Arthur Lovejoy Movies
Thornton Wilder's 1938 stage play The Merchant of Yonkers was based on an old British stage farce by John Oxenford (which in turn served as the basis of an Austrian farce by Johann Nestroy). Merchant of Yonkers was a bomb, but Wilder was quite fond of the piece, so he revised it as the considerably more successful The Matchmaker in 1955. The 1958 film version stars Shirley Booth as 19th-century matchmaker Dolly Gallagher Levi (a character not found in the Oxenford or Nestroy versions; Wilder "borrowed" Dolly from Moliere's The Miser). Dolly is currently trying to arrange a marriage between Yonkers dry-goods merchant Horace Vandergelder (Paul Ford) and hatmaker Irene Molloy (Shirley MacLaine)-though she secretly harbors a desire to march Horace to the altar herself. Meanwhile, Vandergelder's chief clerk Cornelius (Anthony Perkins), celebrating a recent promotion, decides to head to New York for a "good time". Though he's supposed to be minding the store, Cornelius abandons the shop, with fellow-clerk Barnaby (Robert Morse, repeating his stage role) in tow. Inevitably, Cornelius and Barnaby wind up escorting Irene Molloy and her co-worker Minnie Fay (Perry Wilson) to a fancy restaurant, where Horace and Dolly are also dining. As the many plot twists wend their way through the proceedings, the camera occasionally pauses to allow the character to speak directly to the audience, expressing their innermost desires and philosophies; this purely theatrical device works quite well on screen, especially the monologue about honesty delivered by handyman Malachi Stack (played with alcoholic whimsy by Wallace Ford). While the name "Malachi Stack"may not be familiar to you, the other characters-and the basic plot-will be instantly recognizable to fans of Hello Dolly, the 1964 musical comedy version of The Matchmaker. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Booth, Anthony Perkins, (more)
- 1957
A locked-in-the-fifties science fiction film, The 27th Day begins with five different people from five different countries suddenly disappearing from view. They have been gently abducted by the agent (Arnold Moss) of a faraway dying planet, who gives each of the five earthlings a "killing capsule" that will destroy everything on Earth and allow the residents of the alien planet to re-colonize the planet--but which will be ineffective if not used after 27 days. In typical Cold War fashion, the representatives of the "good" countries (including Gene Barry) refuse to utilize the capsules, while the Soviets, (personified by Azemat Janti and Stefan Schnabel) intend to deploy the capsules for their own nefarious purposes. Their perfidy only results in the utter decimation of the USSR. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Barry, Valerie French, (more)
- 1956
When Emily Rocco (Judy Holliday) waddles into view at the beginning of Full of Life, her appearance marked a cinematic breakthrough; seldom had so pregnant a leading lady ever appeared on an American movie screen. With her baby's birthdate only a month away, Emily and her husband Nick (Richard Conte) prepare for first-time parenthood. What they aren't prepared for is Nick's Italian-bricklayer father (Salvatore Baccaloni) who descends upon their humble household with the intention of ruling the roost. Most of all, Papa wants Nick and Emily to go through a proper Catholic wedding, since he doesn't consider their civil ceremony valid. This situation is good for a few laughs, but far funnier is the all-too-typical erratic behavior of expectant mother Emily. Adapted by John Fante from his own novel, Full of Life effortlessly runs the gamut from warm family comedy to outrageous slapstick and back again. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Holliday, Richard Conte, (more)
Perhaps the finest American film from the famed European director Max Ophüls, the film stars Joan Fontaine as a young woman who falls in love with a concert pianist. Set in Vienna in 1900, the story is told in a complex flashback structure as the pianist, Stefan Brand (Louis Jourdan), comes upon a letter written to him by Lisa Berndl (Fontaine), a girl who has been in love with him for years. Stefan is in the process of fleeing Vienna on the eve of fighting a duel. As he prepares himself for the nocturnal journey, the letter arrives. It begins, "By the time you read this letter, I may be dead." As Stefan sits back in his study to read this letter, it turns out to be a confession of unrequited love from Lisa. The story flashes backs to when Lisa was 14 years old and Stefan was her neighbor. After following Stefan with a girlish obsession, the romance gets much more serious, and they have a brief encounter. Stefan promises to come back to her after a concert tour, but he never does. Meanwhile, Lisa marries another man when she discovers that she is pregnant with Stefan's child. When she runs into Stefan years later, he doesn't remember her and tries to seduce her. After Stefan reads the letter, he wants to rush to her side, but now poor Lisa is dying from typhus. ~ Paul Brenner, All Movie Guide
- Starring:
- Joan Fontaine, Louis Jourdan, (more)
- 1930
In this heartwarming drama, an amiable department store worker gets more than he bargained for when he accidentally slips a $10 tip he'd received into the hands of a nurse looking for donations to an orphanage on the way to the bank. By doing this, he unwittingly committed himself to supporting one of the orphans. As he rather likes the nurse, and his new boy, he takes on another job to fulfill his obligation. He finds himself quite happy with the situation until a wealthy man steps forward claims that he believes the boy is his grandson. He promptly adopts the lad. The distraught clerk then plots to kidnap the youth to get him back. Instead he proves that the boy is not related to the millionaire and regains custody. Then to make it all official, he proposes to the nurse, she accepts and a happy family is born. ~ Sandra Brennan, All Movie Guide
