Tom Lowell Movies

The most successful of network television's many WWII dramatic series of the '60s, Combat!, ran for five seasons on ABC -- or roughly one year longer than the war lasted! Set in the months following D-Day, the weekly, hour-long series focused on King Company, a platoon of American GIs battling their way through Southern Europe, encountering action, adventure, humor, heartbreak and dozens of guest stars along the way. Throughout the series' run, King Company was headed by gritty, taciturn Sgt. Chip Saunders (Vic Morrow) and his superior officer, cool and courageous Lt. Gil Hanley (Rick Jason). Though several soldiers were attached to the platoon from one season to the next, the most enduring of the supporting players were Pierre Jalbert as Paul "Caje" Lemay, Jack Hogan as "Wild Man" Kirby, and Dick Peabody as PFC Littlejohn. Some of the better episodes were directed by such Hollywood heavyweights as Robert Altman and Burt Kennedy. Filmed in glorious black-and-white during its first four seasons -- the better to accommodate newsreel footage of actual wartime battles -- Combat! switched to color for its fifth and final season on the air. ~ All Movie Guide

Screenwriter Nunnally Johnson adapted the novel by author Edward Streeter, whose work was also the basis of Father of the Bride (1950), into this domestic comedy. James Stewart and Maureen O'Hara star as Roger and Peggy Hobbs, a St. Louis couple with a large brood who desire a seaside vacation. Renting a cottage by the ocean is just the first step in a summer fraught with disasters, including a couch potato son, a shy daughter with newly installed braces, a pair of grown daughters who have married badly, and a local yachtsman with eyes for Peggy. Not to mention the ramshackle state of the shoreline abode, Roger and Peggy's new grandparent status, and incidents involving a sexy neighbor, a sailboat regatta and bird watching. ~ Karl Williams, All Movie Guide

Chris (Candy Moore) demands that her mom Lucy (Lucille Ball) not interfere with her planned New Year's Eve Party. Reluctantly but obligingly, Lucy vacates her living room and goes out on a double date with Viv (Vivian Vance), Harry (Dick Martin) and Eddie (Don Briggs). Before long, however, Lucy receives an urgent call from home--Chris's party is dying, and some instant entertainment is sorely required. The highlight of this episode is an elaborate silent-movie spoof featuring Lucille Ball's astonishingly accurate impersonation of Charlie Chaplin (whom teenager Chris describes as "The Soupy Sales of the Stone Age"). ~ Hal Erickson, All Movie Guide

An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.

The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide