spectacular high-dive finale. Presley songs featured include "Vino, Dinero y Amor," "Marguerita," "Bossa Nova Baby" and the title tune. ~ Hal Erickson, All Movie Guide