Raymond Lovell Movies

The Steel Key is a little-known British melodrama with some potent talent involved, including actors Terence Morgan and Joan Rice and future Saint director Robert Baker. The "maguffin" in this film is a formula for processed hardened steel. When the formula is stolen, the evidence points to international espionage. The good guys follow the trail of hot clues and dead bodies to uncover the villains boring from within the British industrial circles. Rarely seen in recent years, The Steel Key made the rounds in the early-TV days when British films were virtually all that was available for the tube. ~ Hal Erickson, Rovi

The mudlark is Andrew Ray, an illiterate London street urchin of the mid-19th century. Having seen a picture of Queen Victoria on a coin, Ray determines to meet the Great Lady, and to that end he sneaks into Windsor Castle. Victoria (Irene Dunne in a padded costume) has sequestered herself in the castle since the death of her beloved Prince Albert, and has refused to make any public appearances, much to the consternation of Prime Minister Disraeli (Alec Guinness). When the boy breaks into the Queen's sanctorum, her courtiers are convinced he's part of an assassination plot. But Victoria is regenerated by the boy's natural good humor, and for the first time in a long time she emerges from mourning to see her loyal subjects again. Filmed in England, The Mudlark not so much an historical drama as it is an acting lesson from such masters as Irene Dunne, Alec Guinness, and Finlay Currie (as a kilted Scotsman). ~ Hal Erickson, Rovi

Rising British star Sally Ann Howes was given a worthwhile screen vehicle with Fools Rush In. Howes plays Pamela Dickson, an impulsive young bride-to-be, while Guy Rolfe portrays her long-lost father Paul. Ostensibly a cad and bounder, Paul turns out to be just the opposite when he arrives for Pamela's wedding. The girl immediately drops her own wedding plans to arrange a reconciliation between her father and mother (Nora Swinburne). Screenwriter Geoffrey Kerr adapted the script from a play by Kenneth Horne. Fools Rush In is as light as a feather, but it pleases the crowd. ~ Hal Erickson, Rovi

George Gordon, aka Lord Byron, the clubfooted 19th-century poet with the uncontrollable libido, is played by Dennis Price in this lavish British chocolate-box epic. From the vantage point of his deathbed, Byron recalls his life and many loves, imagining that he's pleading his case before a celestial court. Joan Greenwood looks like she's just stepped out of a portrait frame as Lady Caroline Lamb (whose own sordid story would also be filmed in due time). Her performance is far more persuasive than that of Dennis Price, who seems less libertine than precocious as Byron. Roundly ridiculed by British film critics in 1949, The Bad Lord Byron has stood the test of time -- not really a classic, but an acceptable rainy-day wallow. ~ Hal Erickson, Rovi

In this melodrama, a London girl falls happily in love with a Frenchman and immediately goes blind. Convinced her affliction is a Divine punishment for her sins, she joins a convent. The good sisters know she does not belong there and gently convince her to leave. Shortly after returning to secular life, the Frenchman marries her and they move to France to live in his parents' manor. There, the poor bride begins feeling like an unwelcome guest and like someone wants her dead, but cannot prove it. She expresses her fears, but no one believes her and after a particularly terrible fight, she miscarries. Feeling unloved by her own husband, the poor woman returns to England. There she undergoes a potentially dangerous but successful operation to restore her sight. Still upset her husband's lack of belief, she returns to France to prove her allegations. ~ Sandra Brennan, Rovi

A play by Ben Van Eeslyn served as the basis for But Not in Vain. Raymond Lovell plays a Dutch farmer during World War II. A strong opponent of the occupying Nazi regime, Lovell does his patriotic duty by hiding resistance leaders in his barn. His activities are threatened by his own son, an avaricious type who threatens to notify the Nazi authorities if Lovell doesn't fork over the resistance members' valuables. While most of the cast is English, But Not in Vain is convincingly Dutch in atmosphere and point of view. ~ Hal Erickson, Rovi

