Bessie Love Movies
Love was born Juanita Horton. While still a Los Angeles high school student she began appearing in films in 1915. She was given her screen name by filmmaker D.W. Griffith. In 1916 she began appearing in lead roles opposite several major stars, and made a big impression as the Bride of Cana in Intolerance. Her subsequent career was a roller-coaster; each time she appeared to have broken through as a major star in a big film, she was cast in several forgettable ventures and had to start her way back up. Also, producers weren't sure how to cast her: at first she was an ingenue heroine; in the early '20s she played somber leads in melodramas; in the late '20s she was in light films. A footnote: in 1925 she introduced the Charleston to films in King on Main Street. She had several "comebacks," the most noteworthy of which was in the talkie musical The Broadway Melody. Successfully making the transition to sound, she proved herself to be a very talented song-and-dance star and received a Best Actress Oscar nomination. Once again very popular, she nevertheles appeared in few additional films, primarily because the films in which she was cast were of low quality. In 1931 she appeared at the New York Palace. In 1935 she moved to London, where she remained the rest of her life; after that her film work was sporadic, though it continued until the early '80s. During World War Two she served with the American Red Cross in England and worked as a film technician at Ealing Studios. Later in her life she did much stage work, starring in numerous plays; she also wrote the play The Homecoming (1958), designed to star herself. ~ All Movie Guide- 1974
In Mousey a made-for-TV thriller, a disturbed and obsessed man seeks to regain his son from his overbearing, controlling wife. Kirk Douglas, nick-named "Mousey" by his high-school student, is left by his wife, Laura (Jean Seberg) who also takes her young son who "Mousey" has adopted. "Mousey" begins to stalk her, murdering strangers in the vain hope of impressing her. Kirk Douglas, well-directed by Daniel Petrie, gives a strong, chilling performance, portraying a vengeful man obsessed over his lack of power. Mousey is exceptionally well done and engrossing. It presents a portrait of obsession and gives Douglas the opportunity to explore and build on his character. While Jean Seberg, in the last role before her death, is quite good, this is Kirk Douglas' movie and he never lets it go. Mousey was also released as Cat and Mouse. ~ Linda Rasmussen, All Movie Guide
- 1974
This Hammer-flavored gothic outing (originally titled Daughters of Dracula) involves the sanguinary exploits of two female vampires (Marianne Morris and Playboy centerfold Anulka) who bed down together in a queen-sized coffin by day and seduce male and female victims by moonlight, leading to lots of steamy soft-core sex scenes followed by copious amounts of the red stuff. One of their victims (Murray Brown) falls in love with Moore, even as he grows increasingly anemic due to her nutritional requirements. Moody photography and lush sets enhance the film's fatally hedonistic atmosphere, and the stars assay temptingly feline performances that render their characters' seductive powers chillingly real. This was a late entry in the European "lesbian vampire" sub-genre, a 1970s phenomenon made popular by such filmmakers as Jean Rollin and Jess Franco that made a comeback in the late 1990s. ~ Cavett Binion, All Movie Guide
- Starring:
- Marianne Morris, Anulka Dziubinska, (more)
- 1973
June Wyndham-Davies directs this made-for-TV version of the classic children's novel Pollyanna, written by Eleanor H. Porter. This miniseries was broadcast in six half-hour episodes on the BBC in 1973. Elizabeth Archard plays the overly optimistic orphan Pollyanna who goes to live with her lonely, bitter old Aunt Polly (Elaine Stritch). Despite being paralyzed in an accident, her chipper attitude brightens the lives of everyone she encounters, including an old hermit (Donald Bisset), an orphaned boy (Stephen Galloway), and her doctor (Paul Maxwell). ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Elizabeth Archard, Elaine Stritch, (more)
This British film examines the choices individuals must make when confronted with a romantic relationship which is rewarding but does not offer them everything they want. In this sympathetic and psychologically precise drama, Alexandra Greville (Glenda Jackson), "Alex" to her friends, has a younger man as her sometime lover, the young sculptor Bob Elkin (Murray Head). Elkin is completely open about the fact that he is also the lover of her acquaintance, Dr. Daniel Hirsch (Peter Finch). These relationships continue in some kind of equilibrium until Alex and Bob agree to house-sit the children of a couple known to the three of them. In their roles, neither Head nor Finch "swished," or otherwise catered to homosexual stereotypes, and theirs was considered to be a groundbreaking, sympathetic portrayal of this kind of relationship, not condescending in any way. One highlight of the film is a scene in which Dr. Hirsch attends the Bar Mitzvah of his nephew. This critically well-received movie was unexpectedly successful at the box office. The film's director and screenwriter, as well as Jackson and Finch, were nominated for Academy Awards. ~ Clarke Fountain, All Movie Guide
