Dorothy Lovett Movies

A retired septuagenarian writes books on criminology based on his experiences as a Scotland Yard officer. On his seventieth birthday, the DA's office pays homage to him by requesting his assistance on a puzzling case. Though the police are sure they have solved the case, it is the old man using his old fashioned methods who proves them terribly wrong. ~ Sandra Brennan, All Movie Guide

This RKO Radio programmer reunites Edmund Lowe and Victor McLaglen in an enjoyable rehash of their earlier Quirt-and-Flagg antics in What Price Glory. The two venerable action stars are respectively cast as Curtis and McGinnis, who after several years' hiatus rejoin the Marines as sergeants. While stationed in San Diego, they duke it out over the attentions of toothsome cabaret singer Vi (Binnie Barnes), who turns out to be linked up with a gang of enemy saboteurs. The plot is secondary to the comedy in this outing, with most of the laughs generated by a tasteless but undeniably hilarious routine involving a speech impediment. In addition, the producers managed to cram six songs into the proceedings, most of them performed by the King's Men Quartet and Six Hits and a Miss. ~ Hal Erickson, All Movie Guide

Several popular radio personalities converge in the RKO Radio "comedy salad" Look Who's Laughing. Taking a vacation from his radio series, ventriloquist Edgar Bergen sets out in his private plane, accompanied by his dummy Charlie McCarthy. Developing engine trouble, Bergen makes a forced landing in the town of Wistful Vista, home of Fibber McGee and Molly (Jim and Marian Jordan). Here he gets mixed up in a municipal dispute between Fibber and Throckmorton Gildersleeve (Harold Peary) over the impending construction of a local aircraft factory. Before the film's multitude of complications can be straightened out, Fibber and Molly find themselves aloft in a runaway plane, while Charlie McCarthy falls in love with a squeaky-voiced little girl (who turns out to be Molly in disguise). Best scene: A disconsolate Charlie getting "wasted" on ice-cream sodas while counterman Sterling Holloway looks on sympathetically. Lucille Ball is largely wasted as Bergen's secretary, while Fibber McGee and Molly's radio announcer Harlow Wilcox shows up in a character bit. A box-office bonanza, Look Who's Laughing spawned an abundance of future screen assignments for Bergen, McCarthy, Fibber, Molly, and "Gildersleeve." ~ Hal Erickson, All Movie Guide

This last entry in the Dr. Christian series tells about a country doctor who pieces together a defense to get a bank teller-- who has been wrongly convicted of embezzlement--out of jail. ~ Kristie Hassen, All Movie Guide

Remedy for Riches was the fourth in RKO Radio's six-entry "Dr. Christian" series. Jean Hersholt returns as Dr. Christian, the wise and beneficent general practitioner of the town of River's End. The plot is thickened on this occasion by an oil-well scam, perpetrated by city slickers Stewart (Warren Hull) and Vandeveer (Jed Prouty). When the doctor's geologist friend Davis (Dick Baldwin) looks into the duo's get-rich-quick scheme, they contrive to have Davis thrown in jail. Before Christian is able to take matters into his own hands, he is sidetracked by a comic subplot involving a baking contest, presided over by real-life newspaper nutritionist Prudence Penny (as herself). Remedy for Riches is distinguished by more happy endings than a volume of Grimm Fairy Tales. ~ Hal Erickson, All Movie Guide

The third of six feature films based on radio's popular Dr. Christian series, Dr. Christian Meets the Women once more stars Jean Hersholt as the kindly eponymous medico. In this entry, the tiny community of River's End is invaded by Professor Kenneth Parker (Rod La Rocque), a charming charlatan who is promoting a "miracle" diet pill. Despite Dr. Christian's warnings, Parker's wares are ravenously consumed by the female population, whereupon the pill's dangerous side effects begin to manifest themselves. Dr. Christian comes to the rescue with a sensible diet formula which, according to studio publicity, was an amalgam of suggestions from 100 leading American doctors. Its health benefits aside, Dr. Christian Meets the Women was only a fair-to-middling series entry. ~ Hal Erickson, All Movie Guide

The last of RKO's Fred Astaire-Ginger Rogers vehicles, The Story of Vernon and Irene Castle is also the least typical. At their best playing carefree characters in gossamer-thin musical comedy plotlines, Fred and Ginger seem slightly ill at ease cast as the real-life dancing team of Vernon and Irene Castle. The stripped-to-essentials storyline boils down to novice dancer Irene (Rogers) convincing vaudeville comic Vernon (Astaire) to give up slapstick in favor of "classy" ballroom dancing. With the help of agent Edna May Oliver, the Castles hit their peak of fame and fortune in the immediate pre-World War I years. When Vernon is called to arms, Irene stays behind in the US, making patriotic movie serials to aid the war effort. Vernon is killed in a training accident, leaving a tearful Irene to carry on alone. To soften the shock of Astaire's on-screen death (it still packs a jolt when seen today), RKO inserted a closing "dream" dancing sequence, with a spectral Vernon and Irene waltzing off into the heavens. The film's production was hampered by the on-set presence of the real Irene Castle, whose insistence upon accuracy at all costs drove everyone to distraction--especially Ginger Rogers, who felt as though she was being treated like a marionette rather than an actress. In one respect, Mrs. Castle had good reason to be so autocratic. Walter, the "severest critic servant" character played by Walter Brennan, was in reality a black man. RKO was nervous about depicting a strong, equal-footing friendship between the white Castles and their black retainer, so a Caucasian actor was hired for the role. Mrs. Castle was understandably incensed by this alteration, and for the rest of her days chastised RKO for its cowardice. As it turned out, it probably wouldn't have mattered if Walter had been black, white, Chicano or Siamese; The Story of Vernon and Irene Castle was a financial bust, losing $50,000 at the box office. Perhaps as a result, Fred Astaire and Ginger Rogers would not team up again for another ten years. ~ Hal Erickson, All Movie Guide