Margarita Lozano Movies

A young firebrand learns the hard way about the practical problems behind political assassination in this lavish period comedy. In 1814, with his reputation in tatters and his rule of France come to an inglorious end, Napoleon Bonaparte (Daniel Auteuil) flees to the Island of Elba, where his arrival causes no small stir among the citizens. However, not everyone is pleased with his presence; Martino (Elio Germano) is a young and idealistic schoolteacher who believes Napoleon turned his back on the ideals he fought for in the French Revolution, and doesn't hesitate to criticize the former Emperor in front of his students. When Martino isn't busy with his students, he attends to the romantic needs of the beautiful Baroness Emilia (Monica Bellucci), but she's powerless to help him when his controversial opinions about Elba's new arrival cause him to be fired. When Martino learns that Napoleon is in need of a personal secretary and librarian, he has a brainstorm -- if he can get the job, he'll be close enough to the former emperor to win his trust and then kill the despot when no one suspects. Martino is awarded the prestigious position, but once he gets to know Napoleon, the great man's charm and wit make it difficult for Martino to put his deadly plans into motion. N (Napoleon and Me) (aka N (Io E Napoleone) received its North American premiere at the 2007 Tribeca Film Festival. ~ Mark Deming, Rovi

This gentle Italian drama is based upon the 1919 autobiographical novel by Federico Tozzi. The film tells the story of teenagers Ghisola and Pietro whose closeness is born of the pain the two experience in their daily lives. Ghisola, only 14-years old, must work in the fields away from her family. Pietro is emotionally abused by his father. When his father discovers their mutual affection, he sends Ghisola away. Pietro does not see her again until he is an adult. She has changed. Now pregnant and alone, Ghisola tries to seduce Pietro so he will marry her. ~ Sandra Brennan, Rovi

In this film, Tolsoy's classic story Father Sergius is translated from 19th century Russia to 19th century Italy. As in the original story, Sergio (Julian Sands) is a nobleman and a military cadet who is posted in a position close to the (in this case Neapolitan) throne. He is about go through with an arranged marriage linking him with a higher-ranking noblewoman (Natassja Kinski) when he discovers that she has been the King's mistress. Disgusted, he renounces the world and becomes a churchman and a hermit. At his hermitage, he encounters a woman who considers any priest, especially an ascetic one, fair game. She attempts to seduce him and he nearly succumbs, narrowly avoiding that fate by chopping off a finger, in a scene harking back directly to the 1918 Russian silent classic Otets Sergey. Soon after that, he begins to acquire a reputation as a miracle worker. However, by now he has succumbed to his ever-present demon of sexual temptation in the form of a conniving young girl, and he knows he is not worthy of the adulation he is receiving. Devastated by his lapse, he leaves the hermitage and wanders around Italy as a homeless beggar. ~ Clarke Fountain, Rovi

In 1978, Italian politics were thrown into turmoil when the Christian Democratic president Aldo Moro was executed. This gripping political drama is based on American journalist Robert Katz's non-fiction book Days of Wrath and documents the convoluted chain of events that lead to Moro's death. Moro was the first politico to bring his country's political factions together in 40 years. His ordeal begins shortly after he is elected. He is en route to church with his five body guards when they are ambushed by radical communist terrorists, the Red Brigade. They quickly execute the body guards and spirit Moro to a hidden "people's prison' where he is interrogated. Neither Moro's Christian Democrats nor the newly reinstated Communists will deal or in any way acknowledge the Red Brigade. They do however engage in a massive search for the missing Moro. But the search is poorly organized and ineffectual. Meanwhile Moro is allowed to send letters to the government. He suggests that the Vatican be called in to negotiate a prisoner exchange with the terrorists, but the Vatican refuses. Instead, they make a formal plea for Moro's unconditional freedom. The government does little or nothing to help the president and Moro realizes that the organization he helped create has abandoned him. In desperation, he becomes sharply critical of the government that continues to stall while the Red Brigade becomes increasingly frustrated and impatient. Eventually they decide to kill Moro and later stuff his body in a red Renault which they parked between the Christian Democrat and the Communist headquarters. The Moro Affair or Il Caso Moro as it was known in Italy, was extremely popular in it's native country, but it also sparked considerable controversy for as the case unfolds, nagging doubts and holes arise that infer that perhaps the government had more of a hand in the assassination than the Red Brigade. ~ Sandra Brennan, Rovi

Manon of the Spring (Manon des Sources) has also been released as Jean de Florette II in the US, as it is a sequel to Claude Berri's Jean de Florette. Both films are drawn from the same source: Filmmaker/novelist Marcel Pagnol's 1952 rural romance, also titled Jean de Florette. Manon (Emmanuelle Beart), now fully grown, is a shepherdess who prefers to keep her distance from the local villagers. She is determined to uncover the truth behind the death of her father (played by Gerard Depardieu in Jean de Florette) and to wreak vengeance on the men she holds responsible. The more sympathetic of the two men, Ugolin (Daniel Auteil), is in love with Manon, but this does not weaken her resolve. She causes the village's water supply to diminish, blaming this action upon Ugolin and his duplicitous co-conspirator Cesar (Yves Montand). The upshot of this vengeful behavior ends in tragedy for all concerned. The joint winners of eight French Cesar awards, Jean de Florette and Manon of the Spring were released to the U.S. in tandem in 1987. ~ Hal Erickson, Rovi