- Starring:
- Glenda Jackson, Peter Finch, (more)
- 1968
Vanessa Redgrave stars in this film biography of the free-spirited modern interpretive dancer Isadora Duncan. Trained in classical dance, Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer (Jason Robards) and the Russian poet Sergei Essenin (Ivan Tchenko), her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules, often shunned by the very people who had so passionately embraced her pioneering efforts in dance, women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vanessa Redgrave, John Fraser, (more)
- 1968
In this rabid anti-communist science fiction tract, scientist Arnold Kramer (Peter Arne) convinces the Pentagon that the communist Chinese are digging a complex series of tunnels from China and beneath the United States, from which they plan to detonate nuclear weapons and destroy the free world. Kramer enlists Commander Jonathan Shaw (Kerwin Mathews) to assist Kramer in trying to prevent the literal and final collapse of the U.S.A. Shaw sets up shop inside an extinct Hawaiian volcano, attempting to destroy the main supply tunnel coming from China. But before the team can complete their mission, they are captured y the evil Chinese. Now it is up to Shaw and Kramer to escape the clutches of the Chinese in order to activate a nuclear stockpile inside the tunnel and incinerate the Chinese forces. ~ Paul Brenner, All Movie Guide
- Starring:
- Kerwin Mathews, Vivienne Ventura, (more)
- 1967
- Add I'll Never Forget What's 'is Name to QueueAdd I'll Never Forget What's 'is Name to top of Queue
The imprisoning aspects of Success are humorously analyzed in this British-made film. Oliver Reed plays a wealthy advertising man who feels he has sold his soul and wishes to return to his happier earlier existence as a poor but swinging Londoner. Reed is goaded on by his boss, Orson Welles, who represents all the mercenary crassness that Reed despises. Handed a crucial commercial account, Reed plans to destroy himself by producing as offensive and confusing an ad campaign as possible. But Welles and the client are delighted by the "insult," and the disgruntled Reed is more successful than ever. Directed in the fragmentary "psychedelic" style typical of the late 1960s, I'll Never Forget What's'is Name gained notoriety upon its initial release by being the first mainstream British film in which the "F" word was spoken on-screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Orson Welles, Oliver Reed, (more)
- 1966
In this sexy comedy an affianced woman decides to sow one last wild oat before becoming a devoted wife. She therefore dresses up in a slinky black number and goes to her company Christmas party. The shapely lass impresses both her boss and a sales manager for the cosmetic company. The manager then sends her a new dress and she goes to his hotel room to have a little lunch. When he makes a pass, she flees and returns to the party and spikes the punch. When her fiance shows up, they all kick him out. Soon the drunken party-goers begin cozying up to one another. The girl realizes she has gone too far and sets off the company sprinkler system to sober them up. Things are suitably dampened and the partiers begin getting rather glum until they hear that one of the employee's wives has given birth. Later, the troublemaker makes nice with her fiance and they leave. ~ Sandra Brennan, All Movie Guide
- 1966
This exciting adventure provides an interesting look into the manufacture and trafficking of opium and heroin. The original story was written by Ian Fleming who died shortly before he was to pen the screenplay. The story is set in Iran and opens as an American undercover agent is murdered in the desert while attempting to buy opium. Two more agents are sent to Teheran to investigate the death and stop the powerful drug ring behind the smuggling. Once there, they run into the dead agent's girlfriend, who soon after suddenly disappears. Unfortunately, they cannot find her and so focus on their other job. To figure out where the drugs are going (and hopefully get a lead on the missing girl) they steal a bunch of opium and lace it with radioactive tracers so they can track it with Geiger counters. They then follow the drugs as they are slowly dispersed throughout Europe. After many twists, turns and blind alleys, the agents eventually succeed. This film was originally made for TV and contains cameos from many stars who worked for little pay because they strongly supported its anti-drug message. Those stars include Grace Kelly (who introduces the film) Omar Sharif, E.G. Marshall, Eli Wallach, Marcello Mastrioanni, and many more. ~ Sandra Brennan, All Movie Guide
