Tom Lowell Movies

The most successful of network television's many WWII dramatic series of the '60s, Combat!, ran for five seasons on ABC -- or roughly one year longer than the war lasted! Set in the months following D-Day, the weekly, hour-long series focused on King Company, a platoon of American GIs battling their way through Southern Europe, encountering action, adventure, humor, heartbreak and dozens of guest stars along the way. Throughout the series' run, King Company was headed by gritty, taciturn Sgt. Chip Saunders (Vic Morrow) and his superior officer, cool and courageous Lt. Gil Hanley (Rick Jason). Though several soldiers were attached to the platoon from one season to the next, the most enduring of the supporting players were Pierre Jalbert as Paul "Caje" Lemay, Jack Hogan as "Wild Man" Kirby, and Dick Peabody as PFC Littlejohn. Some of the better episodes were directed by such Hollywood heavyweights as Robert Altman and Burt Kennedy. Filmed in glorious black-and-white during its first four seasons -- the better to accommodate newsreel footage of actual wartime battles -- Combat! switched to color for its fifth and final season on the air. ~ All Movie Guide

Screenwriter Nunnally Johnson adapted the novel by author Edward Streeter, whose work was also the basis of Father of the Bride (1950), into this domestic comedy. James Stewart and Maureen O'Hara star as Roger and Peggy Hobbs, a St. Louis couple with a large brood who desire a seaside vacation. Renting a cottage by the ocean is just the first step in a summer fraught with disasters, including a couch potato son, a shy daughter with newly installed braces, a pair of grown daughters who have married badly, and a local yachtsman with eyes for Peggy. Not to mention the ramshackle state of the shoreline abode, Roger and Peggy's new grandparent status, and incidents involving a sexy neighbor, a sailboat regatta and bird watching. ~ Karl Williams, All Movie Guide

Chris (Candy Moore) demands that her mom Lucy (Lucille Ball) not interfere with her planned New Year's Eve Party. Reluctantly but obligingly, Lucy vacates her living room and goes out on a double date with Viv (Vivian Vance), Harry (Dick Martin) and Eddie (Don Briggs). Before long, however, Lucy receives an urgent call from home--Chris's party is dying, and some instant entertainment is sorely required. The highlight of this episode is an elaborate silent-movie spoof featuring Lucille Ball's astonishingly accurate impersonation of Charlie Chaplin (whom teenager Chris describes as "The Soupy Sales of the Stone Age"). ~ Hal Erickson, All Movie Guide

An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.

The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide

As Combat! moves into its second season, the men of King Company welcome several new "regular" platoon members, notably Private Billy Nelson (Tom Lowell) and PFC Littlejohn (Dick Peabody). Also, the platoon's resident medical aidman Walton has been replaced by a man who prefers to be known only as "Doc" (Conlan Carter). Even so, Sgt. Chip Saunders (Vic Morrow) and Lt. Gil Hanley (Rick Jason) remain firmly in charge as the men make their way through occupied France in the wake of D-Day. Among the season's 32 episodes are the series' first two-part adventures, "The Long Way Home" and "What are the Bugles Blowin'. As for guest stars, this season offers such notables as Lee Marvin, James Caan, James Coburn, Leonard Nimoy -- and on distinctly opposite sides of the age spectrum, Eddie Albert as a fiftyish WWI doughboy who is unaware that a whole new war is raging about him, and Beau Bridges as a green private who tries to hide the fact that he is merely 15 years old. ~ All Movie Guide

Edward Dmytryk brings Harold Robbins' trashy, dirt-dishing Hollywood best-seller to the screen with George Peppard starring as Jonas Cord, a rancidly-sketched portrait of Howard Hughes. In 1925, when his father dies of a stroke, Jonas inherits the Cord Chemical factory, a manufacturer of dynamite and other explosives. Jonas proceeds with several cut-throat transactions, making a settlement with his sexy stepmother Rina (Carroll Baker) and liquidating the stock owned by cowhand Nevada Smith (Alan Ladd, in his final American film role). With the help of Mac McAllister (Lew Ayres), his father's attorney, Jonas builds his father's company into a multi-million dollar business, expanding into plastics and aeronautics. Meanwhile, Rina has become a top fashion model and movie star and Nevada Smith has parlayed his laconic demeanor into a career as a popular silent film cowboy idol. Jonas then marries, then ignores, the well-meaning Monica Winthrop (Elizabeth Ashley), and ruins her father's company in the process. Then, with the advent of sound films, Jonas helps Nevada Smith through the sound film crisis by offering financial backing for a film to star both Nevada and his ex-mother-in-law Rina. Jonas decides to direct the film himself, hoping to seduce Rina. But Jonas's insensitive and egomaniacal behavior causes Monica to leave him. Jonas invests all his time in film production but the alcoholic Rina dies in a car accident. The owners of the film studio -- Bernard B. Norman (Martin Balsam) and Dan Pierce (Robert Cummings) -- want to sell the studio to Jonas but hide the fact that Rina, the studio's biggest star, has died. Jonas buys the studio and when he finds his biggest asset is gone, he goes on a drunken binge. But Jonas quickly meets call girl Jennie Denton (Martha Hyer), who he decides to turn into a superstar modeled upon Rina. Despite having made her a star, Jonas's vile treatment of Jennie repulses both her and his old friend Nevada Smith, and Smith decides it's time to beat some sense into Jonas's head. ~ Paul Brenner, All Movie Guide