The blind goddess is justice, which may or may not be served in this British second feature. Eric Portman plays the private secretary to a celebrated public figure (Hugh Williams). Portman holds his boss in an esteem that borders on hero worship. But when his idol is brought into court, the secretary quickly learns that the Great Man is waist-deep in political corruption. Blind Goddess was based on a stage play by Patrick Hastings. ~ Hal Erickson, Rovi

The first of three well-received "omnibus" films hosted by Somerset Maugham, Quartet features four of Maugham's most celebrated stories, each introduced by the author himself. In "The Facts of Life," a seemingly innocent British youth (Jack Watling) is targeted for a shakedown by a beautiful adventuress (Mai Zetterling), while Basil Radford and Naunton Wayne perform their usual brilliant byplay. In "The Alien Corn," a young aristocrat (Dirk Bogarde) hopes to become a professional concert pianist. "The Kite" tells the story of a preoccupied inventor (George Cole) who places his hobbies ahead of his wife (Susan Shaw) as an indirect means of defying his dominating mother (Hermione Badderly). The film concludes with "The Colonel's Lady," wherein the title character (Nora Swinburne) embarrasses her stuffy husband (Cecil Parker) by publishing a torrid volume of romantic poetry. Each of the short tales in Quartet possesses its own mood, pace and rhythm, and each is a gem in its own right. The popularity of Quartet resulted in two more Maugham compendiums, Trio and Encore, not to mention the multistoried American film O. Henry's Full House. ~ Hal Erickson, Rovi

In this WW II crime drama, Johann Schmidt secretly frees a Dutch diamond cutter from a Nazi prison camp. He does it so he can uses the man's special talents for his own evil schemes. Before freeing him, wicked Schmidt killed the cutter's ex-partner and stole his raw diamonds. Now he threatens to kill the craftsman's daughter unless he cuts the stones. Fortunately, a persistent detective is on the case and brings Schmidt to justice. ~ Sandra Brennan, Rovi

George Bernard Shaw adapted his own play for the screen in this blithe film version of the romance between Caesar (Claude Rains) and Cleopatra (Vivien Leigh). Shaw's Caesar and Cleopatra are merely Henry Higgins and Eliza Doolittle cast back into ancient times with Caesar doting with admiration and burgeoning love upon Cleopatra and expostulating, "You have been growing up since the Sphinx introduced us the other night." The story is a simple one concerning Caesar instructing Cleopatra on how to act like a queen. But Cleopatra is left cold by Caesar and his blatherings. ~ Paul Brenner, Rovi

Leo Martin (William Hartnell) is a low-level member of a smash-and-grab gang run by shady dance-club owner Loman (Raymond Lovell), who is cajoled into a risky job on a major jewelry store. When the robbery goes wrong, and Martin is caught (and his wrists broken), the hood keeps silent and does his stretch in prison -- all along, he nurses a grudge against Loman and his driver Hatchett (Victor Weske) for running out on him. And that grudge grows to full-blown, murderous vengeance when Loman blows off the newly-released Martin as no use to the gang (as his hands aren't what they used to be). Now Martin plans to get even by squeezing Loman dry of everything he has, starting with his peace-of-mind -- he implicates the club owner in a murder, while planning a seemingly perfect alibi for himself, and also manages to latch on to the ring-leader that Loman is fronting for, "respectable" art dealer Gregory Lang (Herbert Lom). Lang has a knack for tying up loose ends -- including Loman -- and thinks he can handle a low-level spiv like Martin, but he doesn't reckon with the latter's rage, deviousness, or resourcefulness. Martin's planning gets him past all of the obstacles in his way, even -- so it seems -- the plodding efforts of Inspector Rogers (Robert Beatty), still investigating the killing that put Martin's plan into operation. ~ Bruce Eder, Rovi

This drama follows the exploits of Eisenhower's top aide, Mark Clark, and other important Allies as they journey to an important meeting held on Algeria's coast. The precise location of this vital secret gathering is upon a piece of film which must not fall into enemy hands. ~ Iotis Erlewine, Rovi