- Starring:
- Senta Berger, Stephen Boyd, (more)
- 1964
A woman has to choose between the rich man she wants and the bohemian type who loves her in this comedy. Michele O'Brien (Leslie Caron) is a young widow raising a baby in Greenwich Village. She's decided that her child needs a father, and she determines that her best bet as a prospective mate is Dr. Phillip Brock (Robert Cummings), a well-heeled child psychologist. The only trouble is, Phillip doesn't like children very much, so Michele tries to keep her baby a secret from him. Michele's upstairs neighbor, Harley Rummell (Warren Beatty), is in love with her and is more than happy to baby-sit; however, Harley makes his living shooting nudie films in his flat, and when the baby begins making cameo appearances in the films, Michele starts wondering if Harley might be a bad influence on the tyke. William Peter Blatty, later to write the best-selling novel The Exorcist, penned the screenplay. Keep an eye peeled for a young Donald Sutherland in a bit part. ~ Mark Deming, All Movie Guide
- Starring:
- Warren Beatty, Leslie Caron, (more)
- 1963
This sequel to the 1960 Village of The Damned falls short of the original well-made Sci-Fi shocker. The pretentious attempt to give the film a moral message severely weakens the plot and serves to confuse the fans of the previous film. Beautiful, strange children with genius IQ's, destructive dispositions, and ray-gun eyes, who were invaders bent on overtaking the earth in the former tale, are now a sample of mankind's future sent to the earth for the purpose of being destroyed in order to teach the present-day warlike man a lesson of some sort. Plagued with a tedious and unimaginative plot. ~ Lucinda Ramsey, All Movie Guide
- Starring:
- Ian Hendry, Alan Badel, (more)
- 1961
A young Susannah York had her first lead role in this drama about a teenage girl on the cusp of womanhood. When her mother falls ill during a vacation in the French wine country, 16-year-old Joss Grey (York) is left to her own devices as she and her three younger siblings are left in the reluctant care of Madame Zisi (Danielle Darrieux), the proprietor of the hotel where they were staying. Eliot (Kenneth More), Zisi's strapping boyfriend, offers to show the youngsters some of the sights in the countryside, and Joss finds herself developing a strong infatuation with the older man. However, when she realizes that Eliot and Zisi are lovers, she becomes despondent and ends up getting drunk on wine with Paul (David Saire), a boy who works in the kitchen at Zisi's hotel. When Joss learns that Eliot is actually a jewel thief wanted by the law, she informs the police of his whereabouts. However, that same night, Paul's efforts to seduce Joss degenerate into a violent attempt at rape, but when Eliot hears her screams for help, he comes to Joss' rescue. Having spared her virtue and perhaps her life, Joss confesses to Eliot that she has turned him in to the police, and urges him to flee for his own safety. One of Joss' sisters is played by Jane Asher, a distinguished actress who was most famous in the United States not for her abilities as a performer, but for spending several years as Paul McCartney's girlfriend. ~ Mark Deming, All Movie Guide
- Starring:
- Kenneth More, Danielle Darrieux, (more)
Vivien Leigh plays Karen Stone, a middle-aged actress whose career is in a tailspin. To assuage her hurt feelings, Karen goes on a vacation to Rome with her husband, who dies en route. Her best friend (Coral Browne) compassionately arranges for a young Italian escort (read: gigolo) to keep Karen from wallowing in her grief in Rome. The man hired for the task is sneering, contemptuous Pablo di Leo, played by Warren Beatty. Despite Pablo's rude behavior, the lonely Karen throws herself at him, showering him with expensive gifts and demanding his undivided attention. This being an adaptation of a Tennessee Williams novel, Blanche Dubois --er, Karen Stone must pay the piper for her eleventh-hour surfeit of passion; she is dispensed with by an "Angel of Death" in the form of psycho Jeremy Spencer. More operatic than dramatic, The Roman Spring of Mrs. Stone represents the only feature-film directorial effort of experimental-theatre maven Jose Quintero; his assistant was future Bullitt helmer Peter Yates. ~ Hal Erickson, All Movie Guide
