Freddie Bartholomew

As indicated by the title, Sepia Cinderella is an updated retelling of the classic fairy tale, featuring a cast of African-American performers. The "Cinderella" is this instance is a young man, played by Ruble Blakely. A struggling songwriter, Blakely scores an unexpected hit, then finds that he can't cope with success. He is brought down to earth by his faithful girlfriend (Sheila Guyse). Though produced by blacks for a predominantly black audience, Sepia Cinderella is strictly white-bread when honoring the conventional cliches. There's even the scene in which the hero must choose between a high-society debutante and the "regular" girl he left behind. ~ Hal Erickson, All Movie Guide

Several veterans of the "Dead End Kids" series are prominently featured in the Columbia programmer Junior Army. Grown-up child star Freddie Bartholomew acquits himself nicely as Freddy Hewlitt, newly arrived at a strict military academy. Freddy tries to set a good example for hell-raising cadet Jimmy Fletcher (Billy Halop), but Jimmy soons alienates everyone around him-even his old pals Cowboy (Bobby Jordan) and Bushy (Huntz Hall). Eventually, however, Jimmy comes through with flying colors when he helps Freddy and his buddies smash a gang of saboteurs. While Billy Halop, Bobby Jordan and Huntz Hall would continue appearing in films well into the next decade, Freddy Bartholomew eventually abandoned acting to become a successful advertising executive. ~ Hal Erickson, All Movie Guide

MGM's A Yank at Eton follows the same basic formula as the 1938 Robert Taylor starrer A Yank at Oxford, with a wartime angle thrown in. This time it's Mickey Rooney as the cocky young American who is shipped off to England to complete his education. Upon his arrival in the hallowed halls of Eton, Timothy Daniels (Rooney), bereft of common courtesy or a sense of tradition, wastes no time alienating the rest of the students. Eventually of course, Timothy knocks the chip off his own shoulder and becomes a model student and top athlete. Freddie Bartholomew, Rooney's costar in so many MGM classics of the 1940s, plays Timothy's upper-classman half-brother Peter Carlton, who applies a little "tough love" to bring our headstrong hero into line; also seen as the school bully is new MGM contractee Peter Lawford, who in 1938 had made his American film debut in the Rooney-Bartholomew starrer Lord Jeff. ~ Hal Erickson, All Movie Guide

Johan David Wyss' novel Swiss Family Robinson had been in print for nearly fifty years before the first film version was made by RKO in 1940. Thomas Mitchell is top-billed as the patriarch of the Robinson family, who, as in the book, are shipwrecked on a tropical island and compelled to bring the edicts and values of civilization to their tiny patch of the world. To give the story a bit of topicality, screenwriters Walter Ferris, Gene Towne and Graham Baker contrive to depict the Robinsons as refugees from a foreign war (Napoleonic rather than Hitler-inspired). Produced independently by The Play's the Thing Productions and released by RKO, Swiss Family Robinson was completely withdrawn from circulation on the occasion of the 1960 Disney remake. Side note: The 1940 version represented the feature film debut of Orson Welles, who functioned as offscreen narrator. ~ Hal Erickson, All Movie Guide

In this campus drama, an orphan wins a cadet scholarship to the Culver military academy. He is a cocky fellow, and is very proud that his late father was a decorated war hero who died in battle. His arrogance and unwillingness to comply with the academy's strict rules soon gets him into hot water. Fortunately, the lad's level-headed roommate helps him settle down and toe the line. Later the young man learns that his dad is still alive and is recovering from the trauma of battle in a local VA hospital. Time passes and the young man grows up to be a fine cadet. Meanwhile, his father heals and becomes the courageous hero he once was. ~ Sandra Brennan, All Movie Guide

Two of MGM's top juvenile stars, Judy Garland and Freddie Bartholomew, team up for the otherwise unremarkable Listen, Darling. The story gets rolling when widowed Dotty Wingate (Mary Astor) decides to remarry for the sake of her children Pinkie (Garland) and Billie (Scotty Beckett). To prevent her mother from making this fateful move, Pinkie and her best pal Buzz (Bartholomew) conspire to "kidnap" Dotty by convincing her to take a cross-country motor trip. En route, the vacationers make the acquaintance of lawyer Richard Thurlow (Walter Pidgeon). Immediately altering her plan, Pinkie decides that Thurlow would make a perfect stepfather, and the rest of the film is devoted to the zany methods implemented by the kids to bring Thurlow and Dottie together. Early in the proceedings, Judy Garland sings "Zing Went the Strings of My Heart", easily the film's most memorable moment. ~ Hal Erickson, All Movie Guide

Director Sam Wood always seemed most comfortable with cozy family-oriented films like Lord Jeff. Freddie Bartholomew plays Geoffrey Braemer, a basically good kid who falls in with bad company. The orphaned Geoffrey is being used as part of jewel-theft scheme masterminded by his so-called aunt Doris Clandon (Gale Sondergaard) and her confederate Hampstead (George Zucco). Left holding the bag when his cohorts skip town, Geoffrey is saved from reform school by kindly Captain Briggs (Charles Coburn), who enrolls the boy in the Russell-Cotes Merchant Marine Training School. At first antagonistic, Geoffrey eventually makes friends with his fellow students, especially Irish boyo Terry O'Mulvaney (Mickey Rooney). A series of misunderstandings brings disgrace upon Geoffrey, but he redeems himself by delivering Doris and Hampstead into the waiting hands of Law-with a little help from his new shipmates, of course. A teenaged Peter Lawford makes his American film debut as Geoffrey's school chum Benny Potter. ~ Hal Erickson, All Movie Guide