Onetime campus radical Nanni Moretti (who also directed this film) renounces his past to become a priest. Returning to his home village, Moretti is appalled at the lack of religious reverence amongst the townsfolk. Unable to communicate with any of his old friends, who've all gleefully succumbed to the Deadly Sins, Moretti cannot even count on solace from his own family, a screwed-up aggregation which gives the word "dysfunctional" several new meanings. The priest finally gives up on the village and transfers to a parish far, far away. Despite the somber tone of the past few sentences, the Italian-filmed Mass Is Ended (Messa E' Finita) is actually a comedy, its humor stemming from the nonplussed reactions of Moretti and the believable performances of the supporting cast. The film won a special jury prize at the Berlin Film Festival. ~ Hal Erickson, Rovi

In Tuscan lore, the evening of August 10th is la notte di san lorenzo (the night of the shooting stars). Each of these stars is believed to grant one wish. In this celebrated film by Italy's Taviani brothers, a woman asks for the words to tell her son about that same night during the last days of World War II. The Nazis occupied Italy and the fascists had mined her small Tuscan village of San Martino. Skeptical of the fascists' promise that all peasants will be safe in San Martino's cathedral, a group of villagers opt to leave and search for the Italian partisans and advancing American forces. Among those to depart is the woman, then only six years old. La Notte di San Lorenzo is the story of the villagers' remarkable exodus, the fate of those left behind, and the partisan struggle against fascism -- lyrically intertwined with their thoughts, loves, fears, and memories, as well as the fantasies of a young girl experiencing the tragedy she perceives to be her greatest adventure. ~ Aubry Anne D'Arminio, Rovi

In this nasty drama, a 17th-century Italian nun's long repressed sexual passion is awakened when a handsome nobleman rapes her. Confused by her unholy emotions, the nun sees that the aristocrat is arrested. Unfortunately, the louse impregnated her and shortly after bearing his child, she helps him escape from prison. Reunited, the two embark upon a passionate affair. One day another nun sees the two making love. Unfortunately, she dies before she can tell anyone. Later the offending nun is captured and given a life sentence for having sex and helping to murder her colleague. ~ Sandra Brennan, Rovi

Julian (Jean-Pierre Leaud) is the son of German industrialist Klotz (Alberto Lionello) who seeks to go into business with the former Nazi Herdhitze (Ugo Tognazzi). Herdhitze had spent most of World War II collecting human skulls for experiments with brain matter. As a protest, Julian refuses to marry his fiancé from a pre-arranged marriage, and he becomes romantically involved with pigs. Part two finds a man driven to cannibalism by hunger while wandering Mount Etna. He scavenges the mountainside looking for any kind of sustenance. In both cases, humans revert to animal behavior when they are removed from the spectrum of social rules and opinions. ~ Dan Pavlides, Rovi

Anna (Ghistlaine D'Orsay) is a teenage girl beset with mental problems. Her parents have shuffled her in-and-out of various institutions with little improvement on her condition. Blanche (Margarita Lozano) is the dedicated Swiss psychiatrist who successfully delves into Anna's past and accurately identifies her malady as schizophrenia. Flashbacks reveal her childhood experiences which become clues to the nature of her illness. Anna's parent's are portrayed as wealthy and too busy to really concern themselves with their daughter's problems. The story is taken from the Andree Sechehaye diary concerning her own battles with the illness. ~ Dan Pavlides, Rovi

By the time Sergio Leone made this film, Italians had already produced about 20 films ironically labelled "spaghetti westerns." Leone approached the genre with great love and humor. Although the plot was admittedly borrowed from Akira Kurosawa's Yojimbo (1961), Leone managed to create a work of his own that would serve as a model for many films to come. Clint Eastwood plays a cynical gunfighter who comes to a small border town and offers his services to two rivaling gangs. Neither gang is aware of his double play, and each thinks it is using him, but the stranger will outwit them both. The picture was the first installment in a cycle commonly known as the "Dollars" trilogy. Later, United Artists, who distributed it in the U.S., coined another term for it: the "Man With No Name" trilogy. While not as impressive as its follow-ups For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1966), A Fistful of Dollars contains all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Not released in the U.S. until 1967 due to copyright problems, the film was decisive in both Clint Eastwood's career and the recognition of the Italian western. ~ Yuri German, Rovi

Based on a Spanish literary classic, this excellent costume drama follows the adventures of Lazarillo (Marco Paoletti), a young impoverished boy who has no one to financially or emotionally support and nurture him. So he becomes the cohort of a villainous, blind beggar as the only ready means of survival. Next, he hooks up with an impecunious cleric who in that regard, is not much different than the beggar. Lazarillo then continues on his way and finds a supposed nobleman who turns out to have about as much money as Lazarillo -- nada. Finally, the lad joins up with a troupe of actors, a family who wanders from town to town performing, and finally life begins to look more interesting. ~ Eleanor Mannikka, Rovi