- Starring:
- Vivien Leigh, Warren Beatty, (more)
- 1960
Based on the stageplay Pick-up Girl, this film adaptation by director Muriel Box retains enough of the verbose theatrical styling and single-set focus to wobble as a cinematic effort. The story centers around an unfortunate period in the life of Elizabeth (Pauline Hahn), a fifteen-year-old girl who lives with her mother in New York while her father is away working in California. Because her mother works late into the night, there is not enough guidance or supervision in Elizabeth's life to keep her from making bad choices. And so she ends up with some dubious-looking friends, and after a brief fling with a sailor she goes through the trauma of an abortion. By that time any split with her parents has widened into a major chasm. Eventually she gets into even more trouble and ends up in juvenile court. It is in that setting under the understanding eye of a worldly wise judge (Thomas Mitchell) that her story unfolds in flashbacks as her fate hangs in the balance. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Thomas Mitchell, Joan Miller, (more)
- 1958
In his all too brief life, director Henry Cornelius became the principal standard-bearer of genteel whimsy in British films. Cornelius' Next to No Time (based on a story by Paul Gallico) stars Kenneth More as a milquetoast engineer who has lost a lot of professional and personal opportunities because of his unwillingness to assert himself. While on a cruise across the Atlantic, More notices that the wall clock in the ship's bar is standing still. The bartender explains that the clock is always halted for an hour each day in order to coordinate with the International Date Line. Emboldened by the notion that anything is possible when time stands still, More sheds his inhibitions, improves his lot in life, and wins the love of an American girl (Betsy Drake). While not as remarkable a comic achievement as Henry Cornelius' Genevieve, Next to No Time is perfect "wish fulfillment" TV fare for a rainy afternoon. ~ Hal Erickson, All Movie Guide
- Starring:
- Kenneth More, Betsy Drake, (more)
- 1958
Maggie Smith makes her film debut in this outing as an aristocrat whose sheltered existence is shattered by the arrival of George Nader. Nader is a fugitive from justice who can expect no help from his fellow criminals. He takes refuge in Smith's home, entreating her to shield him from the police. She draws closer to Nader after the latter is accidentally shot. The film was adapted from a novel by Donald McKenzie. ~ Hal Erickson, All Movie Guide
- Starring:
- George Nader, Bernard Lee, (more)
- 1957
Story of Esther Costello is the cinematic equivalent of eating a whole box of potato chips; you may hate yourself, but you'll relish every bite in the meantime. Joan Crawford plays a well-meaning woman who throws herself whole-hog into every charitable cause that comes down the pike. She is married to Rossano Brazzi, who is as greedy as Crawford is generous. Crawford rescues blind deaf-mute Heather Sears from her squalid surroundings, leading to her creation of a charity campaign on behalf of handicapped children, with Sears as "poster child." Brazzi, in league with crooked promoter Ron Randell, seizes upon this as a means to line his own pocket--and one night, he decides to assert his manhood with the helpless Sears. The shock of this assault causes the girl to instantly regain her sight and hearing! Crawford reacts to her husband's outrage by driving her car into a tree, snuffing out Brazzi's life as well as her own. Sears--or Esther Costello, for she is indeed the title character--finds happiness with an honest young reporter (Lee Patterson). Set in America and released by an American company (Columbia), Story of Esther Costello was nonetheless filmed in its entirety in England. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Rossano Brazzi, (more)
- 1955
Touch and Go stars Jack Hawkins as the head of a British family who decides to kick over the traces and emigrate to Australia. No one in the family, least of all wife Margaret Johnston, is enthused over this move, but they prepare themselves with dignity. As the technical and legal obstacles preventing their move begin to mount, even Hawkins has second thoughts about hitching his star Down Under. Since no one behaves very believably in the film, Touch and Go rises and falls on its individual comic sequences, some of which are quite good. The title Touch and Go has been used so often that when the film was released in the US, it was retitled The Light Touch. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Hawkins, Margaret Johnston, (more)
- 1954