David O. Selznick's first independent production upheld the producer's tradition, established at Paramount, RKO and MGM, of bringing the "classics" to the screen. Adapted by Hugh Walpole from the novel by Frances Hodgson Burnett, Little Lord Fauntleroy is set in the late 19th century. After establishing Freddie Bartholomew as a likeable Brooklyn boy who can handle himself in a scrap--with the assistance of his roughneck pal Mickey Rooney, of course--the film introduces us to Bartholomew's mother, played by Dolores Costello-Barrymore (though divorced from John Barrymore, Mrs. Costello-Barrymore was still billng herself by her married name). Costello-Barrymore is the widow of a titled Englishman, whose father, the aristocratic Sir C. Aubrey Smith, detests all Americans with equal fervor. Upon discovering that Bartholomew is the rightful heir to his fortune, Smith demands that Costello-Barrymore deliver the boy to his sprawling English country estate. Now addressed by one and all as Lord Fauntleroy, Bartholomew chafes at the restrictions imposed upon him by his station in life. The boy's good nature and forthrightedness wins his grandfather's respect-and, eventually, the old man's love. When pasty-faced Jackie Searl, a false claimant to Bartholomew's title, shows up, Bartholomew's American pals, led by Rooney, set things right. His hard heart softened at last, Smith stage-manages a happy reunion between Bartholomew and Costello-Barrymore. Expertly sidestepping the "sissy" onus that has been unfairly placed upon the original Burnett novel, Little Lord Fauntleroy scored well at the box office. Other versions of this venerable tale have starred Mary Pickford (as both Fauntleroy and his mother) and Ricky Schroder. ~ Hal Erickson, All Movie Guide

Adventurer-for-hire Victor McLaglen is hired by a political faction in a mythical European kingdom. McLaglen's job is to kidnap the young prince (Freddie Bartholomew) so that his employers can take over the government. The prince enjoys the experience because it releases him from the confines of protocol. When the prince is reluctantly rescued, McLaglen is thrown in prison. He escapes upon the realization that the political party he'd been working for actually plans to kill the prince and set up a dictatorship. McLaglen rescues the prince and preserves the Status Quo--and his blossoming friendship with the affable young monarch. Curiously enough, Professional Soldier is based on a story by Damon Runyon, taking a break from his "Guys and Dolls" chronicles. ~ Hal Erickson, All Movie Guide

David Copperfield was MGM's major Christmas release for its 1934-1935 season and also the first of producer David O. Selznick's major "literary" films for that studio. While a great deal of editing and streamlining was necessary to distill Charles Dickens' massive novel into 133 minutes of screen time, the end result was so successful that only the nittiest of nitpickers complained about the excised characters and events. Freddie Bartholomew plays the young Copperfield, who, after the death of his mother (Elizabeth Allan), is cruelly mistreated by his stepfather, Mr. Murdstone (Basil Rathbone). David's life brightens when he meets the ever-in-debt Mr. Micawber (W.C. Fields), and he is sheltered by Micawber's large and loving family until Micawber is carted off to debtor's prison. Forced once more to seek a home, David makes his way to the Dover estate of his Aunt Betsey (Edna May Oliver), where he meets another colorful cast of characters, none more so than the childlike Mr. Dick (Lennox Pawle). When Murdstone arrives, insisting that David be returned to him, Aunt Betsey and Mr. Dick form a united front to protect the boy. Flash-forward several years: the grown David (now played by Frank Lawton) is attending school, where he meets the lovely Agnes Wickfield (Madge Evans). David discovers that Agnes' businessman father (Lewis Stone) is under the thumb of the "'umble" prevaricator Uriah Heep (Roland Young) and the equally disreputable Steerforth (Hugh Williams). With the help of Mr. Micawber-who in a weak moment has taken a job working side-by-side with Heep-David proves Heep's treachery and rescues the Wickfields. By rights, he should marry Agnes, but David impulsively weds the empty-headed Dora (Maureen O'Sullivan). Only after Dora's death does David come to his senses, realizing that Agnes is the true love of his life. Originally, Charles Laughton was slated to play Micawber, but he pulled out of the production, worried that he wouldn't be funny enough. The casting of W.C. Fields was an inspired choice: although he injects his own established screen personality at every opportunity, Fields was born to play Micawber. Likewise, second-billed Lionel Barrymore fits his portrayal of crusty old Dan Peggoty like a glove. In fact, there isn't a false bit of casting in the whole production, and this, as much as Selznick's sumptuous production values, is the key to David Copperfield's enormous success. ~ Hal Erickson, All Movie Guide

Corinne Griffith, the stunningly attractive "orchid lady" of the silent screen, originally intended to retire when talkies came in. The wisdom of this decision was demonstrated in her handful of sound-picture appearances, of which Lily Christine is among the least memorable. While driving along in her touring car, Lily Christine (Griffith) breaks her glasses. Since her travelling companion Rupert Harvey (Colin Clive) can't drive at all, he and Lily are forced to spend the evening at Harvey's home. It's all quite innocent, but Harvey's wife Muriel (Anne Grey) suspects that her husband and Lily have been canoodling around, an opinion also held by Lily's own husband Ivor (Jack Trevor), an inveterate philanderer who has been looking for an excuse to divorce his wife. Disgraced in the eyes of the world, Lily attempts to kill herself, but there's a happy ending in the offing for herself and Harvey -- who, as it turns out, has loved her all along. Lily Christine was based on a considerably racier novel by Michael Arlen. ~ Hal Erickson, All Movie Guide