Though overlong even for a Hayley Mills vehicle, That Darn Cat is an expert blend of laughs and suspense. The eponymous feline is D.C., a Siamese belonging to sisters Hayley Mills and Dorothy Provine. One evening, D.C. comes flouncing home with a lady's wristwatch attached to her neck. The watch contains an unfinished plea for help scribbled on its back, written by Grayson Hall, a bank teller held captive in a neighboring house by robbers Neville Brand and Frank Gorshin. Mills and Provine contact the FBI, who send agent Dean Jones (who's allergic to cats) to investigate. In their efforts to locate and rescue Hall and capture the crooks, Jones and the two sisters embark upon a series of slapstick misadventures involving an unending stream of top character actors. The highlight is a lengthy sequence at the drive-in movie theatre managed by ulcerated Richard Deacon. That Darn Cat is based on Undercover Cat, a somewhat more serious suspense novel by The Gordons. ~ Hal Erickson, All Movie Guide

Written by Paul Schneider, "Ride the Wind" was Bonanza's first two-part story. Ben Cartwright is willing to provide Charles Ludlow (Victor Jory) with money to help finance the new Pony Express service, but isn't keen on allowing his son Joe to join Ludlow's riders. Nor is the Paiute Indian tribe amenable to allowing the Pony Express to go across their land. Exacerbating the problem is Ludlow's assistant, Curtis Wade (Rod Cameron), who hopes to make a name for himself as an Indian fighter. The story is sufficiently exciting to make one forget that the real Pony Express had been disbanded some three years before the events depicted in this episode. Part One of "Ride the Wind" first aired on January 16, 1966. ~ Hal Erickson, All Movie Guide

Trouble comes in pairs for the family of a young kidnap victim. Not only has the family received a ransom note from the kidnappers, but they are also being shaken down for money from an extortionist who hopes to cash in on their travails. It is up to Erskine (Efrem Zimbalist Jr.) to round up all the various and sundry villains and return the abductee safely. Featured as one of the kidnappers is a young Karen Black, several years removed from her stardom vis-à-vis such films as The Great Gatsby and Nashville. ~ Hal Erickson, All Movie Guide

In the opening episode of Green Acres' fifth season, Lisa Douglas (Eva Gabor) anxiously prepares for the arrival of her "mudder." No, she isn't expecting a race horse, but instead her jet-setting Hungarian mother (Lilia Skala), who descends upon the Douglas farm in the company of her Japanese manservant Kyoto (Jerry Fujikawa) and settles in for a three-week stay. Although all of Hooterville is on pins and needles over the presence of so illustrious a visitor, Lisa's husband Oliver (Eddie Albert) is outraged that his mother-in-law has turned his household upside down. ~ Hal Erickson, All Movie Guide

The inept Ensign Garland (Robert Morse) battles a trio of jewel thieves in this Walt Disney comedy. Garland starts by spilling paint on the lovely Kate Fairchild (Stephanie Powers). Harry (Phil Silvers), Max (Norman Fell) and Charlie (Mickey Shaughnessy) try to recover the jewels accidentally dumped by Garland into a picnic basket. Garland's superior is Commander Taylor (Don Ameche), who hounds the harried ensign for being a constant bumbler. Jason Bennett (Wally Cox) is the playboy who has replaced his yacht engine with a wine cellar. Character actors Joe E. Ross and Al Lewis witness the sight gags and react to the seafaring shenanigans. ~ Dan Pavlides, All Movie Guide

Escape From the Planet of the Apes is the third in the series of films based upon the Planet of the Apes characters created by novelist Pierre Boulle. At the end of the second film, the centuries-in-the-future world colonized by simians was destroyed, but apes Cornelius (Roddy McDowall) and Zira (Kim Hunter) were able to escape in the space vessel left behind by 20th century astronaut George Taylor (Charlton Heston). Cornelius and Zira pass through another time warp, finding themselves in the Earth of the 1970s. When they reveal their ability to speak, the apes are first treated as curiosities, then as threats when the government, believing the story that the Earth will eventually be inherited by monkeys, tries to prevent the birth of Zira's baby. They are ultimately given shelter by sympathetic circus owner Armando (Ricardo Montalban). This film was followed by the fourth "Apes" entry, 1972's Conquest of the Planet of the Apes. ~ Hal Erickson, All Movie Guide