Had the women-behind-bars drama The Weak and the Wicked been made in Hollywood, the cast would probably have included the likes of Ida Lupino, Marie Windsor, Peggie Castle and Hope Emerson. Instead, the film was lensed in Britain, with Glynis Johns and Diana Dors heading the cast. Framed on a charge of fraud, "good girl" Glynis is tossed into prison. Her cellmates include hard-boiled Ms. Dors, murder suspect Jane Hylton, blackmailer-poisoner Dame Sybil Thorndyke and shoplifter Olive Sloane. Each of their stories is detailed in a series of flashbacks. Downplay the potential sensational elments of the storyline, The Weak and the Wicked takes great pains to point out the positive values of a special rehabilitation program, wherein the main characters are given the opportunity to make themselves useful members of society. ~ Hal Erickson, All Movie Guide
- Starring:
- Glynis Johns, John Gregson, (more)
The Barefoot Contessa begins at the funeral of Ava Gardner, a former Spanish peasant, cabaret dancer and movie star, who at the time of her death was a full-fledged contessa. Her life story unfolds in flashback recollections from her mourners. Film director Humphrey Bogart recalls how his career was saved when he discovered Gardner on behalf of Howard R. Hughes-like mogul Warren Stevens. Press agent Edmond O'Brien remembers how Ava was wooed and then abandoned by mercurial millionaire Marius Goring, and Italian count Rosanno Brazzi reflects on how he was able to wed the tempestuous Gardner, only to watch his world crumble after revealing on their wedding night that he was "only half a man." O'Brien received Best Supporting Actor awards at both the Academy Awards and Golden Globes in 1954. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Ava Gardner, (more)
- 1951
The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Donat, Margaret Johnston, (more)
- 1951
Henry Koster directs the 1951 aviation drama No Highway in the Sky, based on the novel by Nevil Shute. James Stewart stars as Theodore Honey, a widower and single parent to 11-year-old Elspeth (Janette Scott). He's also an absent-minded engineer who has formed a scientific theory about metal fatigue in a specific model of aircraft. He tries to convince British Airways that their airplanes will come apart after a certain amount of miles, but no one believes him. Then administrator Dennis Scott (Jack Hawkins) sends him on a flying mission to investigate a crash site in Newfoundland. Along the way, he meets stewardess Marjorie Corder (Glynnis Johns) and movie star Monica Teasdale (Marlene Dietrich). ~ Andrea LeVasseur, All Movie Guide
- Starring:
- James Stewart, Marlene Dietrich, (more)
- 1946
Filmed in 1945 and released in the US the following year, the Anglo-American Journey Together is a tribute to the Royal Air Force, with several members of the RAF (and the acting profession) in prominent roles. The story follows the progress of two aspiring RAF pilots, cockney David Wilton (Sgt. Richard Attenborough) and college graduate John Aynesworth (Aircraftsman Jack Watling), from basic training to bombing mission. David and John are briefly sent off to America, where they are trained for aerial combat by no-nonsense Dean MacWilliams (Edward G. Robinson). The two flyboys then separate, with David going to Canadian Navigational School while John earns his wings and is shipped back to England. It's a tougher road to hoe for the combative, fiercely independent David than it is for the calmly resilient John, by by film's end the two comrades in arms are together again, flying their first hazardous mission over Berlin. Bessie Love, an American actress then living in London, plays Edward G. Robinson's wife; other roles are filled by members of the Royal Canadian Air Force and the US Army Air Corps. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Richard Attenborough, (more)
- 1941
Emeric Pressburger was one of the scenarists on the big-budget British seafaring saga Atlantic Ferry. The film is a romanticized recounting of the first-ever steamship crossing of the Atlantic in 1837. Michael Redgrave and Griffith Jones star as the MacIver brothers (the film is based on a story by one of the MacIver progeny). The siblings battle both the Atlantic and (whenever a woman is involved) each other, but they achieve their goal, making shipping lanes safe for steam power. Inasmuch as the film was made at the outbreak of World War 2, the filmmakers contrive to rabbet a bit of anti-German propaganda into the proceedings. "Has considerable gusto" was the New York Post's pithy critique of this morale-boosting film. The huge cast includes such British-movie stalwarts as Valerie Hobson, Bessie Love, Frederick Leister and Felix Aylmer. Atlantic Ferry was distributed in the US by Warner Bros. under the title Sons of the Sea. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Redgrave, Valerie Hobson, (more)
